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Individualism and society essay
Individualism and society essay
The impact of individualism on society
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Throughout Marilynne Robinson’s works, readers are often reminded of themes that defy the status quo of popular ideas at the time. She explores transience and loneliness, amongst other ideas as a way of expressing that being individual, and going against what is deemed normal in society is acceptable. Robinson utilizes traditional literary devices in order to highlight these concepts.
Countless times throughout Robinson’s work, the idea of the home is used as a way to contrast society’s views, and what it means to the characters of Robinson’s novels. In Robinson’s most famous novel Housekeeping, two young girls experience life in a home built by their grandfather, but altered by every person that comes to care for them. After their mother
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She explores the theme of transience as a way to yet again highlight society and the individual. In her novel Housekeeping she uses Lucille as a representation of society and thus compares Ruth and Lucille, and Sylvia and Lucille. She compares society to the individual, showing the clear contrast between both elements, while simultaneously influencing the reader to see the better in being individual. She does this by creating symbols out of her characters and providing a comparison between them and society, and by doing so shows the individual in a better light. The theme of transience is often explored through the influence of other characters. In Housekeeping Sylvie is seen as a “wanderer”, and this outlook is one that influences Ruth as she grows up. As stated in Anne-Marie Mallon’s literary criticism “Transients and runaways are not among society 's favored or fortunate... like the townsfolk of Fingerbone, we believe that people and things--like children, relationships, jobs, and houses--need to be made secure” (Mallon). But this idea is opposed by Sylvie as a wanderer. When Sylvie arrives it is evident that she is not one to stay in the same place for a long period of time. As Ruth watches her she states that her habits are “Clearly the habits of a transient”( Housekeeping 103). Ruth watches her in awe of her individualism, she hopes that she will be able …show more content…
The novel is written in the form of letters from a dying father. Although he knows death is inevitable, death is an idea presented with optimism. Literary critic, Susan Petit’s argues that Ames even looks at death like “going home”(Gilead 4) and that “only at the end of his life does he feel at home in the world”
(Petit). Death is used as a way to express not just another home, but also that that life continues on after death. To the characters in her novels, death is seen as something not to fear. She uses the deaths of many characters to symbolize a beginning in the end. She highlights the ideas of death through these letters, and through the tone that Ames gives off about his inevitable death. With the use of these characters and their point of view and tone towards death, Robinson concludes that there is in fact some hope in death, and her audience should feel that
Born in 1959, author Debra Oswald began writing as a teenager. She rose to prominence with the debut of Gary’s House where it was shortlisted for the NSW Premier’s Award. Many of her works features abandoned and neglected children that grow into adults to fight their own demons in the past. Oswald writes about the importance of a family’s psychology, both real and surrogate. In Gary’s House, Gary had a bad relationship with his father that lead to neglection and eventually hate but when Gary himself becomes a father he disregards his past to provide for his future child. This is the author’s intention of representing how important family is.
By annihilating more than three-fourths of her appurtenances, homeowner Higgins perceives an alleviating ecstasy. Living in a tiny house creates a sense of disengagement from the outside society; nothing adheres one in a tiny house to follow the principles of the popular conceptions. The fundamentals of life in a tiny house is lived out by Lora Higgins; she believes in "living smaller, living simpler so I can be free to travel more and experience more" (Joyner 26-27). Higgins is endowed in being adept to encounter bounteous adventures and life-changing experiences; she has become more observant of nature and the important
In ?Everyday Use?, Alice Walker chooses to develop the idea of poverty by focusing exclusively on the environment in which her protagonists live. Setting attributes, such as the ones used to describe the house in which the protagonists reside, enables us to better understand the theme. In fact, the dwelling does not even have any real windows. Instead, it has holes cut in the sides, like the portholes of a ship, but not round and not square, with rawhide holding the shutters up on the outside. Then, Walker proceeds with inside description of the house as she points out that the protagonists use benches for their table instead of chairs because they cannot financially afford any. Further, the author supports the theme by providing us with some physical description of specific objects. The use of quilts that ?Grandma Dee? sewed from the scraps of her dress and the churn that Uncle Henry whittled from the wood is not derived from the protagonists? intention to preserve ?family values? but rather from a necessity to ?survive?.
" Neighbours used to look out for each other, but now there seems to be less and less interaction because people go out and don't bother with them, long gone is the tight-knit community of the past. It seems that her obsession with housework has been a substitute for a child, she has never got over the fact that she lost her and Wilfreds child. She would not have coped with the mess of a child. The cleaning aspect of the monologue is to teach us that real life is messy and cannot be tidied. To show that this character has not really grown up and moved on her childhood.
Robinson, Marilynne. " Marriage and other Astonishing Bonds." Contemporary Literary Criticism. Ed. Roger Matuz. Detroit: Gale Publishing Inc., 1989. 276-278.
American culture has defined the ideal dynamic for a family for many generations as one with a single, or perhaps multitude of dominant male figures, a submissive role or roles usually filled by the women in the household, and of course, children, who are deemed more acceptable if they are “seen and not heard”. Marilynne Robinson’s Housekeeping deconstructs and twists around what has grown to be custom in American Literature, and challenges the reader to feel uncomfortable about missing or swapped gender roles within the story itself. In Housekeeping, Ruthie and her sister Lucille have been transferred through several relatives after their mother’s death, and find themselves aching for a “normalcy” that they have never experienced, one that
Death has feelings as much as any human, imagining, getting bored, distracted, and especially wondering (350, 243, 1, 375 respectively). Odd, one could say for an eternal metaphysical being. But then again, not that queer once having considered how Death spends his time. He is there at the dying of every light, that moment that the soul departs its physical shell, and sees the beauty or horror of that moment. Where to a human witnessing a death first hand (even on a much more detached level than our narrator) can easily be a life changing event, Death is forced to witness these passings for nearly every moment of his eternal life. Emotional overload or philosophical catalyst? Death gains his unique perspective on life through his many experiences with the slowly closing eyelids and muttered last words. Yet in this...
Similarly, Sinclair Ross depicts the theme of alienation through the character named Ellen, in the story “The Lamp at Noon”. We learn that the alienation in this story is also self-inflicted but to a different extent. One major difference is that in this case that she has become alienated from society due to geographical isolation. We learn that Ellen once came from a rich family and it seems as if the shift from city to rural lif...
The first and most evident example of alienation and isolation in the novel is Len...
Although death seems to be a theme for many literary poems, it also appears to be the most difficult to express clearly. Webster’s Dictionary defines the word “death” as, “A permanent cessation of all vital function: end of life.” While this definition sounds simple enough, a writer’s definition goes way beyond the literal meaning. Edwin Arlington Robinson and Robert Frost are just two examples of poetic writers who have used death successfully as the main theme of their works. Robinson, in the poem “Richard Cory,” and Frost in his poem, “Home Burial,” present death in different ways in order to invoke different feelings and emotions from their readers.
Social immobility has been a problem for many people, whether they are citizens of United States of America or immigrants from another country, this is something people confront from time to time in their lives. Janie from Under the Feet of Jesus by Zora Neale Hurston, and Estrella from Their Eyes were Watching God by Helena Maria Viramontes are both examples of characters restricted by the intersectionalism of their gender or social and racial class. Through the two class texts mentioned above, social immobility will be further expounded in the context of characters such as Estella and Janie, and it will also be explored as a force that leads to the restriction and/or the loss of innocence for the characters.
We have all heard the African proverb that says, “It takes a village to raise a child.” The response given by Emma Donoghue’s novel Room, simply states, “If you’ve got a village. But if you don’t, then maybe it just takes two people” (Donoghue 234). For Jack, Room is where he was born and has been raised for the past five years; it is his home and his world. Jack’s “Ma” on the other hand knows that Room is not a home, in fact, it is a prison. Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story but give significance as well. The Point-of-view brings a powerful perspective for the audience, while the setting and atmosphere not only affect the characters but evokes emotion and gives the reader a mental picture of their lives, and the impacting theme along-side with conflict, both internal and external, are shown throughout the novel.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
Throughout the tale, one sees clearly the binding ties between house and inhabitants. What was once a proud family mansion is reduced to a crumbling house, whose inhabitants are scarcely less changed. From the wasting disease of the lady Madeline, to her brother's nervous affliction, one discerns a tangible connection with their dark family home. As it weakens, so also do both brother and sister diminish, until both finally perish in a horrible demise no less fantastic then that of their house. And it is these singular features which have contrived to brand the tale upon the mind of the reader, and so inspired generations of both readers and writers. There can be no doubt that future readers will also be inspired by this tale of the horror and mysterious connections between a house and its inhabitants, “The Fall of the House of Usher.”
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.