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Robert schumann
Music appreciation concert report
Describing a music concert
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The concert was on March 13, 2014 at 12:30 pm the performers were Lisa Fujita, Brendan O’Donnell, Daniel Mitnitsky, Yannick Rafalimanana they performed five different Piano Quartet pieces. The first was a Piano Quartet No. 1 in C Minor, Op. 15 it was Allegro Molto Moderato, the next was III. Adagio and both of these pieces were written by Gabriel Faure. The next was a Piano Quartet in E-Flat Major, Op.47, called Sostenuto assai- Allegro ma non troppo this was written by Robert Schumann. Lastly there is the Piano Quartet in G-minor, K.493, I. Allegro, III. Allegretto and these two pieces were by W. A. Mozart. This was not the exact order and they did change a few thing like the way things would be played and they change the Quartet from E-Flat major to G-Minor because they said that it was difficult to play. By playing different types of music they offered us diverse experience. I really enjoyed the entire performance. Each of the Performers played a different instrument. Lisa Fujita played the violin, Brendan played the viola, Daniel played the cello and Yannick played the piano. Each of them played a very important role. Each of the performers looked calm and as if they knew what they were doing, they were dressed very formally but the audience was not dressed as formally due to the fact that it was during the school day and the event wasn’t a black tie event. The first piece that was played was the piano quartet by Mozart called allegro in G-minor. During the music I notice a lot of mimicking going on between the strings. It was rather enjoyable. The tempo of the piece was allegro because it was fast, quick. The meter of this piece was fast 4 beats per meter like you said .The beginning of the piece had some dark moment. But ... ... middle of paper ... ...ng a little more boring but I was gladly shocked that it was actually not boring. When the performers were asked question about what type of music they like. Brendan said that he like Faure & Schumann. Daniel said he prefers chain music, and Mozart was difficult for him. Lisa said that she like romantic music and dark music also. Lastly Yannick could not give a definite answer he said that he likes all music. That also talk about how it is working without a conductor, they said that there has to be sacrifices made and that they had to make it work. They also said that even if they didn’t like a piece they would work at it until they like it and go to know it better. The advice I would give someone going to watch this concert would be to make sure that you are paying attention and not sleeping of sitting on your phone because you will miss things that are important.
This concert is held by the Stony Brook University music department and is to perform seven pieces of music written by seven student composers. The concert is performed in Recital Hall of Staller Center in Stony Brook University. Since it is a small hall, audiences are very close to the performers. In fact, it is the first time I am this close to the performers and the sound for me is so clear and powerful that seems like floating in front of my eyes. Among the seven pieces, “Ephemeral Reveries” and “Gekko no mori” are piano solo, “Two Songs for Joey” is in piano and marimba, “Suite” and “Fold Duet No. 1” are in woodwinds, “Elsewhere” is played by string groups, and “e, ee, ree, and I was free” is in vocal. Personally, I like the sound of piano and guitar the best. Therefore, in the latter part I will analysis two pieces in piano, “Gekko no mori” and “Two Songs for Joey”.
On Friday, November 15, 2013, I attended a concert that I found very interesting. It took place at 7:30 pm at the First Presbyterian Church of the Covenant. The group performing was the Erie Chamber Orchestra, but as a special the Slippery Rock University Concert Choir was also there. During the performance I attended, two pieces were performed. The first was a Mozart piece by the name of Symphony No. 41.
The concert I attended was the Liszt, Prokofiev, and Dvořák concert at the Chicago Symphony Center. Emmanuel Krivine is a French conductor who conducted the orchestra to play Liszt’s compositions Les Préludes, Symphonic Poem No. 3. Next was Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 in the Andantino, Scherzo: Vivace, Moderato, Allegro tempestoso, the piano soloist was Russian pianist Denis Kozhukhin who was accompanied by The Chicago Symphony Orchestra. Lastly was Dvořák’s Symphony No. 8 in G Major, Op. 88 was performed by The Chicago Symphony Orchestra, the four movements played was, Allegro con Brio, Adagio, Allegretto grazioso, and Allegro MA non troppo.
The first song played was from a genre that I had previously taken a test on, Sonata. The musicians played the song by the book. There were three movements and polyphonic texture. It was even fast and jerky. Nonetheless, this is the part where my rollercoaster was going down. In my opinion it was boring. Although very well played, the song itself did not interest me. I did not like the roadrunner, coyote essence of the song. The piano accompaniment would sometimes play the melody and let the clarinet follow and then they would switch. This to me seemed force instead of like the Sonatas that I listened to in class. However, apart from the musical aspect of the first piece there was a certain intensity expressed by the performers. I had never seen a
characters are in engaged in a dialogue which is common for a mother and a daughter to
The first aspect of the music I recognized was the volume, or the dynamics. It ranged from forte during the climactic moments to mezzo piano during the calmer parts, but mostly remained in this range throughout the concert. There were also several instances of crescendo and decrescendo, which served to build up tension or slow the piece down, respectively.
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
I attended the Los Angeles Philharmonic classical music concert at the Walt Disney Concert Hall on Friday 29 November 2013. The classical concert started at 8:00pm to the enjoyment of the huge audience that had been waiting for this amazing music extravaganza. Classical music concerts always offer magnificent entertainment and the audience in this concert was expectant to derive such entertainment or more. In attendance were Christian Zacharias who was the conductor and Martin Chalifour who was the LA Phil commanding Principal Concertmaster and Bach violin player. In readiness for the concert, I enjoyed a special dinner prepared for the audience. More specifically, LA Phil staffer introduced us to the evening classical concert amidst cheers from the audience. It was such a refreshing and joyous feeling to be part of this audience.
We all believe that extracurricular activities in schools can be beneficial, right? In schools, we currently have optional extracurricular courses such as football, art, music, and more. We also have mandatory health and health science courses such as physical education and health and nutrition. Why is physical education a required course and music only an extra curricular activity? Research clearly shows that learning to play an instrument is greatly benefitting our students in the same way that physical education is having a positive impact on them. Why would we, by not requiring middle school students to take a music course, refrain from even more advancement, and withhold the help we could easily give. I propose that we make music
The second piece, Paratum Cor Meum, was a much shorter piece with very few lyrics. It was interesting to hear a piece by Haydn, since we had discussed this composer in class. I was impressed by the choir members’ ability to remember words in another language, and I enjoyed the sounds of the piano accompaniment.
The first piece on the program was Polonaise from Eugene Onegin (1878). This piece is from the Romantic period composed by Pyotr Ilyich Tchaikavosky (1840-1893). Very short piece probably around six minutes. The variations and the interesting theme made this piece the most interesting among the other compositions despite the length of this piece, but it was amusing. The piece started with trumpets playing short high notes as an introductory, with the accompaniment of violins playing quick short notes. It sounds like if it was played in a major key, very cheerful and very fast like if the tempo is Vivace. Moreover, trumpets throughout the piece reinforce the harmony. Throughout the piece varies styles were used such as legato (smooth connected style).The texture of this piece is homophonic ( one line of real interest with accompaniment). The rhythm of the piece is really catchy, pretty much predictable; most of the piece variations are centered on the main theme, but it is very pleasing to the ears (consonant).
The people in the audience sat mesmerized from the moment Oliver Camacho topened with, “Comfort ye my people.” It sent chills running through my spine. His voice was just so breath-taking! In my eyes, the program was spectacular! I had never seen something like this before. Everything seemed to fit and flow together. The voices of the solo singers filled the air with joy. My favorite pieces were, “For unto us a Child is born,”, “Since by man came death” and, of course, “Hallelujah” which were a thrill. Amazingly, I did not seem to pick up on any wrong notes or out of tune playing/singing. One thing did catch me off guard; the crowd
For observation of a music class, our class watched a lesson taught, by Sandy Mathias, at a conference. Our observation was done on Thursday, September 15, 2016. This lesson can be found on The Alliance for Active Music Making’s website. The lesson is directed towards students in the early stages of second grade. The knowledge that is expected of the students for this lesson would have been met previously through the track of fulfilling music curriculum requirements. This lesson shows not only how to be successful at teaching a music class, but also how to run any type of classroom. Sandy shows her qualified experience and knowledgeable skills the through her lesson and teaches us, as educators, good examples of how to present material to students.
...I can speak for the audience because of the deafening applause the performers received at the end of the concert and when the soloist was presented with a bouquet of flowers. We were all on our feet. The ambiance was professional. I have always thought orchestra music old fashioned and colloquial. I now realize that the concepts, style and texture that we have studied in class these past weeks were perfectly portrayed in the concert.
Music is one of the specials in school that can be implemented in the classroom. In kindergarten through fifth grade, music can be used in the classroom to teach students the daily classroom curriculum. There are several ways that a teacher can implement music into their classroom lessons. Some of those ways are creating songs, or finding creative songs on YouTube or other music websites. As a future educator it is my job to use a variety of teaching methods, and one of those methods should be applying music in my lessons.