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Relevance of prison education
Relevance of prison education
Relevance of prison education
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In the fall semester of 2017, I taught an art class with the Restorative Justice Initiative program in the State Correctional Institution (SCI) prison education program in Bellefonte, PA. I am a Ph.D. candidate in Art Education and Women’s, Gender, & Sexuality dual-title degree program, and my goal for teaching art with the prison education program is to provide a non-verbal way of communication for inmates to express themselves to reduce tension and stress. For many of the inmates, an art program is an alternative course of therapy to help them communicate by using creative techniques in the prison and upon release.
As a former K-12 art teacher for sixteen years, I observed how art became an outlet for many students to communicate non-verbally. Teaching art gave me the opportunity to work with various ages and situations in a non-traditional educational setting. I wanted the same experience with the prison community.
In assessing my initial assumption of
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prison, I imagined black iron prison bars slamming, loud bells, yelling inmates, and prison guards with guns on roofs. I imagined who was I going to meet and what led them to a life of criminal activities. It was challenging to move beyond my biases of not letting fictional characters from TV shows enter my thoughts of hostile lockdowns or fights. I did not anticipate the technical and artistic skills demonstrated in class.
For example, inmates painted murals throughout the prison and showed me their portfolio of drawings. Prior to teaching in the prison with the inmates, I assumed they sat in their cells all day or in the yard. The inmates informed me they did not have time to complete the assignments I left during the week. I wondered why, time is all they possess. One inmate informed me he worked with the dog-training program. In fact, when he comes to the art class, someone watches the dog for him. While another inmate explained he drew portraits for other inmates to send as gifts to their family members. I was amazed some of the inmates sold their artwork in galleries, participated in art shows, and were commissioned to create original pieces of artwork. I learned that an art program in the prison is not just about learning how to shade and mix paint, it is about the pride these inmates demonstrate in themselves as any other professional
artist. When I think about before I began teaching art in SCI, I definitely step out of my comfort zone from teaching children to incarcerated male adults. After the first class, I realize I was teaching art students who happen to be incarcerated. These men were serious about learning technical and creative skills. After several conversions with the inmates, I understand fully the importance of an art education program from their perspective. As one inmate told me, he selected the art class because he possessed a true love for art. He further explained, for most of the inmates, art is an outlet and it leaves them to momentarily escape the chaos of their lives. While most of the inmates may not verbally state their feelings, the art program allows them two hours a week to leave their cell and create a positive space to express themselves. Teaching art in a prison helped me break stereotypes of how I thought of prisoners. A semester in a prison art education program provided me an opportunity to teach in a non-traditional educational environment offering a different perspective than teaching to children. Prison art programs can offer hands-on experiences not offered in most professional development venues for art educators. I found an opportunity to engage with a different population in the field of art education. I gained an understanding of applying teaching strategies for people who are convicted criminals and have different needs for art education than a traditional K-12 art class. I exposed my ignorance and biases of the daily life experiences of inmates incarcerated and how important an art program is vital to their rehabilitation.
On 4/3/2016, I was assigned as the Dock officer at the Lower Buckeye Jail, located at the above address.
The picture this book paints would no doubt bother corrections professionals in prisons where prisoner-staff relationships and officer solidarity are more developed. In training, Conover is told that "the most important thing you can learn here is to communicate with inmates." And the Sing Sing staff who enjoy the most success and fulfillment i...
Jimmy Santiago Baca’s description of being able to write shows how impactful it was on his experience; however, many prisoners do not get this chance because 75% of inmates are illiterate (Tikkanen, 2010). Due to the lack of educational programs in prisons,
Correctional program writing nowadays is at a level of efficiency that surpasses earlier outlooks. In territories all over the United States, there are several curriculums that use research-based curriculums to teach, instruct, and inspire inmates. Disappeared are the days of hit-or-miss execution of curriculums that seemed good, but over and over again just occupied time for the inmates. The previous evolution happened for several reasons (Corrections Today, 2010). The largest wake-up demands was the claim composed around thirty years ago. The statement made was not anything works in corrections systems, mainly rehabilitation. Even though this commonly revealed report was taken from its context, it did in detail carry some notice to the mystery that several penitentiaries were not operational as change
Throughout the nineteenth century, penology was characterized by a debate between two 'schools'. The first was the system of "solitary" and "segregation" proposed by the Pennsylvania penitentiary. The second, that of which will be discussed in this paper, the "silent" and "congregate" system was designed for the Auburn penitentiary in New York State.
Andersonville prison is in Macon County in the southwestern part of Georgia. It was originally constructed as a prison camp for the Union soldiers, it was the equivalent of the concentration camps of World War Two, and it was a significant location in the Civil War, America’s bloodiest war. What took place there is gut wrenching. You will have to read on to find out just how appalling life was in the prison.
Just merely reading about Andersonville Prison Camp only give you a fraction what of the understanding of what happen at Andersonville, and its only by being able to visit Andersonville and looking around can you finally get the whole picture of the horror of one of the worst prison camps under the
One aspect of the documentary that relates to class material was the inmate’s description of being trapped in their cells like animals in a cage. This description of imprisonment can be associated to the article written by Sykes entitled, “The Pains of Imprisonment”. In this article, the author elaborates about how an inmate’s liberty is restricted to a specific building but then reduced further to a specific routine where they are told where to go and what to do. “In short, the prisoner’s loss of liberty is a double one — first, by confinement to the institution and second, by confinement within the institution.” (Sykes, 65). This is similar to how the prisoners in segregation are confined to the prison, and additionally to their cell. Another feature of the film that reflected class material was the campus style design of the prison. The inmates were allowed to roam around cell area and interact with other prisoners. Furthermore, different styles of adaptation to the segregation unit can be linked to class material. For instance, one member of the isolation unit is focused on completing his GED, an adaptation called gleaning. This is when an inmate takes advantage of offered programs because they do not want to return to prison. Prisoners who have served longer sentence times in isolation, for instance over a year, reflected a “doing time” adaption. They were simply focused on
Halperin, R., Kessler, S., & Braunschweiger, D. (2012) Rehabilitation Through The Arts: Impact on Participants’ Engagement in Educational Programs. The Journal of Correctional Education, 63(1), 6-23.
Walker, Karen, and Inc. (EPI) Education Partnerships. "High School Education In Correctional Facilities. Research Brief." Education Partnerships, Inc (2006): ERIC. Web. 1 Mar. 2014.
Dodd, Vikram. "Why Prison Education?." . Prison Studies Project, Teaching Research Outreach, 16 Jan. 2010. Web. 12 Apr. 2014. .
The criminal justice system, prisons being part of it has made a huge impact on those be convicted for the use or possession of drugs. However, with the help of resources and influence there are ways to get off or have a less of a sentence by money and power. Though if money and power isn’t an option for them art is a way to provide prisoners rehabilitation and healing who have been involved by the criminalization of drugs.
“Art therapy is a form of therapy in making of visual images (paintings, drawings, models etc.) in the presences of a qualified art therapist contributes towards externalization of thoughts and feelings which may otherwise remain unexpressed”(Walter & Gilory, 1992).
On Thursday last week, we got the pleasure of hearing a presentation by Lesley Becher, Leigh Lynch’s right hand woman for running the Arts in Prisons program. In reference specifically to this program, something new I learned about the development of collaborations with community is just how accepting a community can be. One of the programs run by Arts in Prisons is a choir concert put on by the men of the minimum-security level facility. Not only are the men allowed to exit the prison for their concert, but also, they collaborate with a men’s choir from outside the prison. Additionally, there is quite a crowd that attends the event. I can only imagine how this experience makes the men of this facility feel. For a few hours, I can picture them feeling normal again. Like they are part of a community outside of the prison, and they aren’t being judged for their crimes. Furthermore, there is another program in one of the medium security prisons. As a result of this, the men are
“To use art, counselors need to learn how to integrate art therapeutically into counseling. In using art, they need to emphasize process over product and clarify the potential benefits to the student. It has been suggested that art therapy fits nicely into the American School Counselor Association’s national standards.” (Howard, 2017).