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The Value of Narrative in Ceremony The story is the most powerful and most compelling form of human expression in Leslie Marmon Silko's novel Ceremony. Stories reside within every part of every thing; they are essentially organic. Stories are embedded with the potential to express the sublime strength of humanity as well as the dark heart and hunger for self destruction. The process of creating and interpreting stories is an ancient, ongoing, arduous, entangled, but ultimately rewarding experience. As Tayo begins to unravel his own troubled story and is led and is led toward this discovery, the reader is also encouraged on a more expansive level to undertake a similar interpretive journey. Each story is inextricably bound to a virtually endless narrative chain. While reaching an epiphanal moment, a moment of complete clarity, l is by no means guaranteed, by presenting Tayo as an example, Silko at least suggests there is fundamental worth in pursuing and creating stories. Silko counsels that the story's potential for good or ill should not be easily discounted or dismissed. She seems to understand all too well that human beings house both virtuous and vicious impulses; our stories are infused with both the sinister and the sublime. There is a unifying, mythical or archetypal realm which exists just beyond the scope of individual consciousness. Stories are tethered to and wound around this insubstantial place, and the power of each story is firmly rooted in this connection. The novel, presented as a series of disjointed, possibly problematic, narrative frames, attempts to draw attention to this fact. "...no word exists alone, and the reason for choosing each word had to be explained with a stor... ... middle of paper ... ...toward the close of the novel that "He had only heard and seen the world as it had always was: no boundaries, only transitions through all distances and time" (246). Ironically, though these transitions, changes in the specific vernacular or ritual may be significant from generation to generation, the underlying theme remains constant: we are inseparable from the universe. "I already heard these stories before... only thing is the names sound different" (260). Within the self imposed boundaries of the text, each story creates new space for thoughts and emotions which are common to the human condition. Perhaps because the story houses the possibility for our ultimate destruction or redemption, Silko describes the story, its creation, its meaning, as the defining moment of humanity. Work Cited: Silko, Leslie Marmon. Ceremony. New York: Penguin Books, 1977.
The next thing that caught my eye was he waited 15 years to tell his
it is proven that a bond between a baby and one who feeds it is very
The Implications of the Stanford Prison Experiment In 1971 Dr Philip Zimbardo conducted an experiment in the basement of Stanford University. This involved imprisoning nine volunteers in a mock up of Stanford prison, which was policed by nine guards (more volunteers). These guards had complete control over the prisoners. They could do anything to the prisoners, but use physical violence.
A local newspaper ad reached out for volunteers to participate in a Psychological study, created by Philip G. Zimbardo and his research team, which sounded interesting for many individuals. Was it the best option to follow through with it? Volunteers were given a promise of being paid fifteen dollars a day of the study. Multiple members probably considered this a once in a life time event that could result in quick, easy money. Many may have heard about the Stanford Prison Experiment, but may not have been aware of the scars that it left upon the participants. Taking a deeper look into the study and the impacted outcomes on individuals will be elaborated on (Stanford Prison Experiment).
passing away. He begins to get scared of her at his first night at the
In wrapping up the analysis of Silko’s paper the reader is left with a bitter taste. Although Silko points out an important issue, she seems to be too overdramatic when telling of personal experience. Silko leaves the reader too skeptical of what she has to say. The reader has a hard time believing what they read. Silko finds refuge through her writing, but does not handle the subject with as much care as it is due. Silko’s evidence to not justify her accusations, and that hurts the credibility of the work.
The Nurse, actually turned against Juliet at a very important time. I am not saying that the nurse was bad, but she d...
In these essays, the authors are telling a story about the characters life. The stories are directed towards the audience to express the kind of pain and suffering the characters went through to learn and apply what they had been yearning for.
at age 26. He no idea what was involved, what to do and went along
Within the fictional worlds of Haroun and the Sea of Stories, the characters realize that stories are not mere entertainment, but are crucial to their lives. Fictional stories are crucial pieces to Rashid Khalifa since he relies on them for a career and brings him enjoyment. They are also important to a politician because storytelling is a critical part of a politician’s survival and livelihood since they rely on the storytellers to persuade and convince people to vote for them. Most importantly they are important to Guppees since they depend on stories to be the source of all there speaking, and the pages of Gup (the army) they depend on stories to help them fight. All in all stories can
This is an explorative essay on the theme in Patricia Grace’s novel Potiki that ‘telling and retelling stories is an important and valuable part of being human’.
he heard this he was intrigued to find out how he was going to become
Several different elements are necessary to create a story. Of all the elements, the conflict is most essential. The conflict connects all pieces of the plot, defines the characters, and drives the story forward. Once a story reaches its climax, the reader should have an emotional connection to the both story and its characters. Not only should emotions be evoked, but a reader should genuinely care about what happens next and the about the end result for the characters. Guy de Maupassant’s “The Necklace” is the perfect example of how a story’s conflict evolved the disposition of its characters.
thanks him and they fall in love .He then guides her safely to the palace where she is a
Nightingale was the first nurse of her position in becoming a geriatric nurse in nursing homes. Norton, for