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Socially constructed gender roles
Female gender roles in society
Portrayal of women in literature
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Amidst the after war facade of happiness the conventional 1950s woman was created. As exemplified by the writings of Fahrenheit 451 the feminist approach undervalues women. Mildred Montag, a conventional wife in the story is parallel to the ideal woman that was portrayed on television during the 1950s. This is mostly the reason because of the time at which the story was written. Mildred fits this stereotype because she is naive, and expressions the frustrations of a woman at this time. Feminist Literary Theory exposes negative attitudes towards women and exposing the undervaluing of women in literature.
Mildred depicts a conventional 1950s woman in the aspect of being completely naive and oversimplified as a character. According to ‘Essential
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As stated in the ‘Roles of Women in the 1950s, by a home economics textbook published in 1954,’ This time called for… “loving wives who supported their husbands emotionally. Divorce was cause for shame, even though not every couple was happy. Pressure to conform (for men to be good “company men” and women to be perfect housekeepers and mothers) caused stress for both sexes.” Mildred may be seen as happy however if we further analyze the text she may not be. In the first part of the story it seems odd that Mildred, although a complete airhead could down 30 sleeping pills and had no idea that she did. This again as discussed in the Feminist Literary Theory makes a woman in literature seem less intelligent than their counterpart. However it could be argued that Mildred popped these pills unhappy but has no way to show it. In this dystopian society as well as the 1950s when the book was written is was a woman's job to be happy or at least pretend to be. In the story she states that she is proud of the life she has with her husband and that she is satisfied. Now just like in the 1950s the ideal woman would be there too smile and welcome her husband home from a long day at work, Mildred is the ideal woman in her society as well. Lastly, the plumbers when ‘fixing’ Mildred after she downed all the pills said this happens all the time, we
Society can change people negatively or positively. Mildred is a character in the book “Fahrenheit 451” by Ray Bradbury. Mildred has been changed by society by becoming self-centered, robotic, and unfeeling.
Mildred is not just self-centered, she is also unfeeling. For example she forgot to tell Montag that clarisse had died, and didn’t seem fazed at all. She is also robotic. When captain Beatty came to talk to Montag, Montag had asked her to leave the room. She did angrily, but she still did as she was told.
Mildred and her society are pretty peculiar. In the story Fahrenheit 451 by Ray Bradbury, Mildred and her society are crazy and do things completely different. This society has made Mildred self-centered, robotic, and unfeeling.
First Mildred is self-centered because she doesn't care what happens to others. In this society books are dangerous because they make us think. This quote from the story mildred states “ what’s this? Asked Mildred, almost with delight. Montag heaved back against her arms. What’s this here?” This quote shows how Mildred wanted to get Montag in trouble. Mildred is hoping officer Beatty will look or hear what they are saying This shows how Mildred is only looking out for
First, Mildred could be described as unfeeling. She does not care and is emotionless to everything that happens no matter what it is. In the novel, a woman kills herself in front of Montag, and because of this he is upset. Mildred’s response to this included, “She’s nothing to me; she shouldn’t have books, it was her responsibility, she should have thought of that.” She does not care that her husband is upset, and she doesn’t feel sorry or sad that someone died. Based on Captain
She is addicted to sleeping pills, absorbed in the shallow dramas played on her "parlor walls" (flat-panel televisions), and indifferent to the oppressive society around her. She is described in the book as "thin as a praying mantis from dieting, and her flesh like white bacon." Despite her husband's attempts to break her from the spell society has on her, Mildred continues to be shallow and indifferent. After Montag scares her friends away by reading Dover Beach and unable to live with someone who has been hoarding books, Mildred betrays Montag by reporting him to the firemen and abandoning him.
...iety too, as seen in Mildred’s friends. Mrs. Phelps and Mrs. Bowles are similar to Mildred, they say they voted on the last president simply for his looks. They don’t care about any of the important qualities only the superficial ones. Montag is further shocked when they talk so nonchalant about the war and their family’s, saying “(Insert quote here” (Bradbury ). This in addition, proves that not only is television addictive but can desensitize you from earthly troubles. Television allows you to step into a different world, and when Mildred’s friends are forced to come back from it, they cry and are angry. Montag forced them to comfort their disgraceful dismal of family ethics, decline of the upcoming war, and neglect of the high rates of suicide in their society.
The person who Mildred devoted her life to is ill, and Mildred is so caught up with the distraction she thinks more greatly of television characters than her husband and his health.
One thing that is important to note in Bradbury’s writing is, that even though we may have technological advancements in today’s society, for better or worse, we cannot forget the important things in life. Mildred in this story, represented a mindless drone that technology has gotten the better of. Her role indicates that technology may cause the loss of personal interactions between people. We must not forget that without the original ways of doing some things, there may be no way to advance. The loss of personal interaction, can cause the lack of advancement due to the lack of knowledge, therefore, we have to mix the old along with the new. This way we as a society, will not rely too heavily on the reliance of technology in modern and future times.
Of all characters, Bradbury uses Mildred Montag to effectively portray the idea that the majority of society has taken happiness as a refuge in nothing but passive, addictive entertainment. She immediately reveals her character early in the book, by saying, “My family is people. They tell me things: I laugh. They laugh! And the colors!” (73). Mildred is describing her parlors, or gigantic wall televisions, in this quote. Visual technological entertainment is so important in her life that she refers them to as “family,” implying the television characters as her loved ones. By immersing herself in an imaginary world, Mildred finds herself able to relate to fake characters and plots, giving her a phony sense of security. This is necessary for her to achieve her shallow happiness, or senseless plain fun, as she lifelessly watches other people in her walls with a senseless mind. Her family in real life only consists of Guy Montag, her husband, whom she has no fond feelings about. Montag is so frustrated with Mildred because of her inability to express feelings for ...
Moreover, the film Mildred Pierce follows the struggles of a hard-working mother, Mildred Pierce, as she divorces her husband and supports herself and her spoiled daughter, Veda, by starting a successful restaurant business chain. In different ways, the film challenges the notions of masculinity and femininity as gender roles are reversed with different characters but identify this, you have to look at the films ideology. Ideology is a system of ideas that structure and make sense of society. If you look at 1940s America, post World War 2, the society at the time adhered to a very hegemonic patriarchy in which men were the ones with power, the ones providing for the family; where as the women of the time were seen subordinate and were more
Maslow’s Hierarchy of Needs is a psychological theory published in 1943 that organizes a person’s need in a neat pyramid; after food, water, and shelter exist psychological needs, such as the need for love and belonging, self-esteem, and finally, self-actualization, or the realization of one’s full potential. The 1941 hardboiled drama Mildred Pierce by James M. Cain is an exploration of the psyche of its eponymous protagonist as she is deprived of the crucial feeling of being important in the world around her as described by Maslow’s hierarchy. While Mildred Pierce has deluded herself into thinking that pure love for her highly successful daughter is her true motivation for her obsession with supporting her, it is a need to feel in control
Through the use of contrasting characters; Mildred and Montag the author reveals the important theme of ignorance vs knowledge. By showing the
Fahrenheit 451, written in 1953, still advocates for a traditional monogamous relationship for the protagonist. Much unlike The Handmaid’s Tale, which was written in 1985 – a time in which the feminist movement was at large – and wanted a chance to break away from traditional relationships. Initially, Montag is happily under the impression that his relationship with Mildred is acceptable; however this is called into question after her suicide attempt. Montag slowly breaks away from conformity as he realises that their relationship is hardly one at all, that they are unable to connect with each other. Even when he tries to bond with her, asking her about how they met, her Mildred’s response is impersonal and unsympathetic. This is reinforced when she informs him of the death of his friend, Clarisse telling him “she’s gone for good. I think she’s dead” in a nonchalant manner, disregarding her husband’s feelings. His relationship with Clarisse, however, defies what is expected. Upon their first meeting, Montag asks her “But what do you talk about?” showing his shock at the thought of a relationship like that. The society in which they live supports the idea of a lack of communication, as it is easier to conform if the populace cannot connect with one another, thus isolating them; in concordance Aleš Kozel notes that “The emptiness of their bond can be supported
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.