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For observation of a music class, our class watched a lesson taught, by Sandy Mathias, at a conference. Our observation was done on Thursday, September 15, 2016. This lesson can be found on The Alliance for Active Music Making’s website. The lesson is directed towards students in the early stages of second grade. The knowledge that is expected of the students for this lesson would have been met previously through the track of fulfilling music curriculum requirements. This lesson shows not only how to be successful at teaching a music class, but also how to run any type of classroom. Sandy shows her qualified experience and knowledgeable skills the through her lesson and teaches us, as educators, good examples of how to present material to students. Mathias begins the lesson by jumping into previous content. She has her students sit on the floor in a semicircle, leaving the middle/front of the …show more content…
She teaches in a way that students are given the time that they need to understand the material, through repetition. The interactive approach of teaching allows the students to retain and store the knowledge that they are gaining in that class. There are many things that can be taken away from this lesson and brought into different areas of teaching. The way that Mathias interacts with her students is a lesson in itself. I think that it is very important to observe different teaching styles in order to find one that works best for you. The use of repetition with slight variances can be used for any subject. It allows students fully understand what they are doing, while the differences prevent student’s boredom. This can be done without music completely or by using song, music, or rhythms to help students learn. Putting subject content into a song is a fun way to teach students material that may not appeal to them. From this observation, I plan on taking an interactive approach in my
With around 70,000 special education students with hearing losses in the US it is no wonder that teaching these students the art of music has become an important opportunity within their education (U.S. Department of Education). According to Darrow and Heller (1985) as well as Solomon (1980) the history of education for students with hearing loss extends over a hundred and fifty years. These students have every right to music education classes and music instructors need to understand their unique learning differences and similarities to those of the average typical (mainstreamed) student to ensure these students have a successful and comprehensive learning experience. Despite this, there are still plenty of roadblocks, one of which may be some music instructor’s lack of effective practices and methods to successfully teach to the student’s more unique needs. Alice Ann-Darrow is a Music Education and Music Therapy Professor at Florida State University. Darrow’s article “Students with Hearing Losses” focuses not only on the importance of music education for these students but it is also a summarized guide of teaching suggestions containing integral information for the unique way these students learn.
Sheftel, B. (2002). Music Education Curriculum in Public Schools. PageWise, Inc, Retrieved August 6, 2003
Packalén, Elina. "Music, Emotions, and Truth." Philosophy of Music Education Review. N.p.: Indiana University Press, 2008. 41-59. JSTOR. Web.
Like anything that has to do with music, it will take time for the student’s embouchure to develop and happen without outside assistance. A teacher should always be on the lookout for errors that th...
Throughout this semester of college, I have observed three separate Elementary General Music teachers. Each of the teachers had their own personalities that each reflected upon their teaching. They all came from different areas of study, but all still manage to be successful, each with their own pros and cons.
In this article, Standerfer, (2011) talked about how to incorporate differentiation into the music classroom. She also quoted Carol Ann Tomlinson throughout this article and it is suggested that “We should structure learning to fit the students rather than require that students adapt to fit the curriculum.” Differentiation’s main goal is to include student differences throughout the lesson being taught. We as teachers should look for shared characteristics among students, within a class in order to group students in ways that make the most of the learning experience.”
Steven, Kelly, N. (2002). A Sociological Basis For Music Education. International Journal of Music Education. 43. Pp. 40-49
Mrs. Pollard’s Room at Hartwood Elementary in Fox Chapel was a fantastic example of what a music classroom should look like. As you can see, it is a very large room, with enough space on the side to house cabinets full of books and other reference materials, an entire Orffestra, and an instrument collection and still have a very large, open space for children to sit on the floor and do movement based activities. This classroom setup is effective and efficient. The floor is open and there is nowhere for students to hide. The atmosphere is pleasant and welcoming. Students are greeted with colorful posters displaying classroom rules, helpful fingering charts, and morale boosters. A lot of the lighting is natural light from the windows at the back
Teachers observe how the peer leaders grab the attention of the students and how they connect, so they can do a better job on enhancing the learning of the students. As the author, Fiske, says,“‘First, teachers should be encouraged to move beyond describing what they see and experience and to analyzing what is happening in their classrooms. Second, teachers should be encouraged to think about problems from an alternative perspective, particularly their student’.” For example, Mrs. James has students in her classroom that struggle with her Grammar assignments. Mrs. James continues to try and find different and unique ways for her students to actually get her lessons. She encourages her highest grade student to re-teach her lesson on Grammar. As the student, Marissa is re teaching the class this information, Mrs. James goes around the class with the role and her notebook. She’s taking notes of how each student is taking their own notes over the lesson, and she puts them all into categories. The categories are based on what kind of learner the students are: Auditory, Kinesthetic, or Visual learners. Mrs. James creates a whole new plan on how she can get reach her students on a different level for their understanding. Teachers have to learn how to deal with specific students in their classroom. Reading a curriculum and instructions aren’t going to
Music education plays an enormous role in student’s overall well being, outweighing the costs of it. In 1994, Congress passed the Improving America’s Schools Act, concluding that “...the arts are forms of understanding and ways of knowing that are fundamentally important to education” (Ford, AdamMcMahon, Maureen). Congress recognized the importance of music education. Now the effort must be made to make a difference. If people really do want the best for the future, music education is key. Ramon Cortines, former chancellor of the New York City public schools stated, “We engage in the arts, we ought to teach the arts, because this is part of what it means to be human” (“Arts Education”). When people eventually realize this, the benefits will be vast.
Children love music and recognize it very early in life. Mothers singing lullabies to her newborn baby, toddlers banging on a pot in the kitchen, preschoolers singing their favorite nursery rhyme, music is an important part of a child’s life. Music does many things, it can bring back a memory or a feeling, it can sooth and relax, and it teaches. Music also teaches children; Language, listening skills, and communication to name a few of the concepts children learn through music. "Scientists are confirming what teachers have long suspected: Music not only touches people's souls, it also shapes growing minds. When children sing or play music they become better readers, thinkers and learners. The more we discover about how the brain works, the more we recognize how crucial music is to children's learning." Elizabeth Lloyd Mayer, Ph.D., a psychoanalyst at the University of California, Berkeley.
The classroom embodied the stereotypical music classroom with its various instruments scattered around the room. Every inch of the wall and door was covered with music notes while chairs encircled the room. Besides the teacher’s desk, there were no other desks in sight. The students had to sit on the ground in the center of the room away from the instruments. Even when playing instruments, the students sat on the ground. Although the setup was very different from a general classroom, it was appropriate for the kinds of lessons that the teacher taught the students. The teacher did not hand out any worksheets or assigned homework so the students did not need any desks for writing. Since the classroom was already small and cramped, having desks in the class would have impeded on the activities that the students performed.
Petersen, Cheyenne. "Music is key to learning." Capital City Weekly 30 January 2013, n. pag. Web. 20 Feb. 2014.
Teaching music is not an easy task. It is hard to teach children songs especially when used in the daily classroom curriculum. Thought there are a variety of methods that teachers can use when teaching students music. One of those few methods is the chunk and chain. This is where you start with one part of the song model it, have the kids repeat and then do the second part of the song and have the kids repeat that as well. Then after modeling the two parts of the song put the two together and sing the two altogether. The chunk and chain is a good method to use when making sure everyone in the class understands the lyrics in the song. As a future teacher I will definitely be using the chunk and chain method when teaching a song in my classroom. Another method is keeping a steady beat. When there is a steady beat everyone feels comfortable and learning can take place. When music is used a teaching tool the most important element is the steady beat. Students will look up to you as the teacher to keep the steady beat. An example of keeping the steady beat is playing an instrumental version of the song while teaching the lyrics.
In the process of completing this coursework, I have realised that every teacher should be all-rounded and equipped with adequate skills of educating others as well as self-learning. As a future educator, we need make sure that our knowledge is always up-to-date and applicable in the process of teaching and learning from time to time. With these skills, we will be able to improvise and improve the lesson and therefore boost the competency of pupils in the process of learning. In the process of planning a lesson, I have changed my perception on lesson planning from the student’s desk to the teacher’s desk. I have taken the responsibility as a teacher to plan a whole 60-minutes lesson with my group members. This coursework has given me an opportunity