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Australian identity essay
Australian identity essay
Australian identity essay
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Poetry is beautifully written text that can provide a wide view on a topic and helps to illustrate the beliefs and values of society; poetry is often a representation of Australian identity. Oodgeroo Noonuccal, the poet of Last of his Tribe and The Past has portrayed examples of Australian identity and a strong emotional portrayal of the Indigenous displacement and mistreatment in each of these poems. Clearly, these poems provide an insight into their adversity. Last of his Tribe provides a serious and sensitive perspective of Australian identity and the emotional breakdown the Indigenous Australians have gone through. Many of the beliefs and values have been submissive due to the "white culture" becoming dominant and replacing all that was once valued. – "Change is the law. The new must oust the old". Noonuccal shared a different light of Australian identity, that is, where Aborigines are not treated equally. From the eyes of an Aboriginal, Noonuccal describes the suffering of one particular man named Willie Mackenzie; he is the last representative of his tribe and is referred to as a – "displaced person in your own country". Although this man is the last of his tribe, readers are reminded of his displacement and alienation - "lonely in teeming city crowds, Last of his tribe". It is evident that Noonuccal’s writing …show more content…
captures the displacement of Aborigines in Australia. The writer has displayed a range of figurative language which is used to solidify the purpose of the poem. Firstly, through such lines as "gay throng… voices and the laughter" imagery is established, which paints a picture of life prior to European settlement. To strengthen the perspective of the character, forms of alliteration has been used – "sudden sting" and "lonely and lost" which privileges the emotions, particularly sorrow and loneliness. Repetition is also another technique used which builds on the feeling of loss experienced in the Indigenous culture – "all gone…" and "you...” Therefore, those affected in the past, Noonuccal invites readers to emphasise with them through the use of her native tongue. The Past represents Noonuccal’s desires and portrays her resentment for the mistreatment of her own in the past. This poem starts off when Noonuccal states her resentment towards the past and all its effects it had upon her and many others, she also reveals its importance. She has an outspoken dispute from the cause of mistreatment by white people not only towards herself but also to the whole Indigenous race. She will never forget. – “Let no one say the past is dead” the words “no one” acts as an absolute which builds a negative tone. In the poem, Noonuccal clarifies the surrounding of suburbia “tonight here in suburbia as I sit in easy chair before electric heater” which is then contrasted by the poet’s conversation of her dream “I am away at the camp fire in the bush, among my own people, sitting on the ground…” This text captures the displacement of the Indigenous race from the past and the anger Noonuccal has towards it. The poet has used such language devices that provides the audience the intuition of anger the author has regarding to the past.
Firstly, Noonuccal has used repetition of the words “let” and “the past”. The connotative meanings in the lines “let no one say the past is dead” and “let none tell me that past is wholly gone” are very much the same. Personification is another language device particularly in the line when death, a human quality is given to a non-human thing such as the past. Also, deceased and gone are implications of the word “dead.” For the reader to appreciate a deeper connotation of the poem Noonuccal has used effective language
devices. Last of his Tribe and The Past have both truthfully represented the hardships they faced throughout the course of displacement and mistreatment. Both poems also provide a wide aspect on the suffering of the Indigenous race and present different aspects of Australian identity which gives the reader a better understanding of what our native’s went through.
‘Sometimes Gladness’, a collection of poems by Bruce Dawe presents various references to Australian culture; although these can often be overlooked by the reader, due to more prominent themes relating to the human experience, which engages and preoccupies the reader instead. ‘Drifters’ and the ‘Reverie of a Swimmer’ can be easily recognised as Australian, however, these poems amongst others like ‘Homecoming’, ‘Enter Without so much as Knocking’ and ‘LifeCycle’ also aim to address and engage a larger audience to consider universal issues like grief, isolation and loss. Lastly, a distinct Australian poem would only be expected to explore issues relating to the country’s individual culture or issues, though Dawe chooses to represent many prevalent
Poetry’s role is evaluated according to what extent it mirrors, shapes and is reshaped by historical events. In the mid-19th century, some critics viewed poetry as “an expression of the poet’s personality, a manifestation of the poet’s intuition and of the social and historical context which shaped him” ( Preminger, Warnke, Hardison 511). Analysis of the historical, social, political and cultural events at a certain time helps the reader fully grasp a given work. The historical approach is necessary in order for given allusions to be situated in their social, political and cultural background. In order to escape intentional fallacy, a poet should relate his work to universal
Poetry has been used for centuries as a means to explore emotions and complex ideas through language, though individuals express similar ideas in wholly different forms. One such idea that has been explored through poetry in numerous ways is that of war and the associated loss, grief, and suffering. Two noted Australian poets shown to have accomplished this are Kenneth Slessor with his work ‘Beach Burial’ and John Schumann’s ‘I Was Only Nineteen’. Both of these works examine the complexities of conflict, but with somewhat different attitudes.
Thomas King uses an oral story-telling style of writing mingled with western narrative in his article “You’re Not the Indian I Had in Mind” to explain that Indians are not on the brink of extinction. Through this article in the Racism, Colonialism, and Indigeneity in Canada textbook, King also brings some focus to the topic of what it means to be “Indian” through the eyes of an actual Aboriginal versus how Aboriginals are viewed by other races of people. With his unique style of writing, King is able to bring the reader into the situations he describes because he writes about it like a story he is telling.
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
This essay will explore how the poets Bruce Dawe, Gwen Harwood and Judith Wright use imagery, language and Tone to express their ideas and emotions. The poems which will be explored throughout this essay are Drifters, Suburban Sonnet and Woman to Man.
The concept of discovery is a manifold notion. It comprises exploring something for the first time or it could be rediscovering something has been faded or lost, forgotten or concealed. People may experience different types of discovery which could be sudden and unexpected. However it may affect them physically, emotionally, intellectually and spiritually. This response will focus on the idea discovery that relates to the themes of aboriginal connections to their family, place and culture and also the discrimination upon them. This well demonstrated thought the texts “Rainbow’s End” by Jane Harrison, the two poems “Son of Mine” and “We are going” by Oodgeroo Noonuccal as well as my chosen related text, the film “One night the moon” by Rachel Perkins. Each text presents a variety of discovery aspects that allows a deep understanding of the concept of discovery.
Bruce Dawe the common people’s poet has been influenced by a diverse range of experiences contributing to his wide range of subject matter. Dawe’s interests are quite eclectic yet his poetic “home base” is his interest in the lives of ordinary Australians, the experiences they go through and topics affecting them. Thus most of his poems are easily read by everyday Australians due to the simple yet effective vocabulary. Some of these topics include poems about suburbia, loneliness, old age and sport. Bruce Dawe is also strongly pacifist with his feelings on war most strongly pronounced in the poem “Homecoming”. Dawe’s interest in society is most likely due to his experience of being born into a lower class family his father having the menial job of a labourer. He also left school early having to do many menial jobs. Dawe’s poetry strongly focuses on the experiences of everyday working class Australians and thus his target audience is vast.
The subsequent section is concise as it provides the depressive historical context of the poem. The usage of factual period of time 1949 and the war / Now four years dead- conveys the suffering of the exiles and their endurance of the lengthy wait to migrate as they weren’t economically or physically capable to leave earlier.
The characters and themes in these writings contrast and relate in several ways. The poem is told through the perspective of the grandfather’s grandchild, who cares for him, saying certain things remind them of him after he didn’t “live here anymore” by stating that their grandfather “is blankets and spoons and big brown shoes.” Like the grandfather in “Abuelito Who”, the grandfather in “The Old Grandfather” is old and it is stated that his legs “would not carry him” and his eyes “could not see”, which affected his family’s feelings towards him. The grandfather’s old age was viewed as a weakness, and he was not treated as an equal by his family, such as not being able to sit with them at the table for dinner.
In this poem, there is a young woman and her loving mother discussing their heritage through their matrilineal side. The poem itself begins with what she will inherit from each family member starting with her mother. After discussing what she will inherit from each of her family members, the final lines of the poem reflect back to her mother in which she gave her advice on constantly moving and never having a home to call hers. For example, the woman describes how her father will give her “his brown eyes” (Line 7) and how her mother advised her to eat raw deer (Line 40). Perhaps the reader is suggesting that she is the only survivor of a tragedy and it is her heritage that keeps her going to keep safe. In the first two lines of the poem, she explains how the young woman will be taking the lines of her mother’s (Lines 1-2). This demonstrates further that she is physically worried about her features and emotionally worried about taking on the lineage of her heritage. Later, she remembered the years of when her mother baked the most wonderful food and did not want to forget the “smell of baking bread [that warmed] fined hairs in my nostrils” (Lines 3-4). Perhaps the young woman implies that she is restrained through her heritage to effectively move forward and become who she would like to be. When reading this poem, Native American heritage is an apparent theme through the lifestyle examples, the fact lineage is passed through woman, and problems Native Americans had faced while trying to be conquested by Americans. Overall, this poem portrays a confined, young woman trying to overcome her current obstacles in life by accepting her heritage and pursuing through her
A Comparison of Civilization by Oodgeroo Noonuccal and Beds Are Burning by Peter Garrett In the Australian culture, there have been many debates about the rightful ownership of Australian land and about whether the Aborigines have the right to retain the land taken from them. Further more, indigenous writers have expressed anger and protest towards the loss of their culture to white civilization. Peter Garrett and Oodgeroo Noonuccal are two artists who seek to raise the issues of the native land title and the oppression of Australian Aborigines. "Civilization" by Oodgeroo Noonuccal is a poem, which comments on the effects of white civilization on Aboriginal people and "Beds are Burning" by Peter Garrett comments on the issue of native land title. Throughout the two texts, various poetic techniques such as imagery, irony, tone and point of view, as well as poetic form are used to express deeply held views about the values and issues raised.
Derek Walcott’s poem A Latin Primer focuses on the influence of Walcott’s education on the process of becoming a poet, the tension between the education opportunities provided by the privileged elite and the richness of folk traditions preserved by the oppressed majority.
There are many cultural aspects of the poem. In the poem, “the secrets of your dreaming” refers to the Aboriginal belief called the Dreamtime. The three lines, “while waters of tears carry ancient stories down your jagged crevasses”. In these lines, “Ancient stories” and “down your jagged crevasses” refers to the Aboriginals rituals of ancestral spirits that take place near cracks in the stone walls of Uluru, such as crevasses. The first line in the poem, “Isolated rock” refers
Both poems discuss the severe impact not only on the Indeginous community, but also the environment. 'Then' refers to the time before white settlers came to Australia, where Aborigines could roam their country peacefully, their lifestyles were able to be expressed. 'Now' refers to everything being changed; constricting their lifestyles and their beliefs because their dreams and values have been shattered by the European colonisation and industrialisation. The impact of the European settlers changed the lives of the Indeginous people, and the lives of future generations,