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Indigenous australia
Indigenous people of australia
Indigenous australia
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Over the course of history, poetry has been used to amuse, express feelings and provoke thought. Poetry has also been used as a powerful tool of protest to influence and change attitudes. One poet who did all these things is Oodgeroo Noonuccal. Noonuccal is an indigenous Australian woman who wrote in the 60s into 90s. She portrayed indigenous people suffering under the oppression of the European settlers in Australia. One of Noonuccal’s poems, ‘Time is Running Out’, expressed a very powerful message against mining. In this poem, she urges the indigenous people to act, defend and fight back against the oppressive and greedy European miners before the earth is destroyed. Noonuccal fulfills this purpose in several ways. Firstly, her powerful …show more content…
theme focuses on the miner’s violent destruction of the land and nature. Secondly, the subject matter and structure of this poem robustly tie it all together. Thirdly, she uses two poetic techniques of metaphor and personification enlivens the theme and provokes images of raw emotion. ‘Time is Running Out’, was published in 1970 as part of ‘My People: a Kath Walker Collection’. The poem describes the miners having a ‘greedy trade’ (stanza 1) and a 'greedy lust of power' (stanza 2) to “rape”, and violently “destroy” the land and nature (lines 1, 3, 11 a, 15 & 16) to mine for 'black blood' (line 4 and stanza 1) which is the oil. The miners do this for the 'filthy dollar' (line 12). She portrays the miners as evil domineering villains using the all-powerful 'giant tools and iron drills' (line 9) to emphasize that the miners have power. The theme that travels around in this poem would be that of violence, where it has been used in line 3, 16, 25, 26 this is the theme because it carries on and retains it ever though it hasn’t been said. For example, where it says the words destruction and stealing it has a sense of violence in it. This is used to get to the point that they are violently attacking the land and nature for a materialistic gain - the filthy dollar or greedy trade. Each section escalates the rate of destruction and culminates in the urgency of her call for indigenous people to fight. This leads us to the purpose. The purpose of the poem is in the title itself - 'Time is Running Out'. Noonuccal calls on the original owners of the land to act now because the time is running out. This is achieved by highlighting the big issues. The purpose of this poem was to protest that these miners just took it away from the original owner and she wanted to express her feelings. This was an important poem at the time because this is when the indigenous were treated badly and weren’t even allowed to be called Australian citizens nor were they allowed to drink out of the same taps as the whites. This is how the structure of the poem came about. The structure of Noonuccal's poem 'Time is Running Out' makes it quite easy to read.
It has 3 stanzas with 9 lines per stanza. There is no strong rhyming scheme, but this allowed Noonuccal to express her feelings in a stronger way because she doesn’t have to worry about rhyming things and can just express her feelings. There is some rhythm coupled with rhyme which connects the stanzas, for example, in the lines 3, 14, 16, 25 and 26 there is an echo of the word ‘violent’. This put some structure into it and also brings out the theme of the miners being so violent and using their greedy power against the …show more content…
indigenous. Noonuccal employs different poetic techniques to develop the message in the poem. The most significant is her use of personification which is seen in lines 2, 3, 5 and 11. The terms - "heart of the earth" (line 2) and "violent spade" (line 3) are very effective personifications because it gives these innate things human characteristics. Noonuccal has spoken about them harming the heart of the earth which is personified by calling it there heart and that they are hurting them. Another poetic technique used in the Noonuccal's poem is a metaphor by attributing a word or phrase to an object or action, which is not literally applicable.
For example, she describes the "greedy trade" (line 5) and "filthy trade” (line 11) in the 'black blood', which is a metaphor for the oil trade. The use of ‘rapes’, ‘destroy’ and ‘violence’ of the land to mine the oil, are also very effective metaphors. In line 9, the words "giant tool and iron drill" are more metaphors describing the equipment. Another impact that the metaphors have on the poem is that they describe the miners as villainies for example when she calls them ‘greedy’ and filthy. The uses of these poetics techniques give heart and soul to the Noonuccal's
cause. Thus, Noonuccal's verse, 'Time Is Running Out' carries a very strong and powerful message. In this poem, she argues that the miners of the lands are greedy and they strike at the heart of the earth, which in turn hurt her people. She brings out her point and makes the audience sympathize with the oppressed first people. Noonuccal's poem is important because it gives a perspective of the oppressed and displaced indigenous peoples in the face of contempt for their oneness with their land. During the times of the 60s, 70s, and 80s, indigenous land and cultural rights were coming to the forefront of their fight against social inequity and injustice. The poetic devices draw the reader to appreciate the indigenous position as a consequence of European settlement. This is achieved by her very strong use of language, and poetic techniques. If a picture can speak a thousand words, this poem ought to be revered for painting a very powerful picture. Protest poetry had an enduring influence on the world and through poems such as 'Time is Running Out', Oodgeroo Noonuccal has certainly expressed everything into this poem and has made her point on why the ‘Time Is Running Out’.
Noonuccal outlines how we prejudicially alienate one another and fight over skin tone. Nonuccal mentions, "I'm for all humankind, not colour gibes, I'm international, never mind tribes," which uses regular rhyme scheme to create a sense of certainty and finality to each line which communicates her message in a determined tone. This emphasises the unjust way we quarrel against one another based on skin colour. The rhyme scheme is consistent and goes on to manifest our differences in life but how that does not mean we should fight about it. Noonuccal illustrates how we are prejudiced towards others because of race when she writes, "black tribe, yellow tribe, red white or brown" and "Black, white or brown race, yellow race or red,". Noonuccal plays with the convention of anaphora by slightly changing the phrases to outline that while we different in some ways, we are mostly the same and should not be separated in terms of race. Just as the second quote mirrors the first one we also reflect each other. Although we look slightly different on the outside, we are "all one race" hence the title. Noonuccal writes, "I'm international, never mind place; I'm for humanity, all one race,". This summarises her whole poem by using a combination of first person and inclusive language bringing together all her points about how we are all the
The author puts into light some of the daily horrors of these people. Some of these passages are horrific. The work conditions were anything but clean and safe. The poem touches on how the people were around chemicals, inhaling poison. He goes on about the dangers of going to the canning factories with no safety or labor restrictions. Even though work conditions were
Trade” are not depicted in equal ways. In this piece, Trade is seen as a monstrous entity. Johnson first describes Trade as an Octopus that has “contaminated” the workers and prevents truthfulness (Lines 16-17). In the final stanza of the poem, Trade “stalks like a giant through the land” and upholds the wealthy while crushing those who are poor (Johnson Lines 29-32). In this poem, the bourgeoisie are not to be admired, but feared. They are depicted as being violent and deadly towards the members of the proletariat, while uplifting the wealthy class. On the other hand, the proletariat is the ones meant to have sympathy in this poem. Art has no source of protection form Trade, and is left dying in his grasp (Johnson Line 19). Art’s horrid treatment is meant to invoke sympathy for the proletariats and how they are treated in a capitalist
Davis starts by describing the workers in a unhealthy and rather revolting way; their health condition a result of the factory conditions: “..thousands of them, massed, vile, slimy lives, like those of the torpid lizards in yonder stagnant water-butt..” Davis later goes on to use a graphic lines of similes to describe the mill from a factory worker’s eyes. “Fire in every horrible form: pits of flame waving in the wind; liquid metal-flames writhing in tortuous streams through the sand; wide cauldrons filled with boiling fire, over which bent ghastly wretches stirring the strange brewing; and through all, crowds of half-clad men, looking like revengeful ghosts in the red light, hurried, throwing masses of glittering fire. It was like a street in Hell.” The author later even describes the factory from a point of view from a man of a the richer class: “One could fancy these red smouldering lights to be the half-shut eyes of wild beasts, and the spectral figures their victims in the den.”
The imagery in this passage helps turn the tone of the poem from victimization to anger. In addition to fire images, the overall language is completely stripped down to bare ugliness. In previous lines, the sordidness has been intermixed with cheerful euphemisms: the agonizing work is an "exquisite dance" (24); the trembling hands are "white gulls" (22); the cough is "gay" (25). But in these later lines, all aesthetically pleasing terms vanish, leaving "sweet and …blood" (85), "naked… [and]…bony children" (89), and a "skeleton body" (95).
This poem is written in eleven quatrains. All of these quatrains follow an abcb rhyme scheme. An example of this from lines 1-4 are “toune” being a, “wine” being b, “salior” being c, and “mine” being b. This means that the poem was written in closed form. It also follows a meter with four beats in the a and c lines and three beats in the b lines. An example of the four beats from line 5 is “Up and spak an eldern I Knicht”. The example of three beats from line 6 is “Sat at the kings richt kne”.
Chaos and drudgery are common themes throughout the poem, displayed in its form; it is nearly iambic pentameter, but not every line fits the required pattern. This is significant because the poem’s imperfect formulation is Owen making a statement about formality, the poem breaks the typical form to show that everything is not functioning satisfactorily. The poem’s stanza’s also begin short, but become longer, like the speaker’s torment and his comrades movement away from the open fire. The rhyming scheme of ABABCDCD is one constant throughout the poem, but it serves to reinforce the nature of the cadence as the soldiers tread on. The war seems to drag on longer and longer for the speaker, and represents the prolonged suffering and agony of the soldier’s death that is described as the speaker dwells on this and is torn apart emotionally and distorts his impressions of what he experiences.
The stanza is composed of 15 lines, each with its own length and style. Nemerov adopted an unconventional style in writing this poem. He does not use any sort of rhyme scheme and fails to use rhyming words or phrases. This design gives the poem a different approach, making it formal and less like a creative piece. The poet also makes some innovative choices in terms of syntax which improves the message of the poem and makes it even more interesting. Nemorov adopts a style where he breaks words hiding their true meaning. He also uses different tenses, switching from present participle tense to present tense. Nemerov also varies the narrator's tone, letting it ebb and flow right through the poem. The poet also introduces conflict into the poem, as he details the opposition posed by the farmers and agriculturalists Indianapolis. In the poem, Nemerov links the issue of daylight savings time with the battle that Joshua had in the bible. In the story, Joshua asked God to extend the daylight so that he could defeat his enemies. Nemerov in his own way is stating that Daylight savings time was a similar endeavor, allowing Americans to fight their individual and collective financial battles for longer in a
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
Everything that the speaker is trying to express is tied together by the poem's form. The uneven rhyme is a perfect method of pronouncing the confusion that the speaker is feeling about the world. & nbsp;
The fact that there the poem has no stanza divides represents the long and painful road to sleep and the never ending fight with insomnia.
The rhythm of the poem has no rhyme, but it has a beat that flows in a weary but it builds like a stairway, one step at a time.
Although the meter is irregular it does keep up an iambic foot throughout the poem. The first line of the poem is a tetrameter followed by a dimeter which is followed by five line of tetrameter, ending with two lines of dimeter. The division of the line lengths is to render natural interruptions in the poem causing the reader to stop and reread what they have just read in order to comprehend the meaning of the lines containing the dimeter. For example when the reader reads “ Some say in ice” they go back to the first line of the poem to reread the topic of what some are saying about the end of the world. The rhyme scheme of “Fire and Ice” is ABAABCBCB style.
Through the poem, there is an exact rhyme such as on lines 1,3,2,4 “spent” and “bent”, “wide” and hide” with the last word of the line. The end rhymes of the fourteen lines create an ABBA ABBA CDE CDE pattern that would be consistent with
One piece of the poem hints towards imagery involving slavery, this occurs when the speaker talks about the “charter’d street….charter’d Thames” and later on mentioning “The mind-forg’d manacles”. The street and Thames being described as charter’d shows the power of the government having the control of parts of the city such as a river and the streets. The use of “the mind-forg’d manacles” is symbolic by showing that their brains or minds are being controlled and limited by the government and is a symbol of enslavement. The poem seems to express a lot of imagery about death and sadness, terms such as cry, curse, plagues and hearse are used. The use of such words tells the reader that the soldiers are being forced by the government to kill. Therefore, causing the soldiers despair. Another portion of the poem uses phrases such as “in very infants cry of fear” and “how the chimney sweepers cry” to show an image of child labor. The term “appalls” is used to describe the “blackning Church” to allow the audience to realize that the church is horrified of the child labor. The chimney sweepers are a specific example of child labor. And the use of the word “blackning” suggests that a sin such as child labor is occurring. Lastly, imagery is used in the last stanza to show the horrifying cycle of living in London, England. “How the youthful Harlots curse, blasts the new-born Infants tear” describes how prostitutes are