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The Poetical Works of William Blake
The Poetical Works of William Blake
William Blake & his poetry
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New Criticism is a theory of literary criticism where the only way to interpret the text is to “closely read” and only focus on the text itself. New Criticism is a good type of literary criticism to use for the poem, London. William Blake in his poem “London” uses repetition, rhyming and imagery to portray the horrors that the speaker describes about the city of London, England. William Blake uses repetition throughout the poem in multiple circumstances. The first time he uses repetition is in the first and second lines of the first stanza. Blake repeats the term “charter’d” to describe both the street and the Thames River. Both being described in this way makes the audience have the idea that London is a strict, governed area that may have …show more content…
One piece of the poem hints towards imagery involving slavery, this occurs when the speaker talks about the “charter’d street….charter’d Thames” and later on mentioning “The mind-forg’d manacles”. The street and Thames being described as charter’d shows the power of the government having the control of parts of the city such as a river and the streets. The use of “the mind-forg’d manacles” is symbolic by showing that their brains or minds are being controlled and limited by the government and is a symbol of enslavement. The poem seems to express a lot of imagery about death and sadness, terms such as cry, curse, plagues and hearse are used. The use of such words tells the reader that the soldiers are being forced by the government to kill. Therefore, causing the soldiers despair. Another portion of the poem uses phrases such as “in very infants cry of fear” and “how the chimney sweepers cry” to show an image of child labor. The term “appalls” is used to describe the “blackning Church” to allow the audience to realize that the church is horrified of the child labor. The chimney sweepers are a specific example of child labor. And the use of the word “blackning” suggests that a sin such as child labor is occurring. Lastly, imagery is used in the last stanza to show the horrifying cycle of living in London, England. “How the youthful Harlots curse, blasts the new-born Infants tear” describes how prostitutes are …show more content…
William Blake uses repetition, rhyming and imagery in his poem to help promote the idea that London, England is not the city that people dream that it is, the city itself can be a
The imagery in this passage helps turn the tone of the poem from victimization to anger. In addition to fire images, the overall language is completely stripped down to bare ugliness. In previous lines, the sordidness has been intermixed with cheerful euphemisms: the agonizing work is an "exquisite dance" (24); the trembling hands are "white gulls" (22); the cough is "gay" (25). But in these later lines, all aesthetically pleasing terms vanish, leaving "sweet and …blood" (85), "naked… [and]…bony children" (89), and a "skeleton body" (95).
Through the streets and alleyways of Nineveh the prophet Jonah trudged. At every marketplace and city gate he joyously roared his tidings of evil, “forty more days and Nineveh will be overturned!” Two and a half millennia after the great fish vomited Jonah back onto dry land, William Blake faithfully follows that path of bilge and seaweed, bile and gall, into the fraternity of prophets and oracles. Just as Jonah was reluctant to prophesy to the Ninevites for fear that his enemies would hear and repent, Blake has a vested interest in perpetuating the blindness of his readers. In fact, even as he works his metaphysics to impose his “phantasy” as the prophet who proclaims the liberation of the world, he shows a full awareness that true success can only lead to his demise as a poet. Thus, standing upon his apple-crate in the marketplace, he chokes back his voice a little and mumbles in ciphers, desperately praying that he would not be understood.
Choosing the first person form in the first and fourth stanza, the poet reflects his personal experiences with the city of London. He adheres to a strict form of four stanzas with each four lines and an ABAB rhyme. The tone of the poem changes from a contemplative lyric quality in the first to a dramatic sharp finale in the last stanza. The tone in the first stanza is set by regular accents, iambic meter and long vowel sounds in the words "wander", "chartered", "flow" and "woe", producing a grave and somber mood.
How does William Blake convey his anger in the poem London? The poem 'London' by William Blake, reflects his feelings upon the society that he was living in, and how desperately it needed help. Blake thought that all of the poverty and misfortune that was happening on the streets were caused by the political oppression in London. The.
In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.
Blake had an uncanny ability to use his work to illustrate the unpleasant and often painful realities around him. His poetry consistently embodies an attitude of revolt against the abuse of class and power that appears guided by a unique brand of spirituality. His spiritual beliefs reached outside the boundaries of religious elites loyal to the monarchy. “He was inspired by dissident religious ideas rooted in the thinking of the most radical opponents of the monarchy during the English Civil War “(E. P. Thompson). Concern with war and the blighting effects of the industrial revolution were displayed in much of his work.
To begin, the reader may gather that the poem has a very dark and saddened tone. Due to Lowell's vivid imagery, a mental image of a dark urban setting is created. It also seems very cold, with the mentioning of wind and nighttime. Readers may be able to relate to urban places they know, adding to the reality of the poem. Connections can be made. The imagery is left in such a way that the reader can fill in the gaps with their own memories or settings. Also, since the poem uses free verse, the structure is left open to interpretation. This makes the poem more inviting and easier to interpret, rather than reading it as a riddle. However, though simple in imagery, the poem still captures the reader's interest due to the creation it sparks, yet it never strays away from the theme of bei...
living we enjoy in the United States is a result of the fact that we,
wondering if today he will die up a chimney. It has robbed him of a
... Blake’s poem differs in this way as it does not contain an iambic pentameter however, it does contain rhyming couplets, which are a very simple way to allow a poem to flow easily and make it enjoyable for the reader such as the lines. In every cry of every man. In every voice, in every ban’. To conclude, I believe that Blake presents a more real viewpoint of London from his perspective, as it is more believable than Wordsworth’s view.
The point of view in which Blake employs to London is significant to the understanding of the poem. Blake chooses to give the poem a persona, a person who appears to have extensive knowledge of the city and helps give credibility to the poem. (Foster, 1924) The use of first person in all three stanzas allows the poem to be more opinionated and less objective, drawing the reader's attention by making it more personal. Blake's London is to be the reader's London as well. In addition to point of view, Blake further sophisticates his piece by presenting specific tone to each section of the poem. Blake sets the tone early in the poem by using the word charter?d which shows the condition of London as repressive. The speaker refers to the people or ?faces? he meets with ?Marks of weakness, marks of woe.? This diction advocates the probability of the city being controlled by a higher authority. The faces of the people, or the face of society reveals the feelings of entrapment and misery in the population. This in itself could propose, "humanity itself is being commercialized" (Damon, 1965). One of the interesting aspects of Blake's poetry is the layers of meaning his words connote.
The speaker of the poem emphasizes the social and economic differences that separate the citizens of London. By repeating the word "chartered" in the first two lines, he reminds the reader of the commercial nature of the city, the fact that portions of it are owned (even the river Thames), and that not everyone has equal access to goods or property. Even though there is a distinct separation of class and p...
The word "wander" gives the feeling that he may have been lost, this can be indicated as mentally confused or physically unaccustomed to the area, or unfamiliar with the streets, which Blake describes as being "charter'd". Streets are considered an open space, but he described it as being confined within the city limits, and the feeling that one is not able to do what comes to mind. This is expressed as the lack of freedom, even expressed on the river Thames. The repetition of the word "charter'd" helps emphasize the feeling of being watched and controlled by laws and legislations. Also, the ability for the river to only flow in one direction can be seen as a constriction and a symbol of how the occurrence of events and their consequences are irreversible. This can be linked to the reason for the expressions on the people's faces, mentioned in the next line, as it is a basic human right to be free and if the place they live in is restricted then that can make people living within feel suffocated and
Blake starts his poem with I wander thro’ each charter’d street. Near where the charter’d Thames flows. And mark in every face I meet Marks of weakness, marks of woe. Immediately, Blake had us wandering through the charter’d street, wandering through the charter’d Thames. Here, “charter’d” means “founded, privileged, protected by charter” (Oxford English Dictionary).
However, defenders of New Criticism might remind us that this approach is meant to deal with the poem on its own terms. While New Criticism may not offer us a wide range of perspectives on texts, it does attempt to deal with the text as a work of literary art and nothing else.