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Family influencing child development
Parents influence on children's development
Parents influence on children's development
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Because of the strong examples each mother and father must set forth for their children, the parental figures in these roles must provide specific nurturing traits in order to ensure they grow into well-rounded adults. Without these traits, many children and adults much like those in Shelley’s Frankenstein and Kafka’s Metamorphosis find it hard to cope in everyday life. The lack of parental guidance for Frankenstein’s monster and Gregor in The Metamorphosis is the reason why both are unable to function in society. The way they are treated throughout their lives by their “parents” as well as the neglect and abandonment they suffer throughout their respective stories explain why a parent’s role is much needed and irreplaceable. Although the works are separated by some one hundred years, the importance of parenting is timeless.
In both instances, the children are used for personal gain. Gregor Samsa, in Franz Kafka’s book, The Metamorphosis, is primarily a means of income and a provider for his family and not valued for much else. Victor Frankenstein, as written by Mary Shelley, creates his monster out for his own selfish ambitions and goals to succeed in creating immortality for humans. The mistreatment of each character ultimately comes from their parents refusal to treat them like their own offspring and more like an object to help with their own personal success.
Kafka’s main character, Gregor, is used for monetary purposes all throughout his life. He is often regarded not a part of the family but rather as a means of income so that neither of his parents had to work, his father because he did not want to and his mother because of asthma. In fact, Gregor’s father set up the job for him so that neither of the parents would have t...
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...hut the child out of their lives. Rather than dealing with the mistake or misfortune as a parent should do and stand by their child’s side, both parents ran away and tried to hide from the problem. The feelings of each character were completely forgotten and lost. Each were treated as some sort of object that could be thrown away and replaced. And ultimately, the outcomes in their lives reflected their poor parenting. The choices they made unfortunately came from the lack of skills they were taught when they were young and impressionable. Neither character knows what it is like to be a part of a loving family because they were both used as objects for money or fame. Sadly, the lack of parenting led to the demise of each and we are reminded, from over a hundred years ago as well as today, that successful parenting today will lead to successful adults for the future.
Children born into this world are immediately given love and care though for some, they may not receive these necessities which can introduce problems into the child's life. A child may be left with emotional instability if not given the proper care or companion. These problems which arise early on affect the development and growth for one as shown in society, shows, and books. As demonstrated in Mary Shelley’s Frankenstein, because of Victor’s mistreatment towards his creature, lacking proper care and attention led to the poor development of his “child”.
... to do this every day Gregor would have had to have some sense of time. His dwindling human aspects are prominently marked in two places: the first when Gregor is incapable of communicating with his family and the sales manager and the second when he takes pleasure in rutting about in dirt and filth. Lastly, Gregor's loss of consciousness causes a polar change within his family. As Gregor is no longer able to earn money to support the family, everyone else is forced to take action to bring in capital. The most obvious change is in the father who transformed from a dead weight into a zealous worker. Despite Freedman's employment of flawed logic to formulate some of his theories, the majority of his conclusions are quite valid and probe deeply into the meaning behind Kafka's writing.
The idea that parents play a double role as parent and creator continues throughout the stories. Tyrell is looked at as a parent and a way for a longer life. Sebastian and Roy meet Tyrell by riding in an elevator as though acceding to heaven where Tyrell lives. When they enter the businessman?fs bedroom, Tyrell demandingly asks Sebastian, ?gmilk and cookies been keeping you awake??h just as a father would talk to his son. In Frankenstein, Victor is viewed as a father or God figure that can create another life, an Eve for his Ad...
In a world full of novelty, guidance is essential to whether a being’s character progresses positively or negatively in society. Parents have a fundamental role in the development of their children. A parent’s devotion or negligence towards their child will foster a feeling of trust or mistrust in the latter. This feeling of mistrust due to the lack of guidance from a parental figure is represented in the relationship between Victor Frankenstein and his creation in Mary Shelley’s novel, Frankenstein. The creature created by Frankenstein was shown hatred and disgust from the very beginning, which led to its indignant feelings toward his creator and his kind.
Shelley suggests that children naturally look up to their parents. Frankenstein followed his father (a scientist) and now the creature follows Frankenstein when wishes to create for his own needs. This is another point by Shelley, that a strong parental figure is important when bringing up children.
The novel Frankenstein by Mary Shelley contains the archetype of ‘great/terrible’ parent. The ‘great/terrible’ parent is a character archetype used in many novels and literatures. The ‘great/terrible’ parent is defined as a parent in the novel with either great or terrible parenting traits. The great parent is a caring, compassionate, loving, nurturing character who can either be a father, mother or creator. The terrible parent is uncompassionate, unaffectionate, uncaring, and a loveless character that can also be a creator, mother, or father. The monster created by Frankenstein is a victim of bad parenting because of the wrongdoing of the protagonist Victor Frankenstein. “I, the miserable and abandoned, am an abortion, to be spurned at, and kicked, and trampled on” (Shelley, 204). Frankenstein is an example of a terrible parent because he creates a creature which he neglects to nurture and take care off. Instead he looks at it in disgust, mistreats it and abandons it as if it were ...
Mary Shelley’s novel, Frankenstein, has captured people’s attention since it was first written. People often wonder how much of Mary Shelley’s life is documented in her novel. From the theme of parental abandonment, to the theme of life and death in the novel, literary scholars have been able to find similarities between Frankenstein and Shelley’s life. The Journal of Religion and Health, the Journal of Analytical Psychology, and the Modern Psychoanalysis discuss the different connections between Shelley’s life and Frankenstein. Badalamenti, the author of “ Why did Mary Shelley Write Frankenstein?” in the Journal of Religion and Health, primarily discusses the connection between Victor
A predominant theme in Mary Shelley’s Frankenstein is that of child-rearing and/or parenting techniques. Specifically, the novel presents a theory concerning the negative impact on children from the absence of nurturing and motherly love. To demonstrate this theory, Shelly focuses on Victor Frankenstein’s experimenting with nature, which results in the life of his creature, or “child”. Because Frankenstein is displeased with the appearance of his offspring, he abandons him and disclaims all of his “parental” responsibility. Frankenstein’s poor “mothering” and abandonment of his “child” leads to the creation’s inevitable evilness. Victor was not predestined to failure, nor was his creation innately depraved. Rather, it was Victor’s poor “parenting” of his progeny that lead to his creation’s thirst for vindication of his unjust life, in turn leading to the ruin of Victor’s life.
Mary Shelley teaches us all well the long range effects of spoiling a child to the extreme in her novel Frankenstein. Set in the mid-19th century, the novel details the life of Victor Frankenstein and the monster he created. However, it also serves as a model of the ultimate repercussions of overindulging children. This is an issue too few parents bother with today. As their own parents did their best to provide well and ensure a better life for them, today's parents are of same mind, regardless if they had a "lacking" childhood or not. Consequently, their own children are given the best clothes and toys, and are sent to the best daycare centers, pre-schools, schools and colleges. Like Victor, many grow into self-centered,self-serving adults. Victor, as the first child, spent the first years of his life as an only child,born into an aristocratic family and showered with affection."I remained for several years their only child ... [T]hey [his parents] seemed to draw inexhaustible stores of affection from a very mine of love to bestow ... upon me" (Shelley 16).
In 1818, Mary Shelley wrote the novel of Frankenstein. The novel shows examples of abandonment, illustrated by the relationship between the Monster and Victor Frankenstein, and additionally foreshadows current events. The novel also describes how Victor Frankenstein, the creator, left his creation as nothing. The Monster did not have anyone to depend on in his life growing up like many children in today's society. Victor was not a good parent to the Monster and like in today’s society some parents, children are being rejected and abandoned.
Frankenstein by Mary Shelley and Dracula by Bram Stoker, both nineteenth century texts, present women and their roles within society at that time as one of subservience to their male counterparts. Women had no independent means of subsistence, and were obliged to follow the conventions set by men.
As Victor Frankenstein recounts his informative tale to a seafaring Robert Walton, he makes it known that he was a child of nobility; however it is sadly transparent that, combined with insufficient parenting, Victor’s rare perspective on life pushes him towards a lifestyle of conditional love. Children are considered symbolic of innocence, but as a child Victor’s arrogance was fueled by his parents. With his family being “one of the most distinguished of the republic,”(Shelley 17), Victor’s parents saw him as their “plaything and their idol, and something better-their child, the innocent and helpless Creature bestowed on them by Heaven, whom to bring up to good, and whose future lot was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me,”(19). “The Social Order vs. the Wretch: Mary Shelley's Contradictory-Mindedness in Frankenstein Sylvia Bowerbank.” Bowerbank, "The Social Order vs. the Wretch", knarf.english.upenn.edu/Articles/bower.html.
Although Franz Kafka’s reading are not known to be sexist, some of the characters in his book “The Metamorphosis” reflect the views of the time in 1917. The female characters of the book present the stereotypical view of women as weak caregivers whose only value to their family lies in their ability to marry wealthy men. There is evidence to prove these statements throughout, such as Gregor being the only means of income for his sister’s future, how he is the only one who works, and how he gets cast aside by his parents and sister when he cannot work.
Frankenstein is novel where a single man condemns himself, his family, and creation to complete misery. Family is the first significant theme we are introduced. From the beginning of the novel, Alphonse Frankenstein, shows his loyalty and appreciation to family as he adopts a child that may not be very fortunate. This action becomes very important as the adop...
Kafka's prose emphasizes the economic effects on human relationships, therefore, by analyzing the images of Gregor, we can gain insight into many of the ideas the writer is trying to convey. Within the first few pages of the novella, readers promptly discover the proletariat in the story. Laboring as a traveling salesman, Gregor tries to support his family and pay off his father's debt due to a failed business venture. While lying in bed, he comments on his life as a traveling salesman “Day in, day out-- on the road. I've got the torture of traveling worrying about changing trains, eating miserable food, at all hours.