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Influence of media advertising on consumer behaviour
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In this essay I will describe an image taken from an advert and use visual methodological approach to analyse and depict the different set of meanings produced by this image. In order to explicate my ideas I will provide a brief outline of the picture. Then, I will describe a number of coded and non coded meanings and how the advert is employing a range of signifiers to communicate messages to the consumer and reinforce the brand identity. (Barthes 1972)
For the purpose of this argument I will explore the image in the context using Barthes methodology in its “signs” (Barthes 1972) produced and deconstruct the image in basic building blocks.
This photograph has been taken by the photographer Steven Klein for the Calvin Klein Fall-Winter 09/10 jeans campaign. The advert captures Eva and unveils the celebrity top half wearing only a pair of jeans on a plain, white background. The picture is in black and white with a caption of Calvin Klein Jeans and the garment label.
Eva Mendes half top is undressed and she is exposing her bare back turning her torso slightly, while her face confronts the spectator. The skin dominates the image and the eye is immediately drawn to the intensity of her expression, the curvaceous figure and her arms in an explosion of seductive beauty, framed by nothing but a pair of jeans. To quote Berger’s line “her expression is the expression of a woman responding with calculated charm to the man whom she imagines looking at her…she is offering up here femininity as the surveyed”. (Berger, 1972, p. 49) The centrality of the body in this case is even more reinforced by the caption advertising the brand called unmistakably the BODY Line.
This image is built around some key elements of the body, gender, race...
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...oston: Allyn & Bacon.
Masi De Casanova, E (2004). "No Ugly Women": Concepts of Race and Beauty among Adolescent Women in Ecuador. In Gender & Society, Vol.18, No. 3, pp. 287-308. London: Sage Publications.
Merskin, D (2004) Reviving Lolita? : A Media Literacy Examination of Sexual Portrayals of Girls in Fashion Advertising. In American Behavioral Scientist, vol. 48: pp.119-129. London: Sage Publications.
Rose, G (2007 Edition: 2) Visual Methodologies, London: Sage Publications
Wallerstein, K (1998) Thinness and Other Refusals in Contemporary Fashion Advertisements in Fashion Theory, Volume 2, Issue 2, pp.129–150. London: Berg. Williamson, J. (1978). Decoding Advertisements: Ideology and Meaning in Advertising. London: Marion Boyars.
Seckler, V (2009) Betting On The Personal Approach. WWD: Women's Wear Daily, Vol. 198 Issue 20, p8-1 Conde’ Nast Publications
This essay is an analysis of two advertising posters, one of being a modern piece of media, the other being aimed at the previous generation. I will be reviewing posters from Coca Cola and Benetton, the latter being the modern piece of media in this comparison.
The article focuses on Individualization and uniqueness and how it has begun to find its way into current advertisements. By allowing a woman to express her individuality it shows boldness, fearlessness, and confidence and that is refreshing in today’s world of fashion.
There are several aspects to the layout of this advertisement. Women, regardless of age, tend to be drawn to the use of beautiful, younger women in an arrangement, which makes this design effective. Firstly, Taylor Swift (the young woman in the picture) has been properly dressed so that the lip-gloss she is using matc...
The documentary Killing Us Softly 4 discusses and examines the role of women in advertisements and the effects of the ads throughout history. The film begins by inspecting a variety of old ads. The speaker, Jean Kilbourne, then discusses and dissects each ad describing the messages of the advertisements and the subliminal meanings they evoke. The commercials from the past and now differ in some respects but they still suggest the same messages. These messages include but are not limited to the following: women are sexual objects, physical appearance is everything, and women are naturally inferior then men. Kilbourne discusses that because individuals are surrounded by media and advertisements everywhere they go, that these messages become real attitudes and mindsets in men and women. Women believe they must achieve a level of beauty similar to models they see in magazines and television commercials. On the other hand, men expect real women to have the same characteristics and look as beautiful as the women pictured in ads. However, even though women may diet and exercise, the reality...
People tend to views an image based on how society say it should be they tend to interpret the image on those assumption, but never their own assumptions. Susan Bordo and John Berger writes’ an argumentative essay in relation to how viewing images have an effect on the way we interpret images. Moreover, these arguments come into union to show what society plants into our minds acts itself out when viewing pictures. Both Susan Bordo and John Berger shows that based on assumptions this is what causes us to perceive an image in a certain way. Learning assumption plays into our everyday lives and both authors bring them into reality.
As Entwistle eloquently claims, " it is through our bodies that we see and come to be seen in the world." By using the phrase "come to be seen in the world," Entwistle introduces how dress serves not only as an expedient for individual expression, but also as a mediator between our internal identity and social rules. Our performance of gender is coherent with what societal conventions define as the appropriate set of characteristics of a woman. This dual purpose of dress is manifest in the manner in which Jenner dresses her body: all attempts are made to exaggerate the feminine aspects of her body. For example, her satin corset drapes alluringly around her hips, accentuating the curvature of her hips. She employs significant cosmetics to further beautify her face in order to create a sensual aura. The emphasis on her Jenner 's aesthetics is in concurrence with the importance placed on a female 's looks. The aesthetic appeal is often one of the defining characteristics of a female. And thus, Jenner 's body is dressed in the way a female 's body should be dressed. In conclusion, Jenner 's dressed body plays a salient role in Jenner 's articulation and expression of her new feminine
Williamson, J. (1984). Decoding Advertisements: Ideology and Meaning in advertising. Marion Boyers Publishing (5th Ed.)
For my semiotic analysis I chose to talk about a commercial for ‘Be delicious’ from Donna Karan New York to demonstrate how advertising generates its meanings, constructs the image and behaviors ideology in order to attract customers. ‘Semiology provides the analyst with a conceptual toolkit for approaching sign systems systematically in order to discover how they produce meaning’ (Bawer et al. all, 2000: 227). Advertising is one of the typical elements used for a convincing presentation of a product or service to the buyer or user. Advertising provides the link between products or services and people.
Both Evans and Wood fit under the stereotypical views of an attractive white man or woman in America. Evans is tall and muscular, with light colored hair and eyes accompanied by five o’clock shadow. Wood is nothing short of a blonde bombshell, with blue eyes to match and makeup enhancing both her lips and eyes. Individually, the actors can be described as attractive, even sexy; but together, they create a stunning pair that is bound to draw the attention of anyone that sees the ad. Gucci relies on this visual magnetism, plus the duo’s star power, to bring in their desired audience of young, heterosexual, white
In many clothing advertisements, particularly jeans and lingerie ads, women are used as the main subjects to entice the viewer to notice the ad and most importantly, be excited about the product. In one photo, Calvin Klein Jeans promotes its clothing through what seems to be unwilling, reluctant sexual activity – rape. The advertisement displays the woman resisting the man with the palm of her right hand, and she is pulling her shirt down to cover her stomach with her left hand; yet he is still pursuing her and attempting to remove her top. Her body language and gaze – devoid of emotion – reveal that she is not interes...
The notion of semiotics involves the study of the relationship between symbols and signs and interpretation. It is through the work of semiotic that theorists such as Ferdinand De Saussure, Roland Barthes and Charles Peirce, which has essentially enabled the relationship between signs and the creation of meaning to be examined. Through this essay, I will be applying numerous semiotic theories and terminology to analyse the meaning, function and effectiveness of a visual advertisement, from a 2013 campaign initiated by Crisis Relief Singapore. It is important to understand that the advertisement is an image composed of particular signs and symbols, which fundamentally signify meaning. As cited in Fiske (1990), Peirce refers to a sign as “mental concept” which is interpreted based on the users’ experience and context.
The articles and the images relate to other reading in the course because it acknowledges that fashion is a broad subject and fashion marketing/ advertising has allowed fashion to stretch from many borders around the world. Fashion encourages everyone to dress in a certain manner; simultaneously it is about a search for individuality and expression. In The Empire of Fashion, Gilles Lipovetsky mentions the significance of advertising for haute couturiers in the nineteenth century. It was a form of individualism and self-expression; it is the beginning of advertising. Similar to Marketing Fashion and Fashion Marketing, these articles discuss different forms of fashion diffusion and its impacts on the consumers and followers of fashion.
You can see in the media in almost all occasions women being sexualized. From beer to burger commercials women in the media are portrayed as sexual beings. If they are thin and meet society’s standards of beautiful they are considered marketable. Over the...
Well whether you were for or against it, Benetton Clothing Company portrayed troubling images, which were hated by few and later praised by many. The main objective of an ad is to promote the purpose of what the company desires to do. I will be looking at three Benetton adverts for which I intend to analyse. The quote above identifies a critical change that our society is currently in the midst of. Advertising has become the single largest source of visual imagery in our society today.
In this essay I will explore the quote ‘There is no single or “correct” answer to the question, “What does an image mean?” […] Since there is no law which can guarantee that things will have “one, true meaning”, or that the meaning won’t change over time, work in this area is a debate between, not who is “right” and who is “wrong”, but between equally plausible, though sometimes competing and contested, meanings and interpretations.’ (Hall,1997) In relation to my chosen magazine cover; the 1974 edition of American Vogue with Beverly Johnson on the front cover, shot by Francesco Scavullo. To be able to understand the quote in association with this image I will focus on the images perception and begin to pick at the image in relation through