Comparing Fahrenheit 451 And The Handmaid's Tale

A common feature in the dystopian genre is a unique protagonist, who holds views which are not necessarily in concordance with society’s regime. Both Fahrenheit 451 and The Handmaid’s Tale display protagonists’ trapped in a situation undesirable to them, yet are powerless to do anything about it. This is due to the oppression which is essential in any dystopian society. However, unlike most people in these societies, Guy Montag and Offred actually realise they live as part of an unjust regime. The two characters are nonconformists to the extent that they both dare to be different in the totalitarian regime that surrounds them, as commented by Devon Ryan, “the protagonist does not always have outstanding powers or talents, ” yet they have to

In order for the protagonist to have a full comprehension of their society, they must rebel against conformity by some means. While most of the populace are expected to conform and believe what they are told, an individual may become driven to discover information, therefore must resist conformity and pursue it independently. In Fahrenheit 451, what makes Montag a nonconformist is his disobedience to the regime. Unlike the character Clarisse, who retains her individuality and holds questions about their society, Guy Montag actively rebels when he steals the book from the fire and begins to read it, even though he is fully aware of the consequences should he be caught. As the character of Granger later tells him, “You can 't make people listen. They have to come round in their own time.” Montag simply is willing to listen to before everybody else is; he goes a step further than Clarisse by seeking answers to his questions. In the Handmaid’s Tale however, Offred, though certainly more rebellious than her counterparts therefore in this sense a nonconformist, is not necessarily a rebellious character. Inside her lies an internal struggle against the totalitarian regime, which she quietly defies through small acts such as reading or glancing at Nick when she shouldn’t. Offred, is not fully indoctrinated by Gilead’s regime, unlike the character of Janine, who she refers to as “one of Aunt Lydia 's pets,” the use of the word ‘pet’ indicating her bitterness towards the system. Similarly to Montag, reading provides Offred with a sense of rebellion and acts as a way to fight against conformity, as women are not allowed to read. The Latin phrase which is carved into her closet symbolises inner resistance to Gilead, allowing her to feel as though she can communicate with the woman who engraved the message; even more so does it make Offred rebellious, when the meaning of the phrase is revealed to be “Don’t