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Media impact on bias
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Eye witness accounts of events are not always accurate. The accounts depicted by depend on how witnesses read the situation. The same is true when interpreting the depiction of race and/or ethnicity in media productions. Because situations gain meaning through the process of social construction (the interpretation of a situation based on one’s knowledge), the same event can be viewed and internalized by witnesses who render opposing viewpoints. This analysis will compare the depiction and rejection of socially constructed stereotypes relative to race and ethnicity in three situation comedies: All in the Family, The Jefferson’s and The Cosby Show.
Norman Lear, a political and social activist, teamed up with Bud Yorkin and formed Tandem Productions which developed and produced the sitcoms All in the Family and The Jefferson’s, among others. All in the Family (1971 to 1979) and The Jefferson’s (1975-1985), a spin-off and ‘black cast’ version of the predominately ‘white cast’ All in the Family, aired on CBS television network after being declined by ABC network. Lear’s bigoted father provided the basis for script dialog. (Winzenburg 2004)(NormanLear.com). The Cosby Show (1984 – 1992), created by Bill Cosby, based on his life-story, aired on NBC after being rejected from ABC. Though the main cast of The Jefferson’s and The Cosby Show are ‘black’, critics claim these shows instill ‘white’ elements and are not representative of black struggles (Class Dismissed, film).
Both Archie Bunker (All in the Family) and George Jefferson (The Jefferson’s) are opinionated bigots incapable of substantiating their arguments. In Archie’s case, his bumbling buffoon antics support the stereotypical working-class intell...
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...” Journal of Black Studies. 25:6. 1995. Web. Pg. 692-711. 12 Nov. 2013
Winzenburg, Stephen. TVs Greatest Sitcoms. Excerpts Chapter One. 2004. Web. 12 Nov. 2013
Normanlear.com. Web. 17 Nov. 2013. http://normanlear.com
“Bill Cosby Biograph.” The Biography Channel website. 2013. 18 Nov. 2013 http://www.biography.com/people/bill-cosby-9258468.
Palmer, Gareth. ““The Cosby Show”—an ideologically based analysis.” Critical Survey. 6:2. 1994. Pg. 188-194. Web. 12 Nov. 2013.
Luther, Catherine A. and Jodi L. Rightler-McDaniels. ““More Trouble than the Good Lord Ever Intended”: Representations of Interracial Marriage in U.S. News-Oriented Magazines.” Journal of Magazine & New Media Research. 14:1. 2013. Web. 12 Nov. 2013.
McCarthy, Tyler. “Sitcom success a reflection of changing society.” Daily Campus. 29 Jan. 2012. Web. 17 Nov. 2013.
Sollors, Werner. I Interracialism: Black-White Intermarriage in American History, Literature, and Law. New York: University Press, 2000.
Throughout the history of history of television, the creators of the show are trying to always portray certain people a certain way. In television show “Tyler Perry’s House of Payne” Curtis Payne, the father, and Ella Payne, the mother are portrayed based on their negative racial stereotypes of African Americans, the traditional gender roles, as well as the time period when the show takes place.
Move over Jetson there is a new beloved animated family in town, the Simpsons. The Simpson’s originally aired on December 17th, 1989 and has yet to make us stop laughing. The Simpson’s follow a not so typical American family from the fictional town of Springfield. The episode follow the satirical lives of Homer (Dad), Marge (mom), Bart (brother), Lisa (sister), and Maggie (little sister). Though this is a satirical TV show many episodes provide excellent points and example of material covered in a sociology class. The episode “Marge not be Proud” gives multiple examples of deviant behavior and this essay will discuss two of them.
George Jefferson character was referred to as Archie Bunker; he was a person that was a stubborn and an intolerant person. “According to, “The Jefferson,” it was one of three programs of the period to feature African Americans in leading roles; Louise
Americans love their television, and television loves the American family. Since the 1970’s, the depiction of the American family on television has gone through many changes. In the 70s, the Brady Bunch showed an all-white nuclear family. Today, Modern Family, shows a family of blended races, ages, and sexualities. For thirty years, the sitcom family has reflected the changing society of its time and there is no exception of this for the families in The Brady Bunch and Modern Family. The lifestyle, social aspects, and economics situations of the Bradys and the Pritchett-Dunphys are similar in their attempts to portray the lives of families of their time, but differ drastically in the types of families they represent. The characters in Modern
helping. Television is making the shows out to seem like one race is better than another. For
Media has become a huge part of our lives and society by impacting our life every day, whether it be with social networking, news or television.Television has become a predominant factor today, by just checking what’s going on in the world or catching your favorite show. Many shows may not seem like there’s a broader meaning behind it, but if you look you can find one. C. Wright Mills describes the sociological imagination as the ability to see and understand the connection between individual lives and events and larger social forces. One television show that is a good example of the sociological imagination is Full House. This show is a good example because it has characters that express different views on parenting or on how to live; the sociological concepts tie well with what Danny is believing and how he views the world. Also, C. Wright Mills’ perception of this theory is how Danny is acting towards the situation he is in.
The Impact of African-American Sitcoms on America's Culture Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Besides, in cultivation theory, George Gerbner proposes that heavy users of media treat the content of media as a primary source to perceive the world and assert what they see in media is very similar to the reality (Bryant, Thompson and Finklea, 2013), so there is a high possibility that audience will bring the perception of stereotyped portrayals of African-American from media into the real world. Based on the above unhealthy situations, this paper is going to illustrate how the racial stereotypes in media negatively affect people’s perception, attitude and behavior toward African American in the reality....
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
According to Poverty & Prejudice: Media and Race, co-authored by Yurii Horton, Raagen Price, and Eric Brown, the media sets the tone for the morals, values and images of our culture. Many whites in American society, some of whom have never encoun...
This intolerance served as the driving force behind the creation of The Daily Show. Over the show’s lifetime, it evolved from a light-hearted parody of television news presenters to a show that seriously critiqued the underlying messages of news programs themselves and undoubtedly skewed those in power. “It has established itself as a source of legitimate critical examination of American political and media culture, and of current events.” (Popkin) Stewart’s boldness grudgingly earned respect from many big names in politics, further contributing to his credibility.
“Like all of history, our interpretation of Bill Cosby is a work in progress, something that will continue to evolve as new evidence and insights come to the fore. Visitors will leave the exhibition knowing more about Mr. Cosby’s impact on American entertainment, while recognizing that his legacy has been severely damaged by the recent
Lull, James. "Hegemony." Gender, Race, and Class in Media. 'Ed'. Gail Dines, Jean M. Humez. Thousand Oaks: Sage Publications, 2003. Print.