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Music's impact on society through history
Influence of classical music
Music's impact on society through history
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On Sunday, April 19 2015 at 2:00 pm in Carnegie hall, the American Symphony Orchestra performed five pieces by various composers. The pieces performed at the American Symphony Orchestra include Alleluia, Dream-king and his love, Symphony NO.2, Music for Cello and Orchestra, and Cantares. Various well-known composers such as Randall Thompson, Horatio Parker, George Rochberg, Leon Kirchner, and Roberto Sierra composed the pieces included. All of which have an amazing skill and talent in composing music, which has been demonstrated by the American Symphony Orchestra. The American Symphony Orchestra opened with the first piece “Alleluia” composed by Randall Thompson. This piece by Randall Thompson was composed on July 1-5, …show more content…
This piece by Horatio Parker was composed in 1891. The piece, which lasts approximately 12 minutes, premiered on March 30, 1893, at Madison Square Garden in a concert for the winners of a National Conservatory of Music competition, which was composed by Parker himself. Its composer, Horatio Parker, was born on September 15, 1863 in Auburndale, Massachusetts and died on December 18, 1919 in Cedarhurst, New York. Horatio Parker was a talented composers, conductor and teacher demonstrating his ability to compose as a professor at Yale, where he began choral conducting and taught well known individuals such as Charles Ives. He was later appointed as Dean at …show more content…
Horatio Parker’s work “Dream-King and his love” which was performed at the American Symphony Orchestra is a Cantata which was original written in German and has gained a lot of attention by composers all over the world, which led Horatio Parker to win the first prize in a composition contest. Even though there are no online recordings of the “Dream-King and his love”, listening to it in person gave me the feeling of grief and despair due to its slow pace and low pitch. The piece sounded as if a tragic event has been going on in a person’s life and took a sudden turn and things went straight, giving the piece an anticipated upbeat
The first movement felt as though it was the beginning of a riddle sure to be solved later in the symphony. It began with a sense of suspense with all basic elements of music: tonality, melody, and rhythm. The entire first movement was of an established sonata, between all instruments. However, what caught my attention was the mumble of the low strings which erupted into violins. I was on the edge of my seat for what was to come.
On Wednesday, November 5th, 2014 at 7:30 p.m. the Charlotte Symphony performed seven compositions by various “maverick” composers. Halton Theatre at Central Piedmont Community College’s central campus was pack to near full capacity. The program included the Molto Allegro from Mozart’s Symphony No. 40 in G-Minor, Warehouse Medicine by Mason Bates, Apotheosis by Austin Wintory, Cielito Lindo a traditional Spanish copla, Oaken Sky by Chris Rogerson, Le Tombeau de Couperin by Maurice Ravel, and the 4th movement of Beethoven’s Symphony No. 5. Charlotte Symphony’s Assistant Conductor, Roger Kalia, conducted and Juan Cajero appeared as a soloist. Although there were several pieces that had a more lasting impression on me, each composition performed
On Friday, November 15, 2013, I attended a concert that I found very interesting. It took place at 7:30 pm at the First Presbyterian Church of the Covenant. The group performing was the Erie Chamber Orchestra, but as a special the Slippery Rock University Concert Choir was also there. During the performance I attended, two pieces were performed. The first was a Mozart piece by the name of Symphony No. 41.
The music of the Baroque period was focused on having music be a tool of communication to its listeners; conveying an arousal of emotions. Composers of this time thought to use this tool to have this effect or one similar to it to correctly match music from the Roman time period. One composer that goes by the name of Georg Phillip Telemann. He was a German composer born in 1681, he was known as one of the most prolific composers of the Baroque era, “At the age of just ten years old he was able to play four different instruments and had written arias, motets and instrumental works”(Norton Grove Concise Encyclopedia of Music, 756). As well as learning many skills at a young age, his fame grew immensely in Germany becoming a very famous composer and was even assigned four times as much space as the famous J.S. Bach in some contemporary dictionaries. Telemann composed in all varieties of forms and styles, from Italian-style concertos to French-style overture suites and quartets. The Sonata in F minor was one of his pieces that was played at the concert. The piece first given appearance in 1728 in a German musical periodical; though it was originally written for a bassoon and continuo the piece was altered by the performers to be played with a bass trombone and piano. One way that an individual could tell it is a piec...
The Los Angeles Philharmonic Classical Music Concert Report. I attended the Los Angeles Philharmonic classical music concert at the Walt Disney Concert Hall on Friday 29 November 2013. The classical concert started at 8:00pm to the enjoyment of the huge audience that had been waiting for this amazing music extravaganza. Classical music concerts always offer magnificent entertainment and the audience in this concert was expectant to derive such entertainment or more. In attendance were Christian Zacharias, who was the conductor, and Martin Chalifour, who was the LA Phil commanding Principal Concertmaster and Bach violin player.
The USA Percussion Ensemble performed many great works at the recent Spring Concert at LaidLaw Performing Arts Center. As a guest to the ensemble, the talented Andy Harnsberger performed a piece originally dedicated to his wife Palmetto Moon. He also performed the three sections of his sentimental work Words Unspoken. Leading up to Harnsberger, the ensemble played many other contemporary works such as Bloom by Ivan Trevino, which as the first performance certainly grabbed the audience attention. The next piece being Vous avez du feu? by Emmanuel Sejourne intrigued the audience as well through the extended techniques of multiple cigarette lighters. There then was the particular four chosen from the eight pieces of Postludes for Bowed Vibraphone by Elliot Cole. The pieces being in the order of second, first, seventh and ending with the third. These percussion works also featured Coming Home by Steve Gisby and the three movements of Toccata for Percussion Instruments by Carlos Chavez. In my opinion, the music was well chosen and performed. The various techniques and styles of these works seem to have connected jointly to stimulate the senses. Altogether, The Percussion Ensemble members and their lovely guest Harnsberger made a night worth hearing and seeing.
40 is an effective composition that allows one’s mind to imagine vivid pictures. While listening to the piece by Mozart, I felt a sense of urgency throughout the piece while eliciting strong emotions of passion and grief. Composers like Richard Wagner and Peter Tchaikovsky were greatly influenced by Mozart’s musical capabilities of conveying intense feelings. The listener is affected by the different measures of commonalties between the musical periods, the composers of those periods and the pieces they compose. Mozart’s music pulled away from the norms and constraints of period style music. This composition enhances my knowledge because he has created compositions that employ the sonata, rondo, aria as well as other forms to exude strength, beauty, and grace with every
On August 2, 2015 I attended Barge music Concerts where I had the chance to familiarize myself with masterworks series of two amazing composers. Antonio Vivaldi and his concerto for 4 violins and orchestra in B minor, RV 580 that were performed in three movements allegro, largo – larghetto and allegro. Wolfgang Amadeus Mozart and his concerto for Violin and Orchestra No. 3 in G Major, K. 216, that were preform in allegro, adagio, rondeau (allegro). And sinfonia concertante for violin, viola and orchestra in E-flat major, K. 364 also composed by Wolfgang Amadeus Mozart and it was also performed in three movement allegro maestoso, andante, presto.This masterpieces were perform by Alexander Mishnaevski who played the viola, Mark Peskanov, Gregory Durozel, Kyungha Ko were playing on a violin and Gregory Singer who was a conductor and who also played a violin. What I loved the most about this concert is that each piece of music was field with emotions and was very uplifting. Also in a small space like a barge it was very easy to see witch instrum...
The first major programmatic symphony was written by Ludwig Van Beethoven in 1807-08. Although it was not completed until 1808 there are sketches for the symphony that go as far back as 1803. This was his sixth symphony and it was in F major. The first performance of the symphony was on December 22, 1808 which was the same premier of his fifth symphony. This symphony has five movements. The instrumentation for the symphony includes two flutes and piccolo, two oboes, two clarinets, two bassoons, two horns, two ...
The last Piece of the program was Symphony No1. In g minor, op7 (1891-1892), features the work of the composer Carl Nielsen (18...
Nepomuk Hummel’s Trumpet Concerto in E is one of the most famous pieces in the trumpet repertoire and one of Hummel’s most recognizable works. Hummel had a very close connection to Mozart and his works, which helped establish a foundation for Hummel’s compositional style. His studies and friendship were no doubt an influence in creating this masterpiece for the trumpet. When listening to Hummel’s concerto for trumpet, one can find direct references Mozart’s Don Giovanni and other works by Mozart. Although Mozart was only apart of Hummel’s life for a brief period of time, he left the largest impression on Hummel’s compositions and it is very apparent in the Trumpet Concerto in E.
1808. It is also referred to as “Pastoral Symphony.” In 2009, Bernard Haitink conducted the
Franz Joseph Haydn is widely imitated because of his excellent technique that makes his music, so rich in quality and quantity by having one of the most fertile musical minds. Haydn is one of the most prolific and prominent composers of the Classical period. He is also known as one of the pivotal figures in all western musical history. Here I will try to showcase and highlight some of Haydn’s brilliance by talking about the life he lead growing up, his work and career, a little introduction to his music, touching on some of his compositions, his contributions to music, and finally Haydn’s influence.
On April 30, 2014, I attended a symphony orchestra at CSU. This is my first time attending a symphony concert; going into the concert I did not think that I would like the concert and the environment also I did not think that there was going to be a lot of people coming. At the beginning of the concert the conductor introduced himself and the symphony and talked about the history of it and played a little bit of each of the four movements and explained everything about them. The Symphony No. 5 in B Flat Major by Anton Bruckner was about 2 hours long it consisted of four movements. The setting of the room was very professional the orchestra was on the stage divided into groups according to their interments and the conductor facing them all and behind the conductor there was the audience sitting behind him. The was a wide variety of instruments being used such as first violin, second violin, viola, cello, bass, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba, piano, and percussion.
I attended the University of Michigan Symphony Orchestra, conducted by Kenneth Kiesler on January 25th. They performed Symphony No. 41, “Jupiter” by Wolfgang Amadeus Mozart (1756-1791) and all pieces from The Planets suite by Gustav Holst (1874-1934). I loved the venue of the performance, it was very warm and inviting. Of all the pieces performed, I think I liked Mars, The Bringer of War and Jupiter, the Bringer of Jollity the most. The titles of the pieces really helped immerse me into the music, they helped tell the story of the music. I didn’t like the Mozart as much as I thought I would and I think that was because I haven’t played it before. I know that after I learn and play a particular piece, I always gain a deeper appreciation for