I am a pottery maker for the king of Crete. I create very elaborate pottery for the king. Two of the types of pottery are known as Kamares ware and Marine Style. These two types of pottery are some of the best pottery that has ever been made in our time. Our pottery is created with a flowing, naturalistic shape and design. We pottery makers put images of animals, sea and plant life on our pottery. Kamares ware was the first distinctive Minoan style of pottery. It was named after the cave sanctuary in Crete where many examples were discovered by archeologists. It is believed that Kamares ware originated from Phaistos, which was once one of the most important centers of civilization in Crete. Kamares ware came about in the Crete society at the same time the pottery wheel was introduced. The pottery wheel made the production of thin walled, symmetrical shaped vessels more efficient. Kamares ware was characterized by very thin walls, robust swollen curves, elegant spouts and decorations. The beauty of …show more content…
The colors were often dense and laid out in vibrant arrangements on a black background. Curves and spirals are most commonly used on Kamares ware although some designs include tassels, rosettes, palms, circles, dots, ribbons, stripes and lattices. Fish and polyps appear on some Kamares ware, foreshadowing the coming Marine style. Human figures found on these wares are usually pretty abstract and appear as almost just another element of design. Some Kamares ware was decorated with handmade flowers attached to the surface of the vessels. This served as a transitional style between the Kamares ware period and the Marine Style period. Kamares ware includes beaked jugs, cups, small boxes, chalices and very large hand-made vases that were sometimes over 1.7m high. These large vases are used for storing oil, wine and grain. Kamares ware is also used as table ware for the wealthy and for
Richard Fairbanks, although many times overlooked, was an important American ceramist. He was known as a "loner" and because of this he was never really appreciated for his talent. Fairbanks was greatly influence by his professors. Professor Paul Bonifas, who taught at the University of Washington, was one who left a huge impact on Fairbanks work. Fairbanks created a system of sketching pottery profiles, which stemmed from Bonifas’ teachings, as a mean of "thinking on paper." This approach to pottery through sketching was a crucial element that separated Fairbanks from many other Asian-inspired American peers. Although, Fairbanks was a wheel thrown expert, he continued to "think on paper" throughout his creative life.
The Shang Dynasty invented and, over the years, perfected the technique of casting a bronze vessel from a clay mold assembly, which this wine vessel has also been made from using those techniques (Cantor). This mold was formed around a model of the vessel and was then cut into sections that were carved or impressed in the desired design, in this case the braided or grid design, on the inner or outer surfaces. The decorated clay piece-mold was then fired and reassembled around a clay core. Small bronze spacers were used to hold the piece-mold and the clay core apart. Then, molten bronze was poured into the mold. Using this piece-mold casting technique helped the bronze worker to achieve greater sharpness and definition in any intricate design
The Attic Black-Figure Ovoid Neck-Amphora is a pottery piece that one does not know a lot about. It was produced sometime between 600 to 400 B.C., and is now housed at the Joslyn Art Museum in Omaha, Nebraska. It was used to hold liquids and was often a source of trade for the Greek potters. In this paper, one will learn how the pottery was made, what the designs on the vase mean, history, and about the culture of the Greeks.
The wide rimmed ring of space located at the top of the lekythos was commonly decorated with a pattern called palmette. Discovering a palmette pattern is not unusual to find on a lekythos, and many other types of ancient Greek pottery. The different variations in color, design, pattern, intricacy and brushstroke can help determine the ancient painter. Because the colors were not fired directly on the white-ground, they are not necessarily as permanent as the black gloss; therefore overtime the vivid colors and detailed decoration will
Maria Martinez and her son Popoui Da begin their traditional process by seeking supplies out in New Mexico’s wilderness. They appear to find their customary clay and sand sources near their home in the Pueblo San Idefonso in Black Mesa country, as demonstrated by this particular batch. In the desert, Maria scatters sacred coins along the ground as an offering to the Great Spirit. Clay is gathered, and blue sand is gathered to act as a binder from another location in the desert. Before packing up their desired sand, they sieve the sand to separate the sand from any other material. Then, Maria mixes equal parts blue sand and red clay, and water is slowly added. Water must be expertly controlled, as to avoid crumbling or nonbinding clay. She works the clay until it is pliable, and she kneads, divides, and presses the clay until the air is worked out. The now smooth clay is left for a day, during which it is occasionally kneaded.
One of the more famous African American potters during the Civil War times in the United States was David Drake (Burrison, 2012). Until he became emancipated he was known simply as Dave or Dave the Slave (Burrison, 2012). In 1801, Dave was born in the United States under his first owner Harvey Drake (Burrison, 2012). Harvey Drake is the most probable person to have taught young Dave how to read and write because of his belief that God gave him the responsibility to help his servants, or slaves how to read the word of God (Burrison, 2012). Many of his pieces are signed and dated, some have short facts about the piece, and others have short poems (Burrison, 2012). The words written on the pottery seems to have been inscribed while it was barely damp greenware (Burrison, 2012). Harvey Drake died in 1832 and in 1834, the South Carolina General Assembly passed a regulation that made it illegal for slaves to be taught how to read and write (Burrison, 2012). In 1840, after passing from one master to another Dave was finally given to Lewis Miles (Burrison, 2012). Dave was one of the few enslaved potters to be allowed to sign the ceramic pieces he produced during his enslavement under Lewis Miles (Burrison, 2012). On one piece Dave inscribed the words "LM says handle will crack" (Chaney). These words mean much more than what is written. It shows that Dave knew what he was doing and possibly even knew more than his master LM, Lewis Miles (Chaney). It seemed that Dave who was an enslaved man was the master, and his master was the fool because the handle, to date, has never cracked (Burrison, 2012). Dave Drake continued to sign his name and sometimes writing poetry on his pottery even though the law had been passed that made it illegal (Burri...
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
On the Warka Vase shown on register 4 naked men carry three types of pottery and at least three of these pottery pieces hold some objects, this implies that all three types of pottery are holding some object or objects, since the men are taking the pottery to the same location. One of these pottery pieces appears to be a piece made to pour, and hold, liquids. This pouring vessel is again seen in an image on another vase (20), this vase seem t...
Overall, the six pieces of jewelry in this set shows that Mesopotamia, Egypt, Greece, and Rome took a lot of pride and effort in their jewelry. The jewelry was continuously changing to become more complex as time went by. All of the jewelry was made by using the most innovative techniques of their own time period and by using metals and gemstones valued in each
Perhaps if I had the chance to observe these crafts in person and truly get a feel of their character I would have a better understanding of their nationalistic expression. As it is what has been translated and written in western academia is all that I, as an outsider looking in, can observe. It can be argued that Japan may have lost much of its cultural tradition if not for the American taste for it. On the other hand if not for the change in lifestyle due to America’s occupation, Japanese crafts might not have needed to change so drastically to suit modern life. There is no way of saying for certain ether way. It is my belief, that Japanese handicrafts have expressed nationalistic pride throughout its history, but it is after the introduction of western influences and concepts that the country has found a need to preserve and protect it. The Mingei movement most eminently expresses the Japanese Spirit and it is important to continue to apply its basic principles to
First, new materials like metal clay, polymer clay, natural clay, ivory, bones, shells, wood, enamel, plastics and glass are being used. Second, some developments have taken place, improving the quality of artificial stones and making jewelry available to larger population segments from an economic point of view. Furthermore, the influence from other cultures and artistic forms is also changing the traditional jewelry. According to several publications, at the end of the 20th century a mix between Oriental and European techniques has been taking place. A case in point is Hawaiian jewelry which is highly fashionable and is enjoying of an increasing popularity during the last decades.
When comparing two relatively similar artistic objects from the same culture, there will invariably be similarities and differences between the two pieces. This is the case when analyzing a Dou Vessel from late 5th to early 4th century BCE China as well as a Zun Vessel from 13th century BCE. Both objects have similar purposes as well as certain aspects of design. However, they differ on other points of design and are also dramatically different in size. The parallels and distinctions of the two pieces are reflective of the cultural disparities and different methods of manufacturing during the two eras of creation.
Samurai have played a big part in Japans history. There have been supreme samurai or Shoguns whose rule shaped Japan in early times. These shoguns ruled in different eras or periods. There are three main periods concerning the samurai usage. They are the Kamakura, Ashikaga and the Tokugawa period. The samurai were introduced as a part of the government in the Kamakura period.
after the end of the Roman world, this level of sophistication is not seen again until perhaps the fourteenth century, some 800 years later” (Ward-Perkins, 88). The production of pottery made by the Romans was a phenomenon. Ward-Perkins pointed out before the fall of Rome, Roman pottery was made in excellent quality and in massive quantities that it spread out throughout the Mediterranean world,and regardless of the location it was transported and traded everywhere throughout the empire and people of differing social class were able to afford it because of its production. The decline of pottery being made was only the start of the deteriorating empire.
Pottery- this was made from the local red, brown and gray clays. Pots were not glazed but decorated with markings different for each village. They were made in shapes of frogs, birds or heads with wide eyes and large ears for handles.