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Jack kerouac on the road analysis
On the road example essays jack kerouac
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The Motif of Inadequacy of the Language in On the Road
Henry Glass, a kid fresh out of a penitentiary in Indiana who takes a bus to Denver with Sal Paradise, tells him about his brush with the Bible in jail, and then explains the dangers of the phenomenon of signification (I firmly believe that Kerouac intended no deconstructionist subtext in the passage; nor is it likely to be an neo-Marxist attempt to explicate the class conflict between the signifiers and the signified):
Anybody that's leaving jail soon and starts talking about his release date is 'signifying' to the other fellas that have to stay. We will take him by the neck and say, 'Don't signify with me!' Bad thing, to signify--y'hear me? (256)
The use of the learned word by an eighteen year old jail-bird is truly funny. The comic effect here is based on the discrepancy between the standard meaning and contextual use of the word "to signify." There is a number of episodes in the novel with the same kind of humor: in the opening chapter of the novel, which describes his first visit to New York, Dean comes up with some absolutely moronic tirades. E.g., talking to Marilou, he mentions the necessity to "postpone all those leftover things concerning our personal lovethings and at once begin thinking of specific workplans. . ." (Kerouac 5). Or, when asked directly by Sal, whether he needed to con him for a place to stay, he starts talking about "Shopenhauer's dichotomy inwardly realized" (ibid.).
Dean's (mis)use of language can be somewhat redeemed by his intellectual virginity and his genuine desire to be like his high-browed friend; indeed, being earnest is important, and can excuse almost anything. But what should one think about the way Carl...
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...rist--the heroes of the generation--never published (Krupat 407). Neither did Neil Cassidy, the silent genius behind the movement; but he by the example of his life provided the ideal which made Kerouac's gospel true.
Works Cited
Ashida, Margaret E. "Frog's and Frozen Zen." Prairie Schooner 34 (1960): 199-206.
Blackburn, William. "Han Shan Gets Drunk with the Butchers: Kerouac's Buddhism in On the Road, The Dharma Bums, and Desolation Angels." Literature East and West 21.1-4 (1977): 9-22.
Suzuki, D.T. An introduction to Zen Buddhism. Ed. Christmas Humphreys; fwd. C.G. Jung. London: Rider, 1983.
Kerouac, Jack. On the Road. Ed. Scott Donaldson. New York: Penguin, 1979.
Krupat, Arnold. "Dean Moriarty as Saintly Hero." On the Road. Text and Criticism. By Jack Kerouac. Ed.Scott Donaldson. New York: Penguin, 1979. 397-411.
Yu, Han. “Memorial on Buddhism”. Making of the Modern World 12: Classical & Medieval Tradition. Trans. Richard F. Burton. Ed. Janet Smarr. La Jolla: University Readers, 2012. 111-112. Print.
Though Holden’s interactions with Dick Slagle is for a short amount of time, Salinger shows how class differences can lead to conflicts over small things such as suitcases. When Holden observes that Slagle does not take his suitcases out from under his bed because they are cheap, he recognizes that Slagle is ashamed of his suitcases, which is why he responds by putting his suitcases under his bed just like Slagle. After Holden puts his suitcases under his bed to make Slagle more comfortable, Slagle takes Holden’s suitcases out and puts them back up on the rack, to show the rest of the school that he owns “bourgeois”suitcases (121). Holden’s attempt to conceal the class difference between Slagle and himself proves ineffective. This attempt
“DEAR MR. SPENCER [he read out loud]. That is all I know about the Egyptians. I can't seem to get very interested in them although your lectures are very interesting. It is all right with me if you flunk me though as I am flunking everything else except English anyway. Respectfully yours, HOLDEN CAULFIELD. He put my goddam paper down then and looked at me like he'd just beaten hell out of me in ping-pong or something. I don't think I'll ever forgive him for reading me that crap out loud. I wouldn't've read it out loud to him if he'd written it—I really wouldn't. In the first place, I'd only written that damn note so that he wouldn't feel too bad about flunking me,” (Salinger 12).
Citizens had a very significant job to fill, so diligent workers should have been participants. Athens was smart, but Rome had a slightly different approach. Around 500 BCE, two strong states created forms of citizenship. While Athens had no care whether a citizen was an elite or not, Rome focused on class and physique, all prime values. Citizenship will always be an important way to show status, and both Athens and Rome showed strong points. Athens had a better system of citizenship because all classes above slaves could become citizens, ostracism got rid of a potential over-thrower, and everything was decided by-lot.
“Citizenship is the chance to make a difference to the place where you belong.” Charles Handy, an Irish philosopher, once said. Throughout time, citizenship was a dilemma for many people. Back in most empires and/or city states, people were labeled as subjects instead of citizens, until two places changed that. Rome and Athens began to give people the glory of becoming a citizen rather than just a subject. Although these two places both offered citizenship, the two were drastically different. Considering the type of citizens allowed, the government type, and each citizens rights, it is certain that Rome had the more superior system.
As a result, Holden, who is only seventeen, uses language modern teenager’s use today. For example, ...
In an attempt to synthesize my own personal academic area of interest, that is: the history of the psychedelic movement in twentieth century America, with the content of the Asian Religions course, I have elected to study the relationship between the influx of Buddhist philosophy and the psychedelic counter-culture movement of the 1960’s and 1970’s. The subject, although highly specific, has nonetheless generated intellectual interest substantial enough to warrant a sub-field of study, in terms of Buddhist/American History examination. This paper will focus on the thought of the main harbingers of this movement, specifically Aldous Huxley, Alan Watts, and Dr. Timothy Leary. This study will also examine the corruptions of classical Buddhist philosophy wrought by these intellectuals concerned with integrating the psychedelic experience in an Eastern context. The connection between Buddhism and psychedelics in the American experience is a subject of contention because of the controversial associations of chemically altered perception as compared to traditional Bodhicitta, or the mind of enlightenment. The author Emma Layman, in her book Buddhism in America, asserts:
...Etruscan painting it is possible to see a clear influence of Greece and then, likewise, the Etruscan painting will do the proper thing in the Roman painting.
In the closing years of the 1st century, Roman authorities executed a sufficient number of Christians. In general, the provincial governors had wide discretionary powers of jurisdiction, but knowledge of Nero’s actions may have set a precedent in regards to the handling of Christians and may have also encouraged local enemies of Christians to try to persuade a governor to accept their accusations and proceed against the accused on the assumption that they were guilty of conduct detrimental to the interest of the Roman State.
The first part of culture that the Romans adopted was the Greek art. Many of the Greek paintings were stolen from Greece and imported into the Roman Empire. Roman artists began adopting the Greek style of art, from the emotional intensity to the great detail. In many cases, it is very difficult to distinguish between Hellenistic art works, Romans copies of thes...
Roman art was also deeply influenced by the art of the Hellenistic world, which had spread to southern Italy and Sicily through the Greek colonies there. The Etruscans and Babylonians can also be seen as inspirations. “With the founding of the Republic, the term Roman art was virtually synonymous with the art of the city of Rome, which still bore the stamp of its Etruscan art” (Honour and Fleming,1999). During the last two centuries, notably that of Greece, Roman art shook off its dependence on Etruscan art. In the last two centuries before Christ, a distinctive Roman manner of building, sculpting, and painting emerged. Indeed, because of the extraordinary geographical extent of the Roman Empire and the number of diverse populations encompassed within its boundaries, “the art and architecture of the Romans was always eclectic and is characterized by varying styles attributable to differing regional tastes and the...
The Roman sculptures have a close relation and influence of Greek sculptures. Rome was known for incorporating different aspects of other cultures; the style of clothing, architecture, military techniques, art, etc. to the Roman culture. The Bust of Cicero and Augustus of Prima Porta are examples of unbelievable statuary techniques and style that Rome achieved and improved as their own art.
Ancient Roman mythology consisted of a combination of rituals, beliefs, and observances of supernatural occurrences. They were based heavily on the idea of Greek mythology. As legend has it, the gods resembled human figures but they were bigger stronger and much more beautiful than that of the ancient roman gods. Even though the Roman gods were not depicted to be as beautiful they still were thought of with high admiration by roman citizens. The roman’s paid homage to the gods, in doing so they expected protection, fertility, prosperity, and good health in return for their allegiance.
Roman art was also deeply influenced by the art of the Hellenistic world, which had spread to southern Italy and Sicily through the Greek colonies there. The Etruscans and Babylonians can also be seen as inspirations. “With the founding of the Republic, the term Roman art was virtually synonymous with the art of the city of Rome, which still bore the stamp of its Etruscan art” (Honour and Fleming,1999). During the last two centuries, notably that of Greece, Roman art shook off its dependence on Etruscan art. In the last two centuries before Christ, a distinctive Roman manner of building, sculpting, and painting emerged. Indeed, because of the extraordinary geographical extent of the Roman Empire and the number of diverse populations encompassed within its boundaries, “the art and architecture of the Romans was always eclectic and is characterized by varying styles attributable to differing regional tastes and the div...
... and tales of the immortals. Although both Greek and Roman mythologies were considered their religions, neither of their gods were designed to worship. Rather, they served as a model for the ideal person by showing humans the difference between right and wrong, and good and evil. This is yet another concept that Rome took from Greece. Although Roman myths were based on Greek mythology, they did show some individuality in the way they interpreted those myths.