Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Public perceptions influenced by the media
Racism in the media essays
How does the media influence how we perceive our society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Public perceptions influenced by the media
As members of the audience, we are constantly bombarded by messages from the media. Once we receive these messages, we then interpret the messages and give them meaning. Sociologists refer to this process as the social construction of reality (Croteau, Hoynes, & Milan, 2012, p. 8). The media plays an important role in what messages we receive, and this can alter the meanings we develop in order to construct our reality. One form of media that has a major part in this process are television programs. Television programs relay many messages to the audience, and an important aspect of these messages is how the program portrays race and ethnicity. The depictions of race and ethnicity in television shows has an effect on how we interpret these …show more content…
messages. Three television dramas that provide examples of this process are Grey’s Anatomy, Quantico, and East Los High. The main cast of Grey’s Anatomy is made up of a mixture of European Americans, African Americans, Asian Americans, and Latino Americans; therefore, most races are represented. The races mentioned previously as well as a Middle Eastern character and an Asian Indian character are portrayed on Quantico. Furthermore, East Los High is an English language program that is composed of only Latino actors and actresses. It has been noted that “studies reveal that whites tend to be overrepresented in primetime programming on the major networks” (Khanna & Harris, 2015, p. 40). These programs are unique in that the diversity of the cast of Grey’s Anatomy and Quantico and the all Latino cast of East Los High challenge stereotypical notions regarding race and ethnicity. This essay will analyze the aforementioned shows in order to demonstrate the impact that the depictions of race and ethnicity on television programs has on how we as audience members interpret messages about race and construct our beliefs and realities. To begin with, Grey’s Anatomy is a medical drama that follows the lives of surgeons at a hospital in Seattle, Washington. Unlike other mainstream television programs, Grey’s Anatomy is representative of multiple races and ethnicities, and this is evident in the diversity of the cast. The producer of the show, Shonda Rhimes, is a very successful African American female producer. She is the producer of many television dramas, with Grey’s Anatomy being one of her more well-known shows. One reason the cast of Grey’s Anatomy is so diverse is because Rhimes has employed a method of casting known as blindcasting. Blindcasting is when a producer does not specifically list a race and ethnicity for a character (Warner, 2015, p. 636). Therefore, the actors and actresses are not chosen for roles because of their race and ethnicity. The use of blindcasting also allows Rhimes to attempt to normalize race and ethnicity as an issue on Grey’s Anatomy. For example, in the episode “Into You Like a Train” from Season 2, there is a train accident that causes two people, a young white woman and an older black man, to both be impaled on a metal pole. The surgeons can only save one of them, and this presents a dilemma. It may seem obvious that race could play a major role in this dilemma; however, Rhimes diverts the discourse away from the topic of race. Warner writes, “by focusing on their difference in age and not race, Rhimes can plausibly deny her choice to make the black man the hero who sacrifices his life for hers, by stressing that it is not his racial identity—or the cultural attitudes associated with that identity—that informs his decision but rather that he is old and content with the life he has lived” (Warner, 2015, p. 639). Furthermore, many notions of race and ethnicity are challenged on Grey’s Anatomy. This can be seen by examining the race of those in high power positions. For instance, when the series begins, the chief of surgery, a senior resident, and a top surgeon are all portrayed by African Americans. By presenting a diverse cast, Grey’s Anatomy is able to try to normalize race and ethnicity and challenge audience members to see beyond the race of the characters to identify other issues that impact the storyline. The next show that will be discussed, Quantico, is a drama that focuses on FBI trainees during and after their training.
Like Grey’s Anatomy, Quantico offers a diverse cast that also includes other underrepresented races such as a Middle Eastern and an Asian Indian character. The show is also the first of its kind, because it is the first American television drama to star an Indian actress as the lead (Bhagwati, 2015). This is an important aspect of the show because, “Asians often are used as "background color"—assigned to such minor roles as waiters, cooks, servants, laundry workers, peasants, or gardeners” (Mok, 1998, p. 186). Quantico, however, has an Asian actress as the lead role, and she is depicted as hardworking, tough, and determined. Additionally, Quantico uses its unique cast to challenge stereotypes regarding race and ethnicity. For example, the show jumps back and forth from the past, during the FBI training, to the present, when the training is complete. During the present, a bomb was set off at Grand Central Station, and the suspect is the lead character Alex Parrish, played by Priyanka Chopra. Although the suspected terrorist is still a foreigner, the show challenges the stereotype of the Middle Eastern or Arab as the terrorist. The show features Middle Eastern twins, Nimah and Raina Amin; however, Quantico does not depict them as terrorist suspects. Gerhauser states, “In the United States, mass media seems to feature Arab-American and Muslims consistently in a negative light. The portrayal of these negative images takes place by constructing an image of Islam in conjunction with terrorism, violence, extremism and hatred toward America” (Gerhauser, 2014, p. 7). Because of the tragedy of 9/11, this stereotype of Middle Easterners being affiliated with terrorism and violence has been spread with the help of mass media. Quantico breaks this notion by casting a Middle Eastern actress and not depicting her as the suspect of a terrorist act. Quantico
challenges stereotypes regarding race by casting an Asian Indian actress as the lead character and not portraying a Middle Eastern actress as a terrorist. Lastly, East Los High is a drama that follows the lives of teenagers who live and go to high school in East Los Angeles. East Los High, a Hulu Original, is the first English speaking television program that consists of a Latino only cast. This demographic makes sense for the show because the population of East Los Angeles is mostly Hispanic (U.S. Census Bureau, 2010). This Latino only cast is unique because Latinos are underrepresented in media, and the depictions of Latinos are frequently stereotypical (Rivadeneyra, Ward, & Gordon, 2007). The producer of East Los High, Carlos Portugal, has made it his mission to use the show to challenge stereotypes regarding Latinos. Portugal was quoted saying, “The cast of “East Los High” will have no gardeners, no gang members and no maids” (Castro, 2013). East Los High portrays Latinos differently than most shows because, “on primetime television, Latino characters are more likely than characters of other ethnic groups to be cast as having low-status occupations” (Rivadeneyra, Ward, & Gordon, 2007, p. 263). Instead, the show portrays Latinos in other professions such as doctors, restaurant owners, police officers, and students. For example, the main character’s cousin, Paulina Martinez, is the vice president of a fashion company. Paulina attended the same high school as the students on the show, and at the graduation ceremony in the first season she gives a speech. During the speech, Paulina remarks that she knows how hard the students worked to get to where they are today and that she had to work hard to become the vice president of the fashion company. This motivational speech sends a positive message to the young Latino viewers. This positive message is unlike the negative message that the media often portrays about Latinos. The youth may come to believe this negativity in accordance with cultivation theory. This theory suggests, “heavy television viewers internalize many of the distorted views of the social and political world presented by television” (Croteau, Hoynes, & Milan, 2012, p. 236). By casting only Latinos and portraying them in a positive light, East Los High is able to challenge stereotypes that are often depicted by the media. Grey’s Anatomy, Quantico, and East Los High are three current television programs that use the uniqueness of their cast and how they portray the characters to challenge racial and ethnic stereotypes. In Grey’s Anatomy, the producer Shonda Rhimes employs blindcasting, and this process allows for the show to have a diverse cast as well as an attempt at neutralizing race and ethnicity issues. The cast of Quantico is also diverse, and the show portrays an Asian Indian and a Middle Eastern character, both of which are underrepresented in the media. Furthermore, East Los High consists of a Latino only cast, and this allows the show to defy the stereotypes that the media often depict about Latinos. These three television dramas portray race and ethnicity in a way that challenges the portrayals that most television shows offer. Because of this, it can be concluded that the methods that the media use to depict race and ethnicity are improving. Instead of perpetuating negative stereotypes regarding race and ethnicity, Grey’s Anatomy, Quantico, and East Los High depict different races and ethnicities in a more positive light. Therefore, positive messages regarding race and ethnicity are illustrated to the audience, and this can have a positive effect on how the audience then interprets these messages. Grey’s Anatomy, Quantico, and East Los High are unique in comparison to most television shows today, and they are paving the way for the media to better portray race and ethnicity.
While Mexican Americans were considered white by law, the documentary A Class Apart sheds light on the struggles and eventual triumph of Mexican Americans in the their journey for racial equality within the United States. Following the Mexican War, Mexican Americans were subjected to a Jim Crow style of discrimination. Despite retaining U.S. citizenship, Mexican Americans were treated as second class citizens. Frustrated by social, political, and economic disenfranchisement, Mexican Americans sought the assistance of the United States Supreme Court, in what would become a landmark case, to secure the full rights afforded to them as United States citizens.
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
Eye witness accounts of events are not always accurate. The accounts depicted by depend on how witnesses read the situation. The same is true when interpreting the depiction of race and/or ethnicity in media productions. Because situations gain meaning through the process of social construction (the interpretation of a situation based on one’s knowledge), the same event can be viewed and internalized by witnesses who render opposing viewpoints. This analysis will compare the depiction and rejection of socially constructed stereotypes relative to race and ethnicity in three situation comedies: All in the Family, The Jefferson’s and The Cosby Show.
As a group, we believe that popular culture does in fact perpetuates stereotypes. Television is a main source of information of popular culture. Television has forever changed how humans have interacted with another and introduce a world of diversity and knowledge. But with this profit, television has also harbored negative aspects. As a group, we studied how racial stereotypes are portrayed in television. In the history of television, different racial and ethnic groups have been widely underrepresented and television itself has been overwhelming represented by white figures. And when racial groups are presented on TV, the characters are often played in limited roles based on stereotypes. A stereotype isn’t necessarily untrue, but it is an assumption based on an incomplete and complex ideas that are oversimplified into something that isn’t what it meant to be, and it’s usually negative. For example, African Americans are often depicted as violent or involved in some kind of criminal activity. Their characters often portrays a person who is always sassy and angry or that isn’t intelligent and won’t succeed in life and inferior to whites in some manner. Asian characters are
Omi claims that media and popular culture are two of the main culprits for the dissemination of a segregation ideology through music, movies and TV shows (Omi 114). According to Omi, media has the “ability to reflect the dominant racial ideology” and to “shape that ideology in first place” (Omi 115). These two sentences imply that Omi is not just blaming on media, but also on white people, who dominate communications and provide a better image of themselves in order to maintain the status of dominant culture. Moreover, Omi uses the concept of “representation” to claim that even the popular culture, which was supposed to be created by the people, brings segregating ideology on itself and do not contribute to the celebration of cultural diversity (Omi 120). Omi explains this belief of “representation” as a tool of segregation when stating that jokes and songs “reinforce stereotypes and rationalize the existing relations of social inequality” (Omi 121). Media and popular culture are outsiders, meaning that are not racist themselves, but according to Omi they are the main incentive to
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
In the new millennium, the concepts of racial diversity in multiculturalism have become part of the fabric of American discourse. Consequently, the television industry faces an increased pressure from advocacy groups to better reflect the nation’s demographic reality. Many observers of American popular culture believe that multicultural television fare presented when children are most likely to be viewing this critical to advancing acceptance of racial and ethnic diversity in the United States. (Wilson, Gutierrez & Chao) Being a show designed for younger audiences, Everybody Hates Chris is able to address racial stereotypes to young audiences and possibly impact the way younge...
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
... model for how the entertainment and media industries depict black people must change. Despite the progress that blacks have worked toward since the days of slavery, society continues to give in to the monetary benefits of producing self-disparaging entertainment and media. It is not only up to the directors, editors, producers and writers to establish this change, but it should also be the demand of the people, or the consumer. If the images of black people in the media are improved the outlook within the community will improve as well. Not only will positive goals and achievements become more realistic for black people if the media outlets discontinue their practice of equating blacks with aggression, lawlessness and violence, but a greater good will also result for whites, which would be represented by a true autonomy and equality in American society.
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
Currently there is a long-standing debate dealing with the effects of media. Some believe that the media is just something to indulge or watch and that it has no significant affect on people while others say that has a powerful pull on society as a whole. Research indicates that bias in media articles leads to minorities and women being portrayed in a stereotypical or harsh manner (Hazell and Clarke 3). This leads to African Americans being seen as individuals fit for “lower status occupations,” (Hazel and Clark 7). Black men were also seen as hostile, intimidating figures mainly working as athletes or musicians while women were portrayed as domineering, overly expressive people (Hazel and Clark 9).
“The media serve as a tool that people use to define, measure, and understand American society” (Deo et al., 149). Thinking of the media as a tool for the American people also extends into the realm of race and ethnicity. The United States has had a long and difficult history pertaining to the racial and ethnic identities of the many different people that reside within and outside of it’s borders. That history is still being created and this country still struggles with many of the same problems that have plagued this area since before the founding of the U.S. As stated above, the popular media has a large impact on the way that race and ethnicity are understood by people, especially when considering the prevalence of segregation in the U.S.
The media, through its many outlets, has a lasting effect on the values and social structure evident in modern day society. Television, in particular, has the ability to influence the social structure of society with its subjective content. As Dwight E. Brooks and Lisa P. Hébert write in their article, “GENDER, RACE, AND MEDIA REPRESENTATION”, the basis of our accepted social identities is heavily controlled by the media we consume. One of the social identities that is heavily influenced is gender: Brooks and Hébert conclude, “While sex differences are rooted in biology, how we come to understand and perform gender is based on culture” (Brooks, Hébert 297). With gender being shaped so profusely by our culture, it is important to be aware of how social identities, such as gender, are being constructed in the media.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?