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Symbolism as a literary tool essay
Essays on symbolism
Essays on symbolism
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How does the difference between the way Dee (Wangero) and Maggie would use the quilts represent their two different ways of defining and treating their family’s heritage? Does the narrative give approval to Dee’s way or Maggie ’s? The idea of heritage is very different from one person to another. The story of “Everyday Use” shows a dynamic picture of two sisters that see their family history and upbringing nearly opposite points of view. The quilts become the catalyst for a cultural battle between Dee’s (Wangero) new “enlightened” lifestyle and Maggie’s contentment with her upbringing. Dee makes it clear, long before she asked for the quilts, that she has already taken her heritage for granted. Dee makes the bold proclamation that she is not longer going by the name Dee, “‘Not Dee,’ Wangero Leewanika Kemanjo!’” (Walker, 3013). Not only has “Wangero” shocked her mother with her new name, but goes to attack those her family history, “I could not longer bear it any longer, being named after the people who oppressed me.” The author make a substantial point by connecting Dee’s new beliefs to disowning her heritage and her ancestors. Despite the rejection of her family’s humbled life, Dee finds a desire in the quilt of her family’s past. Dee’s request for the quilts is far from nostalgic and she has little consideration for her sister when she asks for both antique quilts. Dee is in love with the idea of displaying her family as a display of her superiority over her ancestors and can not understand why her mother would not agree with her. The condescending attitude and request from Dee leads Maggie to feel ashamed of her life for a moment and she nearly gives the heirlooms away. “She can have them, Mama,” were the words of... ... middle of paper ... ...2784). There is much to like about both mother and daughter in aesthetically, but the true victory seems to come in spirit. The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
It is often ignored that legacy is responsible for the unity of a family. As Walker lightens the reader with the importance of quilts in “Everyday Use”, she amplifies the significance of it by presenting Maggie, the younger of
Heritage in a family can be preserved in many different ways. Be it a diary written by your great great grandpa or a pot your grandma passed on to your mum who passed it on to you, nothing compares to the great comfort in understanding ones heritage especially when it involves the deep love and devotion of a strong mother. In the poem "My Mother Pieced Quilts" by Teresa Acosta and the short story "Everyday Use" by Alice Walker, both authors use imagery and figurative language to establish a quilt as a symbol for a mothers love of her children to illustrate their themes.
Symbols are displayed in both stories; the quilts in “Everyday Use” symbolize the memories of Mama’s family. The quilts are made of pieces of old clothing from Mama’s family. Each piece of the quilt represents that person and who they were. They are passed on to future generations along with stories of the ancestors’ past. The quilts represent pride of their ancestors’ struggles, where they came from and the fight to preserve their individuality. Unlike Dee, Mama and Maggie acknowledge their heritage from memories of their family members. Dee bases her heritage off ...
In the beginning of the story, Dee (Wangero) is introduced as someone that needs to be impressed. The narrator has a fantasy about being reunited with Dee (Wangero) (393). She is described as being beautiful and a wonderful daughter with many good qualities. Besides being beautiful, she is confident. Instead of feeling suppressed because of the color of her skin, she is able to look people in the eye (394). Dee (Wangero) is also educated and the way she talks shows it. She is also opinionated and her family is intimidated by it. Dee’s (Wangero’s) qualities are overall good qualities to have, but I feel like she uses them to act better than her family. The fact that she had changed her name to Wangero (397) and demanded the quilts while she was visiting made me feel that she was superficial. She did not even want the quilts when they were first offered to her before she went to college (400). I do not think it is right to change your family name and then come home and request family heirlooms. Dee (Wangero) always seems to get wha...
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
The main objects of topic throughout the story are the quilts that symbolize the African American Woman’s history. Susan Farrell, a critic of many short stories, describes the everyday lives of African American Women by saying “weaving and sewing has often been mandatory labor, women have historically endowed their work with special meanings and significance” and have now embraced this as a part of their culture. The two quilts that Dee wanted “had been pieced together by Grandma Dee and then Big Dee and me [Mother] had hung them on the quilt frames on the front porch and quilted them” (par. 55) showing that these quilts were more valuable as memories than they were just blankets. The fabrics in the quilts “were scraps of dresses Grandma Dee had worn fifty and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the piece of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the Civil War” (par. 55) putting forth more evidence that these are not just scraps, but have become pieces of family history. The q...
The daughter Dee, who is coming to visit, has left this rural landscape through her education. Dee has even taken on an African name for herself: Wangero Leewanika Kemanjo. Dee "couldn't bear it any longer being named after the people who oppress me." (Walker 386)
To begin with a quilt is defined as a “coverlet made of scrapes and fragments stitched together to forming a pattern” (Webster). The quilt in “Everyday Use” was made by Grandma Dee, Big Dee, and Mama from scraps of dresses and shirts and part of Grandpa’s Civil War uniform. It is filled with memories and was hand stitched by the family. Mama suggests that Dee take other ones, but Dee rejects the offer because they were “stitched by machine”(Walker, p.114) and the old ones were done by hand. Mama says that she had promised them to Maggie. Dee then replies that Maggie would “be backward enough to put them to everyday use” (Walker,p.114). Mama says she hope Maggie will use them every day. This begins what is means to use and misuse heritage.
...daries and what belongs to her. She seems to think that objects that are important in Mother and Maggie's life are just aesthetic pieces of art instead of real life tools. Her idea of reality became warped around the lack of respect she showed the rest of her family.
The way that Dee wanted to preserve the quilts her ancestors crafted instead of their traditional everyday use was similar to when the main character in Araby originally thought that love was not something that needs to be won over or bought. Dee rejected what was known to be true by trying to preserve her family's useful quilts like artifacts. She explained that her sister did not understand by saying "’Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use.’" The quilts showed the hard working people of her family's past, yet she attempted to reject that in a twisted modernist way. The way that Dee tried to move away from tradition was similar to how the main character in Araby realized the wrongness of his perception of love’s tradition. He started out by putting his crush on a pedestal, and believing that the way to someone's heart was through gifts and money. It was almost like he was bribing her to an event called the Bazaar with him when he said “`If I go, I will bring you something.'” Then he had an epiphany. Love must be reciprocal, not something that can be won.This traditional way of trying to win one’s love instead of it being a reciprocal concept was then discovered to be false to him. The way of questioning what is true led to enlightenment in Araby, whereas in Everyday Use it led to regression. Both
Quilts symbolize a family’s heritage. Maggie adheres the tradition by learning how to quilt from her grandmother and by sewing her own quilts. Maggie also puts her grandmother’s quilts into everyday use. Therefore, when Dee covets the family’s heirloom, wanting to take her grandmother’s hand-stitched quilts away for decoration, Mama gives the quilts to Maggie. Mama believes that Maggie will continually engage with and build upon the family’s history by using the quilts daily rather than distance herself from
through she is there with her mom everyday(Cowart 171-72). When Wangero comes back with her boyfriend, she acts like she 's better than them because she found her heritage and she lost what is important to them the mother-daughter relationship. In another source it say “Dee obviously holds a central place in Mama’s world,” so her central place is the reason why all the stuff that she wants she gets especially things that hold heritage value(Susan Farrell 180). The mother-daughter bond that she shares with Wangero is much more special and that bond with her mom should mean more to her then the quilts or anything else with any type of history
By rejecting her origins, Wangero become the product of the soil she planted herself in. She thinks traditions are archaic and no longer relevant, and that they are unnecessary during these modern times. “You just don’t understand… Your heritage… It’s really a new day for us. But from the way you and Mama still live you’d never know it” (Walker 482). But for Maggie and Mama, exploring their cultural heritage is very beneficial. It gives them a connection to their social values, beliefs, customs and religion. Just as Wangero rejected her family, so have they rejected her. Mama sees heritage in the quilts and believes that Wangero has neglected everything she stood for. Instead, Mama turns to Maggie and handed her the quilts. Maggie had proven that she respects and acknowledges the family’s culture and understands that her heritage holds deep significance.
The quilts play an important role in depicting symbolism of heritage because they signify Dee’s family origins. For instance, Dees’ significant family members all have pieces of their fabric sown on to the quilts as a remembrance of who they were and their importance in the family. Nevertheless, Dee is overlooking important facets of her family history because she does not see the quilts her ancestors made as valuable, hand-made, pieces of fabric that should be passed down and taken care of to keep their history alive. As Mama stated, “In both of them were scraps of dresses Grandma Dee had worn fifty years and more years ago. Bits and pieces of Grandpa Jarrell’s paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra’s uniform that he wore in the civil war.” (1129). Despite her family’s history, Dee continues to misinterpret the...
Heritage is a practice of traditions that is passed on from one generation to another. Traditions are important part of various cultures including the African culture. Heritage is a very fundamental part of African people’s lives. They are represented by their culture and traditions. In addition, in this story importance of African heritage is shown when Dee reclaims her traditions when she gets married to a Muslim man. This comes as a surprise for Dee’s mother as she used to hate these traditions in her childhood. The relationship between Dee and her mother was a complicated one as she was apart from her most of her life. When Dee came back she really appreciated the work of her culture and forced her family to let her use the quilts to display them as a unique art work. Dee saw historical values in those quilts and appreciated the work that was hand stitched. But since the family was reserved and were not used to displaying their talent to others, the mother became rebellious and wanted to give it to her sister Maggie who has been with her for all these years while being suppressed in their