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Thematic analysis essays
Thematic analysis essays
Thematic analysis essay
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Filthy with Things, written by T.C. Boyle (b.1948), depicts the story of the anti-heroine Susan Certaine, a messianic professional organizer, who is called by Julian Laxner to help him organize the mess he and his wife, Marsha, had made over the years. The American couple are struggling with their eclectic hobby of collecting exquisite items that, as the story develops, turns into a severe case of modern-day materialism, showing Julian and Marsha’s utter affinity towards their possessions in various parts throughout the story. Julian, the protagonist, contacts Susan, portrayed by Boyle as a strident and rough woman of a high caliber, to assist in tidying up the house, yet he is petrified to open up the discussion with Marsha, leading him to intrigue with Susan to sort the mess (page 737, “Julian’s collusion”) after being coerced by the latter, telling Julian that he is “filthy. And …show more content…
I’m the only one to make you clean again,” and charging Julian an absurd fee of a thousand dollars per day, leading him to start catechizing her merits, but immediately abandons his doubts fearfully; as described by Boyle, “the figure seizes him.. paralyzes his vocal apparatus.” Susan teams up with Dr. Doris Hauskopf, a psychologist, to help Marsha, who admits that she has been blameworthy and in need of help, thus she is referred to the Susan Certaine Residential Treatment Center. Matters take a turn to the worse when Julian figures out that Susan treats the couple as codependents, and Julian is later on being sent to The Susan Certaine Co-Dependent Hostel, leaving the couple’s house and their entire belongings solely under Susan’s control.
Although he manages to flee, yet Susan establishes contact with him and orders him to go back to the hostel, but he refuses. Meanwhile, Susan catalogues all the items and empties the house, moving the possessions to a warehouse as part of the agreement. Towards the ending, Julian is reunited with Marsha, and together they go back their house, just to see it striped down from all their belongings. Susan explains to Julian that the document he signed on (mentioned in page 745), was an agreement that bounds the couple to only acquire one item per day from the warehouse for a period of 60 days, and then, all of the items are to be auctioned after the sixty-days “grace” period, with the proceeds going to charitable work by the choice of Certaine Enterprises, inc., leaving him and his wife with “nothing at all” of their
possessions. In my opinion, under the canopy of her stricture criticism, Machiavellianism is clearly apparent in Susan’s character, as she employs deceitful methods to benefit from Julian and Marsha’s misfortunes, while using her rigid remarks as a device to exert fear over her Julian and command him to whatever fulfills her aims. Although Susan’s complete cynical disregard for integrity to self-gain is a disturbing trait, it sure is an exciting motive for the readers of Filthy with Things to read the ending of the story, satisfying their eagerness to be scared.
Little Girls in Pretty Boxes and The Scarlet Letter. Both authors persuade the reader to feel pain of the stories subject. In Little Girls in Pretty Boxes the author used pathos and interviewing to share the stories of these overly dedicated youth. Joan Ryan wrote to show how these young, talented, sophisticated women can hide the harsh reality of the sport. In her biography she listed the physical problems that these young girls go through. They have eating disorders, stunted growth, weakened bones, depression, low self esteem, debilitating and fatal injuries, and many sacrifice dropping out of school. Whereas the Scarlet Letter is a fictional drama that uses persuasion and storytelling to involve the reader. Nathaniel Hawthorne discusses
The Devil in the Form of a woman by Carol Karlsen details the particular treacheries towards several women of all ages inside colonial The us. This particular thought ended up being created by the male driven culture of the Puritans.. Other than as an evident disciple to the activist institution connected with traditional imagined, the girl delicate factors the particular criticalness connected with witchcraft allegations for ladies inside New England. She contends for that relevance and criticalness connected with women's areas in the devouring madness connected with witchcraft inside seventeenth century United States. She unobtrusively states that many diversions were being used to mince away witchcraft practices along with the publication of material describing the matter. This describes that a certain type of woman gambled denunciation away from scope to help the woman group gain correct portrayal in the public forum.
The Holocaust. A subject most people would like to forget but shouldn't. People must find out as much as possible about it so history won't repeat itself. Millions of Jewish men, women, and children , of all strata were persecuted because of what? Nothing besides the fact that they were Jewish. Most Jews living in Germany, Austria, Poland, France or practically anywhere else in Europe were sent to concentration camps. There they were either tortured or killed.
How does the author's treatment of relationships effect the characterisation of the heroines in The Bell Jar by Sylvia Plath and Quicksand by Nella Larsen? Mad, Bad and Dangerous to Know = == ==
In the short story “An Adventure in Paris” by Guy De Maupassant an unnamed woman seeks for adventure, love, and excitement. An unnamed narrator starts to explain the inner nature and curiosity of a woman. The story transitions to the point of view of an unnamed lawyer’s wife which allows us to see her deepest desire to travel to Paris and be part of the lavishing life she has seen in the magazines. To escape her regular routine she makes a plan to go to Paris; however, her family members are only middle class and cannot help her fulfill her desire to live the life of a celebrity, fame, and fashion. Just when her trip seems to be monotonous she comes across the chance to live the life of an extravagant person. This chance happens when she meets Jean Varin, a wealthy author, in a store wanting to purchase a Japanese figurine. When Varin decides that the figurine is too expensive the lawyer’s wife steps up to buy the figurine which causes Varin to notice her. She flirtatiously invites herself into Varin’s daily activities which intrigue Varin. As the day closes she invites herself to Varin’s house and has an affair with Varin; however, she doesn’t feel she is satisfied because of his many needs. She anxiously waits till morning to come so that she can leave which only confuses Varin. When Varin asks her why she is leaving after all they have been through she states that she wanted to know what depravity felt like; however, it was not what she expected. The central idea of the story is about a woman’s psychological desire for romance, adventure, and an opulent lifestyle that leads to curiosity and the immoral act of adultery.
In Housekeeping, the idea of freedom is symbolically represented in one’s connection to nature and the lifestyle of a transient. In the instance where Sylvie and Ruth decide to burn their belongings, Sylvie’s unorthodox housekeeping was explained as “she considered accumulation to be the essence of housekeeping, and because she considered the hoarding of worthless things to be proof of a particular scrupulous thrift” (180). The idea behind Sylvie’s incompetence in the field of Housekeeping shows her ideology, as she does not place value into physical objects and views the idea of property as simply worthless. Not placing value into her belongings shows an unorthodox view on property, one that departs on the societal notion where belongings emphasize one’s status. This quote relates to the book of Fences, in a differencing sense as the family particularly emphasizes the belongings, especially their house. Additionally, an important moment in Ruth’s acceptance of a transient lifestyle comes when “you do not resist the cold, but simply relax and accept it, you no longer feel the cold as discomfort. [She] felt giddily free and eager, as you do in dreams, when you suddenly find that you can fly, very easily, and wonder why you have never tried it before. I might have discovered other things. For example, [she] was hungry enough to begin to learn that hunger has its pleasures, and I was happily at ease in the dark, I could feel that I was breaking the te...
Picture a child sitting in front of a television watching the Wizard of Oz. To them, it is an assortment of magical beings, a land filled with wonderful places, with varieties of different colors. They do not picture it as something with far more meaning than just a plain fairytale. On the other hand, gender/feminist critics have been able to analyze the Wizard of Oz as well as Wicked, in order to find a more elaborate meaning behind the story itself. They have discussed what lies behind the story when it comes to the issue of sexism and masculinity towards the book itself as well as the characters. There are many concepts as well that help to further explain feminism and gender criticism. The four concepts that will be discussed later on are gender, feminist writings, patriarchal society, and gynocriticism. These concepts will then be reviewed as to how they play a part in the book Wicked.
“Be true! Be true! Be true! Show freely to the world, if not your worst, yet some trait whereby the worst may be inferred” (Hawthorne). As this sentence is read in the The Scarlet Letter, the reader will realize that the main theme of the book is the sentence above. Throughout the book, secret sin damages the lives, soul, and the integrity of the main characters. However, it could have easily been evaded through open confession of their sins. Nathaniel Hawthorne’s purpose in writing this novel is an attempt to influence the reader to openly confess their sins and never be ashamed of who they are. According to Levine, “even though we convey ourselves as saints, we are really sinners (Levine 64). The Scarlet Letter is a classic work of Hawthorne due to the themes it portrays and the relevancy to today’s society. By definition, “A classic is a work of art so universal that it has transcended the boundaries of time and place; it has survived the ‘test of time’” (Lazarus). In the highly symbolic novel, “The Scarlet Letter”, Nathaniel Hawthorne explores the effects of hidden sin and his characters’ ultimate release from guilt when they learn to own their sin.
Written for the average American housewife, author Betty Friedan’s The Feminine Mystique is a true feminist novel. The piece of work was published in 1963, almost two decades after the end of WWII, at a time when a woman’s expected role was to be a housewife and a mother. It was during the war, however, that it was seen as socially acceptable, and even patriotic, for a woman to work and have a career outside of the home, being that the men were away at combat. With the demand of women in the workforce at an all time high, images of strong, ambitious, working women emerged throughout the media and press. Marketers capitalized on the theme of war and on this newfound sense of patriotism for women, and used it to sell their products. For women
...could relate to the daily struggles of completing chores to please their husbands and children and understood how Minnie Wright could develop feelings of desolation due to the lack of variety in daily activities. When the men found the unwashed towels by the sink and the burst jars of fruit in the cupboard, they quickly took a tone of disgust and disappointment that Mrs. Wright fell short of her “womanly duty” of picking up daily messes. Women in the early 20th century often were not rewarded for completing difficult tasks amongst the homestead on a daily basis, but could be punished and mistreated for not completing the tasks in a timely manner. Glaspell’s work “offers a sympathetic portrait of an abused wife, a woman who is mistreated economically, psychologically, emotionally, and perhaps physically… [her actions] supporting battered woman syndrome” (Keetley).
The first chapter sets the scene for the novel: Boston, during the seventeenth century. During this period, religion is the foundation for both the laws and the society. We are introduced to the town's cemetery and nearby prison. Next to the prison grows a wild rosebush. We can think of the wild rosebush as representing the beauty of nature, and the prison as the symbol of societies need to tame nature.
These may be materialistic items that are filling a gap in one’s life, or it could be emotional, spiritual feelings that someone is seeking. Materialistic and emotional desires are explored within these two short stories. Motivation is what compels both Mrs. Sommers and Ann to follow through with their plans. Without this drive and passion, individuals are unable to fully commit to their course of action. A Pair of Silk Stockings, represents how motivations can be used in many different ways. First, Mrs. Sommers motivation was to support her family. This shows how she was cautious for her actions and how they could positively affect other people. This made Mrs. Sommers “restless and wakeful with anticipation.” Once her motives changed into a personal desire, is when Mrs. Sommers lost sight in plan. The moment she “not move in the direction of the bargain counter,” was when her motivation began to work against her. Being able to own items that were of higher quality drove Mrs.Sommers to “hastily” spend her money. Although individuals will always face different initiatives when placed in alternative situations. In Ann’s perspective, her desire was not to obtain materialistic items, but more to have a spiritual connection. Ann was searching for something deeper with a greater meaning. When she didn’t find it within her husband, she looked for it in Steven. One of Ann’s motives was
Janwillem Van De Wetering says, “Greed is a fat demon with a small mouth and whatever you feed it is never enough.” Guy De Maupassant’s “The Necklace” tells of Mrs. Mathilde Loisel’s longings for the finer things in life. Her desires are so intense she risks her husband’s affections, the friendship of an old chum, and even her mediocre lifestyle to pursue these cravings. One small decision based on an ill-placed desire causes a slow drawn out death of the spirit, body and relationships.
The battle between what is right and wrong is a classic struggle that has existed from the beginning of time. The most honorable people face the crossroad of choosing either the angel’s path or the devil’s; one path leads to an honest yet difficult life while the other is an easy and selfish one. Throughout history, women have been portrayed as the reason of Man’s downfall. The male dominated world has created stereotypes to blame females for their defeats due to ignorance. Leo Tolstoy’s “The Devil” explores the dichotomy of the objectification of women as the angel and the devil.
The story unfolds in a rickety colonial mansion described by the narrator plainly as “a haunted house” (Gilman 1) with barred windows and rings bolted to the walls (Gilman 2). These features along with the “horrid” (Gilman 6) yellow wallpaper entrap the narrator and swaddle her in her own madness. As the “woman” (Gilman 6) in the wallpaper takes hold of the narrator’s psyche she grows sinisterly corporal, depicted through the unintelligible sporadic entries. The purpose of the narrator’s journal warps from entries assuring herself of the pettiness of her sickness to entries that confirm and act as horrendous safe haven’s for her unhinged mental condition. Entries like “I see her in that long shaded lane, creeping up and down. I see her in hose dark grape 'arbors, creeping all around the garden” (Gilman 8) juxtapose nonchalant writing style with dark subject matter in a way that creates a disturbing tone that must be uncomfortably ingested by