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Self discipline a need essay
Obsessive compulsive disorder research paper
Osd obsessive compulsive disorder
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Do you tend to keep old things in order to preserve memories from the past? Do you know that it can be classified as a kind of Obsessive-Compulsive Disorder, a mental illness? The award-winning Canadian author Carrie Mac sets her story in this hardly touched field in her novel The Opposite of Tidy. Junie, an ordinary 16 year old girl in high school, appears to be no different from others. However, nobody knows how difficult her life has been: Junie’s mom is a compulsive hoarder, and her hoarding drives her husband away. Junie, in attempt to hide her embarrassing family from Wade, her new boyfriend, tells lies one after another. That’s why Junie panics when the TV show Kendra arrives at her house, because all her secrets, lies, and her mother’s hoarding are about to be exposed to the whole world. What will happen to Junie? Will Wade leave her? Most importantly, “how do you come clean when your life is a mess?” Carrie Mac employs a well-chosen title, conversational style of writing, and thought-provoking themes in The Opposite of Tidy to reflect people’s desires and struggles to gain control of their life. The first thing readers see on a novel is its title; therefore, its significance cannot be neglected. First and foremost, it grabs readers’ attention immediately. Why does Carrie Mac use “the opposite of tidy” instead of “messy”? Messy means dirty and disordered, while “the opposite of tidy” gives readers room for imagination. It can be interpreted as dirty, chaotic, disorganized, both physically and mentally. Since the original title covers a much wider topic, it is obviously better than one word “messy”. In addition, this title foreshadows the the importance of self-control: it decides your life. If you make the same mistake as ... ... middle of paper ... ...ght way to cure her hoarding and she gets rid of the illness. In addition, both Junie and her mom are the victims of lack of self-control. Nevertheless, they support each other and succeed at fighting against their messy life by regaining control. The theme serves the purpose of delivering author’s message behind the novel: importance of self-control. To summarize, The Opposite of Tidy is an unusual novel about the process and importance of gaining control, both physically and mentally. The effective usage of title, style of writing, and theme all make it enjoyable but also thought-provoking. After finishing the novel and coming back to answer the question “how do you come clean when your life is a mess?”, it is clear that everything is possible if you have enough control. Since “come clean” does not kill you, and “what doesn’t kill you makes you stronger, right?”
Filthy with Things, written by T.C. Boyle (b.1948), depicts the story of the anti-heroine Susan Certaine, a messianic professional organizer, who is called by Julian Laxner to help him organize the mess he and his wife, Marsha, had made over the years. The American couple are struggling with their eclectic hobby of collecting exquisite items that, as the story develops, turns into a severe case of modern-day materialism, showing Julian and Marsha’s utter affinity towards their possessions in various parts throughout the story. Julian, the protagonist, contacts Susan, portrayed by Boyle as a strident and rough woman of a high caliber, to assist in tidying up the house, yet he is petrified to open up the discussion with Marsha, leading him to intrigue with Susan to sort the mess (page 737, “Julian’s collusion”) after being coerced by the latter, telling Julian that he is “filthy. And
Countless times throughout Robinson’s work, the idea of the home is used as a way to contrast society’s views, and what it means to the characters of Robinson’s novels. In Robinson’s most famous novel Housekeeping, two young girls experience life in a home built by their grandfather, but altered by every person that comes to care for them. After their mother
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In Housekeeping, the idea of freedom is symbolically represented in one’s connection to nature and the lifestyle of a transient. In the instance where Sylvie and Ruth decide to burn their belongings, Sylvie’s unorthodox housekeeping was explained as “she considered accumulation to be the essence of housekeeping, and because she considered the hoarding of worthless things to be proof of a particular scrupulous thrift” (180). The idea behind Sylvie’s incompetence in the field of Housekeeping shows her ideology, as she does not place value into physical objects and views the idea of property as simply worthless. Not placing value into her belongings shows an unorthodox view on property, one that departs on the societal notion where belongings emphasize one’s status. This quote relates to the book of Fences, in a differencing sense as the family particularly emphasizes the belongings, especially their house. Additionally, an important moment in Ruth’s acceptance of a transient lifestyle comes when “you do not resist the cold, but simply relax and accept it, you no longer feel the cold as discomfort. [She] felt giddily free and eager, as you do in dreams, when you suddenly find that you can fly, very easily, and wonder why you have never tried it before. I might have discovered other things. For example, [she] was hungry enough to begin to learn that hunger has its pleasures, and I was happily at ease in the dark, I could feel that I was breaking the te...
Growing up in rural Montana in the 1950’s and 1960’s was a life a large majority of Americans cannot fully comprehend, appreciate, nor would even want to live. It was a hard life for men who worked farms, and was especially hard for the women who shared this life as well. Breaking Clean is a simple, honest memoir written by Judy Blunt who grew up as the third child out of five of a third-generation of homesteaders in eastern Montana. The family farm was closest to the town of Malta with a population of only 2,500 that was more than an hour away, and the biggest town there was within a hundred miles in any direction.
Marilynne Robinson gives voice to a realm of consciousness beyond the bounds of reason in her novel Housekeeping. Possibly concealed by the melancholy but gently methodical tone, boundaries and limits of perception are constantly redefined, rediscovered, and reevaluated. Ruth, as the narrator, leads the reader through the sorrowful events and the mundane details of her childhood and adolescence. She attempts to reconcile her experiences, fragmented and unified, past, present, and future, in order to better understand or substantiate the transient life she leads with her aunt Sylvie. Rather than the wooden structure built by Edmund Foster, the house Ruth eventually comes to inhabit with Sylvie and learn to "keep" is metaphoric. "...it seemed something I had lost might be found in Sylvie's house" (124). The very act of housekeeping invites a radical revision of fundamental concepts like time, memory, and meaning.
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
The book starts off with Jeannette, a successful adult, taking a taxi to a nice party. When she looked out the window, she saw a woman digging through the garbage. The woman was her mother. Rather than calling out to her or saying hi, Jeannette slid down into the seat in fear that her mother would see her. When asking her mother what she should say when people ask about her family, Rose Mary Walls only told her, “Ju...
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
The central characters in both “The Yellow Wallpaper” and A Doll’s House are fully aware of their niche in society. In “The Yellow Wallpaper”, the narrator’s husband believes her illness to be a slight depression, and although she states "personally, I disagree with their ideas,” she knows she must acquiesce their requests anyway (Gilman 1). She says, “What is one to do?” (Gilman 1) The narrator continues to follow her husband’s ideals, although she knows them to be incorrect. She feels trapped in her relationship with her husband, as she has no free will and must stay in the nursery all day. She projects these feelings of entrapment onto the yellow wallpaper. She sees a complex and frustrating pattern, and hidden in the pattern are herself and othe...
On the contrary, Sula is given too much freedom as a child, a controlling force in itself as she never has any structure in her life. Although this freedom allows Sula to create her own identity and make a life for herself apart from society’s expectations of her as a woman, it also prevents her from knowing what it would be like to have a normal life. Due to the constant presence of noise, disorder, and commotion at home, Sula favours the quiet “oppressive neatness of [Nel’s] home” (29). This speaks to Sula’s character because although she is viewed as impulsive and emotional, she can “sit on [Helene’s] red-velvet sofa for ten to twenty minutes at a time - still as dawn” (29), simply observing the calm around her. This shows that Sula yearns for the sense of order she never experiences in her own home. *CONCLUSION AND TRANSITION TO NEXT
...cceptance in herself and through her parents. She is a young college student who has to deal with the pressures from her culture, parents, peers, and teachers. Her strength and power to be independent from her parents could not prevail, and an apology is the only thing she can offer to her parents. The speaker keeps telling herself that she is not good enough and not strong or smart enough to succeed; many people struggle with same the problem as the speaker, and it is up to the power within to overcome it .
Compulsive hoarding has been universally defined by researchers as a chronic behavioral syndrome that is categorized by three unique qualities: the extreme retention and failure to dispose of an abundant quantity of useless objects, living environments so condensed with clutter that it compromises day-to-day living for its occupants, and finally a significant provocation of anxiety or distress caused by the hoarding (Franks et al. 79). Although the definition of compulsive hoarding is universally accepted, the cau...
Thomas Pynchon introduces the novel by describing the stereotypical housewife, she goes to Tupperware parties and comes home and cooks dinner and makes drinks for her husband. Clearly no sign of chaos in this situation, much like Alice who becomes bored with her books and d...
The story unfolds in a rickety colonial mansion described by the narrator plainly as “a haunted house” (Gilman 1) with barred windows and rings bolted to the walls (Gilman 2). These features along with the “horrid” (Gilman 6) yellow wallpaper entrap the narrator and swaddle her in her own madness. As the “woman” (Gilman 6) in the wallpaper takes hold of the narrator’s psyche she grows sinisterly corporal, depicted through the unintelligible sporadic entries. The purpose of the narrator’s journal warps from entries assuring herself of the pettiness of her sickness to entries that confirm and act as horrendous safe haven’s for her unhinged mental condition. Entries like “I see her in that long shaded lane, creeping up and down. I see her in hose dark grape 'arbors, creeping all around the garden” (Gilman 8) juxtapose nonchalant writing style with dark subject matter in a way that creates a disturbing tone that must be uncomfortably ingested by