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Report on a concert report
Report on a concert report
Report on a concert report
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Kanishk Chaurasia
Mr. R. Kinnett
Music 1306 S75
04 December 2014
INDIVIDUAL CONCERT REPORT I went to the Dallas Chamber Symphony concert. I got to experience three lovely composers Ralph Vaughan-Williams, Charles Ives and Wolfgang Amadeus Mozart. The instruments consisted in the Ralph V Williams’ The Lark Ascending were mainly solo violin, flute like instrument and piano for providing the background to the solo violin. The Charles Ives’ Symphony No. 3 “The Camp Meeting” included instruments such as mainly the violin, flute, strings, trombone and bells, whereas, the Wolfgang Amadeus Mozart’s Piano Concerto No. 20 in D Minor consisted of instruments such as flute, trumpets, strings and a solo piano. Movement that was performed in the Ralph’s
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The mozart’s piece had a whole bunch of instruments playing from winds instruments to strings and piano. The Mozart’s piece was based on a three movements. The first movement starts off the concerto in the dark tonic key of D minor with the strings restlessly but quietly building up to a full forte. The theme is then taken by a soloist piano and further adds to the movement. Throughout the first movement, tension is added into the piece and suddenly everything stops. The Second movement is in a rondo form. The second movement starts with a soloist piano without accompaniment. The second movement is featured with tunes of romance, joy, excitement, confusion and tension. The piano is perfectly in harmony with the orchestra and the movement is ended in delicate tunes. The third movement was also in rondo form and full of furious sections with melodies of tension and excitement. the piano rounds up the movement with a harsh major tone. The entire piece made the audience feel emotional as it’s melodies and harmonies caused us to be extremely …show more content…
When these music were created it was still mostly raised by the elites and the wealthy individuals. Although there was shift in audience from aristocracy to bourgeoisie, their music was still enjoyed by aristocrats at the time. The music does not have the same feel, precision, artistic effect that it would have back in those days. With the technologically advanced and fast moving society, the music from classical era and early Twentieth century era is not the music that it used ti be. But, it is still appreciable that the advancement had made to the era and to the music industry. Today, these kind of music doesn’t seem to be as dominating as it
5 the 4th movement. Beethoven’s innovation of bigger orchestra’s was a game changer in the Classical Era and he definitely deserves to be ranked as a “Maverick of Sound.” This piece is rumored to be an autobiographical tale of Beethoven losing his hearing and was done in the period’s traditional sonata form. This piece beautifully evoked the mood of what I imagined as Beethoven’s dilemma of “fate knocking at the door.” Everything in this composition is built around the four opening notes. The tempo allegro was brisk and lively. The exposition set the tone with string instruments followed by the entire orchestra repeating in a march-like character. The bridge was similar in mood to the opening and was announced by horns. The recapitulation led to a long coda that punctuated the ending which built to an exciting climax accentuated by a dynamic fortissimo resolution to the frenzied tension. This joyful finale was great fun to listen to and a most excellent way to end the
...ath to dominate their field and branch off into other dominating sub-genres. Those genres, especially in the 1920’s, created the foundation of what we see today in the 21st century. The genres and the creativity produced in these decades were accompanied by entertaining dance and shows that provided the people with a comfortable diversion from their outward life. In addition, music remained a way of spiritual and fun release of the mind and energy. With the radio acting as a distribution center for music, it became a national pastime in which it still ranks number one today for it’s easy access and reaching fields. In conclusion, although the 1920’s saw the birthplace of what is generally known today as the foundation of modern music, the 1970’s matched innovation and creation in the industry which is why music is still a staple in the lives of many people today.
On Friday, November 15, 2013, I attended a concert that I found very interesting. It took place at 7:30 pm at the First Presbyterian Church of the Covenant. The group performing was the Erie Chamber Orchestra, but as a special the Slippery Rock University Concert Choir was also there. During the performance I attended, two pieces were performed. The first was a Mozart piece by the name of Symphony No. 41.
...ers and the audience. The dramatic nature of this piece alone is something to be reckoned with as it is extremely passionate. The symphony is presented in 4 movements as is common and begins with a Poco Sostenuto- Vivace, followed by a Allegretto movement, Presto movement, and finally ends on an Allegro con brio movement. the central theme of this piece is introduced in the first movement by a flute playing in tripple meter continuously ascending up the scales rising in dynamic contrast, continuing to grow into a louder and more stark contrast between it’s highs and lows. Consistently dance like, the piece is celebratory of its roots buried in historical Austrian music that has been present in the culture for years. The accomplishments of the soldiers for which the piece was composed for are easily told of simply by the energy and power present throughout the piece.
Mozart’s Symphony No. 41 was his last and longest symphony he composed. While listening to this breathtaking piece of music, one specific aspect of this piece stood out to me; this being the instrumentation. In this symphony, many different instruments were used. While listening, I recognized many of them. A flute, two oboes, two bassoons, two horns, two trumpets, timpani, and strings make up this famous piece that is known world-wide by millions of people.
The first movement the orchestra was smooth and graceful.The violinist were playing gently,and soft. The second movement is quite faster than the first, and the performers were smiling and enjoying themselves. By the third movement the orchestra was playing faster and louder, and having much fun. The orchestra began feeding off of the crowd, who was enjoying the piece. The fourth movement, the orchestra slowed down and were playing beautifully. The performance was graceful, the conductor just let her hand flow, and barley had to the guide the orchestra, because they had it down pack. The performers did not just play Beethoven Symphony No. 7, but they told a story. one could hear when character went from happy to
I have been to many different concerts throughout my life but this year I experienced two exceptionally unique ___ that I had never seen before. The first one was a spectacular chamber recital that took place at the Chicago Symphony Orchestra performed by pianist Yefim Bronfman and violist-violinist Pinchas Zukerman. The program included Schubert's Violin Sonatina No. 2 in A Minor, Beethoven's Violin Sonata No. 7 in C Minor, and Brahms’ Viola Sonata No. 1 in F Minor. The second was a performance by the notable quartet “Anonymous 4” presented by the Universality of Chicago at the Rockefeller Memorial Chapel. The program included a series of medieval French motets from the 13th Century French polyphony, taken from the Montpellier Codex. The two performances were extremely different in nature and but at the same time very similar in what they were trying to achieve. For instance, while the first concert consisted entirely of an instrumental performance, the other was exclusively vocal. However, both were able to bring to life great examples of iconic artists from our past. I left both c...
The concert was on March 13, 2014 at 12:30 pm the performers were Lisa Fujita, Brendan O’Donnell, Daniel Mitnitsky, Yannick Rafalimanana they performed five different Piano Quartet pieces. The first was a Piano Quartet No. 1 in C Minor, Op. 15 it was Allegro Molto Moderato, the next was III. Adagio and both of these pieces were written by Gabriel Faure. The next was a Piano Quartet in E-Flat Major, Op.47, called Sostenuto assai- Allegro ma non troppo this was written by Robert Schumann. Lastly there is the Piano Quartet in G-minor, K.493, I. Allegro, III. Allegretto and these two pieces were by W. A. Mozart. This was not the exact order and they did change a few thing like the way things would be played and they change the Quartet from E-Flat major to G-Minor because they said that it was difficult to play. By playing different types of music they offered us diverse experience. I really enjoyed the entire performance. Each of the Performers played a different instrument. Lisa Fujita played the violin, Brendan played the viola, Daniel played the cello and Yannick played the piano. Each of them played a very important role. Each of the performers looked calm and as if they knew what they were doing, they were dressed very formally but the audience was not dressed as formally due to the fact that it was during the school day and the event wasn’t a black tie event.
On Saturday, February 22 the Illinois Symphony Orchestra performed their first program of their 2014 season at Sangamon Auditorium conducted by Alastair Willis. The program was called “Shimmering Shakespeare” because the second act was made up of movements from the ballet, Romeo and Juliet. The first half of the performance was a percussion concerto with a featured guest artist, Joseph Gramley. The performance used all of the traditional orchestra instruments but there were extra emphasis on the percussion ones. The Illinois Symphony Orchestra used a variety of classical music and collaborations with outside groups and organizations to create an entertaining and unique program.
On Sunday, April 19 2015 at 2:00 pm in Carnegie hall, the American Symphony Orchestra performed five pieces by various composers. The pieces performed at the American Symphony Orchestra include Alleluia, Dream-king and his love, Symphony NO.2, Music for Cello and Orchestra, and Cantares. Various well-known composers such as Randall Thompson, Horatio Parker, George Rochberg, Leon Kirchner, and Roberto Sierra composed the pieces included. All of which have an amazing skill and talent in composing music, which has been demonstrated by the American Symphony Orchestra.
...duction that I attended on the night of February 17th was not my first experience with classical music, it was however the first symphony production greatly enriched by the knowledge that I have picked up as a result of the class Music 100. Although my family has a deep appreciation for classical music, and mine is just beginning, the Seattle Symphony production certainly brought many of the musical ideas and terms such as texture and clarity to life. The three works featured February 17th, Johannes Brahms' Tragic Overture, Edward Elgar's cello in E-minor, and Sergey Prokofiev's Symphony Number 6 in E-flat minor were new music that I have not been exposed to. Also the treat of hearing the work of world renounced guest cellist, Antonio Meneses was without doubt a treat. I much enjoyed this Seattle Symphony production and would like to attend another in the future.
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
..., intensity, and length. The entire movement had a feeling of rising to a maximum point which could not be surpassed. In the third movement the flute and the piano played together and played nearly the same thing, with the exception of the flutes higher notes. This to had an increasing in intensity and tempo.
Music Appreciation has broadened my view to listen to different eras of music that I was not accustomed to. It was pleasant listening, reading, and learning about different periods of music. This course has given me an exceptional amount of knowledge on different styles of music, identifying different elements in music as well as learning about legendary composers who have influenced music throughout history. Not only has music been around for decades, it has developed a history of great composers who have left an imprint in history by their extraordinary compositions of music they developed during their times of glory, like Ludwig van Beethoven. In this essay I will discuss how Beethoven is known as one of the greatest, ingenuity composers of his time and how the classical period is so fascinating to listen to and learn about. In addition, I will also discuss how Music Appreciation has reshaped the way I perceive and listen to different styles of music that have been created throughout history.
There is an event that I just can describe as one of the most unique and memorable in my life: attending my first concert. After years of listening to Ron Pope’s music, watching his YouTube channel, and following all of his social media accounts, the satisfaction of seeing someone whose music has been the soundtrack to my life for so long was unreal. There were moments that I had to internally remind myself that this is, in fact, happening in real life. Being a dedicated (some may say eccentrically so) fan is tough work – and I was rewarded with two hours of pure magic for one night. Attending my first concert was a unique event that I will always remember fondly because of the atmosphere, the amazing performance and the sense of connection