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Art and its impact on society
Essay on influence of art in society
Art and its impact on society
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Pottery. Pottery is a tradition many people try; yet only some are actually willing to stick with it. For Min, a twelfth century potter in the story A Single Shard, this tradition is not a game or a joke. He is what the people of his town Ch’ulp’o refer to as a master potter; he will not be satisfied with his work until he knows that is perfect, a perfectionist. In the story, Min had only been introduced as a potter that work caught the main character, Tree-ear’s eye. Min caught him sneaking into his house looking at his work, in return Tree-ear in return for his acts of larceny Tree-ear is bound to work for Min. Over the span of nine days Tree-ear grows fond of working for the master Min, and asks to continue his employment under Min’s
I am a pottery maker for the king of Crete. I create very elaborate pottery for the king. Two of the types of pottery are known as Kamares ware and Marine Style. These two types of pottery are some of the best pottery that has ever been made in our time. Our pottery is created with a flowing, naturalistic shape and design. We pottery makers put images of animals, sea and plant life on our pottery.
Podany aim She follows this up with the description of the trade between Anatolia and Old Assyrian where, as well as the trade between the Persian Gulf and Mesopotamia, she thoroughly discusses the details and the changes that were made between the two. However she does lack in reliability of information of the Minoan pottery located in Lahun. Fortunately though in this chapter she is able to overcome her lack of reliable information in order to tie in an introduction of Literature of the old Babylonian world. This is done by using a tale of Sinuhe. This tale explores the adventures taken in Sinai and Canaan. The significance of this story is not of how grammatically sound they were years ago but how much of a resemblance they had along with modern people with their storytelling. More importantly it introduces the realization that human nature has been so similar throughout these years. A story seemingly not complex in the slightest to a modern reader in reality is very complex due to the fact that they implemented somewhat of a “hero story” within their writings. With this Podney puts their literary writings on a pedestal due to the fact that something so intriguing and similar though yet very different at the same time can be produced from such a pre conceiving “primitive” time of human
When the potter is getting ready to start the painting process he /she already knows the design that is going to be painted on the piece. The Hopi potters do not draw ...
Black-figure painting was first established in Corinth, c 700 BCE then Athens was influenced by the technique and got control over it (Cartwright, 2012). The entire process was made out of iron clay found in the area mixed with potash pigment, water and leave it evaporate under the sun until it’s thick and settle. Move on to wedging process where human used energy to make the clay combine together and create the smoothness. The forms of potter are made on the potter wheel and are control by human’s hands, which is fascinating because people will have respect toward a finished product. After shaping the entire form, it’s then bake inside a kiln until it turns black (Britannica, 2014). Black-figure painting usually presents a storytelling by depicting animals or people in silhouette and sometime th...
Bill Strickland spends his days helping people through Manchester Bidwell. He founded job training programs and also a community arts program to help and mentor young people. When Bill Strickland was younger he did not have the tools and everything he gives to the kids now for mentoring. Strickland’s life changed when he found pottery. It was something he was good at from the start. Bill grew up in Pittsburgh, and it was not the prettiest. People were losing their jobs and the town was falling apart. Strickland’s mother shaped him to be a successful man. She did not let him “fall into the ghettos trapdoor”. Strickland spends his life trying to fix the substandard neighborhood that he grew up in.
One of the more famous African American potters during the Civil War times in the United States was David Drake (Burrison, 2012). Until he became emancipated he was known simply as Dave or Dave the Slave (Burrison, 2012). In 1801, Dave was born in the United States under his first owner Harvey Drake (Burrison, 2012). Harvey Drake is the most probable person to have taught young Dave how to read and write because of his belief that God gave him the responsibility to help his servants, or slaves how to read the word of God (Burrison, 2012). Many of his pieces are signed and dated, some have short facts about the piece, and others have short poems (Burrison, 2012). The words written on the pottery seems to have been inscribed while it was barely damp greenware (Burrison, 2012). Harvey Drake died in 1832 and in 1834, the South Carolina General Assembly passed a regulation that made it illegal for slaves to be taught how to read and write (Burrison, 2012). In 1840, after passing from one master to another Dave was finally given to Lewis Miles (Burrison, 2012). Dave was one of the few enslaved potters to be allowed to sign the ceramic pieces he produced during his enslavement under Lewis Miles (Burrison, 2012). On one piece Dave inscribed the words "LM says handle will crack" (Chaney). These words mean much more than what is written. It shows that Dave knew what he was doing and possibly even knew more than his master LM, Lewis Miles (Chaney). It seemed that Dave who was an enslaved man was the master, and his master was the fool because the handle, to date, has never cracked (Burrison, 2012). Dave Drake continued to sign his name and sometimes writing poetry on his pottery even though the law had been passed that made it illegal (Burri...
The story is the most powerful and most compelling form of human expression in Leslie Marmon Silko's novel Ceremony. Stories reside within every part of every thing; they are essentially organic. Stories are embedded with the potential to express the sublime strength of humanity as well as the dark heart and hunger for self destruction. The process of creating and interpreting stories is an ancient, ongoing, arduous, entangled, but ultimately rewarding experience. As Tayo begins to unravel his own troubled story and is led and is led toward this discovery, the reader is also encouraged on a more expansive level to undertake a similar interpretive journey. Each story is inextricably bound to a virtually endless narrative chain. While reaching an epiphanal moment, a moment of complete clarity, l is by no means guaranteed, by presenting Tayo as an example, Silko at least suggests there is fundamental worth in pursuing and creating stories.
This publication presents a documentary of Sjostrand and Sharipah’s catalogue of photographs, illustrations and captions to help us learn about the Wanli Shipwreck, where more than 1600 pieces of Chinese kraak porcelain were recovered. The solid archaeological context for the porcelains contributes important new knowledge to research of 17th century Chinese ceramics. Sjostrand and Sharipah begin by explaining the archaeological process, before displaying images of the wreckage and the ceramics salvaged. Subsequently, they lay down context on Jingdezhen blue and white porcelain, and after equipping the reader with this information, they finally analyse the ceramics found from the shipwreck, and not without the aid of various illustrations.
In these time period, they each made different objects for different things which are unique to each era. In the pre-classical era, there was the Jomon Pot which was used for cooking and storing food. This was important to this period because people started to learn how to save food for another day. In the classical period, they switched up things and made things to gift to officials and among other things. There was the Han lacquer cup which was a cup made out of lacquer and gold. This cup was very expensive so if you were gifted this you must have been an important person. In the post-classical time period, they went on the route of making things for spiritual effects. For example, they had the Maya Maize Statue. The Maya Maize Status was a statue of Maize god that was decapitated yearly with the corn harvest and then reborn each year. This was important to their culture because they believe that they should replant the head every time they started a new harvest and remove it when the harvest was
Bake or dry (pottery, bricks, etc.) in a kiln is used in the book, To Kill a Mockingbird. The character,Miss Maudie, bakes a cake for Jem, Dill, and Scout. "I've not got all the morning to pass on the porch-Jem Finch, I called to find out if you and your colleagues can eat some cake. Got up at five to make it, so you better say yes."(287)
I started my annotations journey by looking at a renowned group of 35 artists who share the same obsessive need to acquire items for art making. Lynne Perrelle’s book Art making, collecting and obsessions reveals an insight into the art practices of artists working with the same idea of obsession I have been interested in with my art. This book has been a good starting point for my thinking about connections between my work and other artists. Perrelle outlines each artists practice with how their obsession is made into art. For example, artist Daniel Essig is obsessed with looking for tiny objects that look out of place along side the riverbank. To Essig there is ...
We finally had a home to call our own! While Cornelius worked on making our house a home,—full of furniture and decorations!—I learned how to farm. An old farmer and his wife taught me how to properly grow corn. I learned how to sow the seeds within the rills so they were safe and the farmer brought by one of his fun farmer contraptions so I could till the soil. He thought it was odd that I was the one farming and not Cornelius, but I explained that Cornelius has always been the more artistic type and that fixing up the house was more of his style. I am a much better farmer than Cornelius could ever
He then traveled the world until he arrived in Rome. He was sleeping in an alley one day when a thief came along and stole his belongings. Unfortunately, this included the belt with the cup. The thief held the cup for a while but he never knew the true power of the cup. A soldier finally arrested him with the cup. The soldier took the cup but thought that it would be of no interest to the King, so he kept it for himself. He felt a sense of belonging to it as well. The soldier kept it for a good amount of time. It protected him in some of his battles, although he never knew the power it held. It was not until a bar fight when he lost the cup after it was stripped from his possession. It rolled out of the bar into the street where a potter’s apprentice’s dog found it. The dog brought it to the apprentice, Aaron. Aaron took the cup as a challenge, so he decided to improve the look of the cup. He gave the cup an outer layer and then carved a fish into the side. His mentor, Elias, then found the cup and thought it was a decent piece of work. He told Aaron that he had potential and decided he could teach Aaron a few things. Elias then threw the cup into a shipment of other pottery traveling to
In the words of writer Richard Whately, “It is the neglect of timely repair that makes rebuilding necessary”. However, to the owners of broken ceramics living in 19th century Japan, the process of timely repair is no longer an option. Nevertheless, the restoration process of kintsugi is an alternative to broken ceramics. We cannot know for certain whether the owners of our piece were of means or skilled artisans themselves, but we do know the same process was used to restore the ceramic this paper will try to focus on. The piece shown in figure 1, being a doubtless example, has a larger story to tell than the fact that it was mended. The special characteristics that make it stand out from the hoard of other ceramics would be the radical changes in Japanese society in the 19th century when this piece was restored, the poetic origins of the decorations, and how the entire process of kintsugi reflect the mentality of the artisans. Of course, if we consider the entire wide pool of ceramics there is bound to be a piece similar to this, however, the fact that this piece is well intact and how well it represents 19th century Japan is worth our attention.
The art of jewelry just like luxury is as old as humankind. It is a universal form of adornment. For many years, ornamentation has not just been a form of art but has been a symbol of culture. According to Mr. Francesco D’ Errico from the Institute of the Prehistory and Geology of the Quaternary in Talence, France, “Personal ornaments are a powerful tool of communication. They can indicate social or marital status, for example. But you need to have a complex system of language behind that.” With archeological evidences of 100, 000 years age old decorative beads, he also indicates that the people of ancient civilization were able to express and communicate with each other using ornamentation as a major element of Non Verbal Communication (New