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Recommended: John Keats works
John Keats, a second generation romantic, is regarded as one of the most influential poets of all time. Though his work was anything but sad or bleak, Keats led a life of many tragedies. At the age of 8, Keats’ father passed away and only 6 years later his mother died of tuberculosis. After studying to be a doctor Keats realized his true passion was in composing poetry and followed his dream, but through another series of unfortunate events his brother died of tuberculosis and he could not marry his romantic love because of his health and financial state. Fearing his life was coming to an end Keats spent most of his twenties writing many beautifully detailed poems which he expressed numerous truths of the world, before he died of tuberculosis at the young age of 26. John Keats’ death was a great loss to the literary world, but his legacy lives on partly in his work “Ode on a Grecian Urn”. This poetic work of art uses relation to ancient Greece through multiple characters to present situation, rigid structure to convey confidence in his ideas, word choice imagery and repetition to evoke emotion and set a tone, as well as contrast to highlight a theme in his work.
Through the title and the literature it is presumed that the poem has been based off of ancient Greece. Most obviously by the subject being a “Grecian Urn”, which was used in this sense as a form of artwork depicting a scene. Contributing to the style of ancient Greece, Keats also uses anachronistic diction which makes the poem appear older than those of its same 1820’s era. The situation is presented in two separate stories, that of the life of the speaker, and the life of the urn. The poem is told in the eyes of the speaker and therefore we follow his emotions throu...
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...asy, Keats understood the idea of “CarpeDiem” and used his days wisely. His keen eye for the beauty in detailed art, of all forms, now helps many others to understand the real beauty of life “Beauty is truth, truth beauty”, and now we know.
Works Cited
Bai, Dr. Ronnie. "Poetry Analysis: Ode on a grecian Urn, by John Keats." Helium (2010): n. pag. Web. 4 Apr 2011. .
Lorcher, Trent. "An Analysis of Ode on a Grecian Urn By John Keats." Bright Hub. Noreen Gunnel, 07/31/10. Web. 4 Apr 2011. .
"Ode on a Grecian Urn: Introduction." Poetry for Students. Ed. Marie Rose Napierkowski. Vol. 1. Detroit: Gale, 1998. eNotes.com. January 2006. 4 April 2011. .
Shmoop Editorial Team. "Ode on a Grecian Urn." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 03 Apr 2011.
Baron, forlorn in the loss of his Madeline. Does Keats merely make tribute to this classic idea of
John Keats’s illness caused him to write about his unfulfillment as a writer. In an analysis of Keats’s works, Cody Brotter states that Keats’s poems are “conscious of itself as the poem[s] of a poet.” The poems are written in the context of Keats tragically short and painful life. In his ...
Keats’ poetry explores many issues and themes, accompanied by language and technique that clearly demonstrates the romantic era. His poems ‘Ode to a Nightingale’ and ‘Bright Star’ examine themes such as mortality and idealism of love. Mortality were common themes that were presented in these poems as Keats’ has used his imagination in order to touch each of the five senses. He also explores the idea that the nightingale’s song allows Keats to travel in a world of beauty. Keats draws from mythology and christianity to further develop these ideas. Keats’ wrote ‘Ode To A Nightingale’ as an immortal bird’s song that enabled him to escape reality and live only to admire the beauty of nature around him. ‘Bright Star’ also discusses the immortal as Keats shows a sense of yearning to be like a star in it’s steadfast abilities. The visual representation reveal these ideas as each image reflects Keats’ obsession with nature and how through this mindset he was able
This allows for a smooth transition in his description of the ritual that marks a soldier’s death. To draw attention to the tears “in their eyes”, which could be in the eyes of the dead soldier or of their brothers at war, they are connected to the “glimmer of good-byes”, to represent the quick mourning for the soldiers (10-11). The connection here is furthered with the use of enjambment at the end of the tenth line; with no grammatical separation, the thought smoothly transitions from one line to the other. On the other hand, Keats uses the exact Shakespearean rhyme In the sonnets “When I Have Fears that I May Cease to Be”, by John Keats, and “Anthem for Doomed Youth”, by Wilfred Owen, the poets’ use of formal elements create distinctions to mark the speakers’ thoughts and build upon the situation.
Throughout Keats’s work, there are clear connections between the effect of the senses on emotion. Keats tends to apply synesthetic to his analogies with the interactions with man and the world to create different views and understandings. By doing this, Keats can arouse different emotions to the work by which he intends for the reader to determine on their own, based on how they perceive it. This is most notable in Keats’s Ode to a Nightingale, for example, “Tasting of Flora, and Country Green” (827). Keats accentuates emotion also through his relationship with poetry, and death.
Imagery and symbolism merged to express his imagination, he became a unique poet in an evolving world where Romanticism was quickly expanding globally, not into a movement, but a way of thinking. Keats’ mother and brother, and eventually he too, passed away of tuberculosis. At the time of his brother 's passing, he developed ‘La Belle Dame sans Merci’. ‘La Belle’ expressed Keats’ intellect and creativity, although at the same time he himself expressed his angst and depression for the loss of his brother. His poem ‘Bright Star’ was written in a part of his life in which a woman had influenced Keats’ greatly, so much in fact that he was driven to write ‘Bright Star’ in appreciation and celebration of the love of his life. These poems reflect Keats’ intellect, originality, creativity, and his ability to merge the contextual aspects of his life and his imagination with the ideals and concepts of Romanticism to create powerful
I deliberately did not look for an inspiration of this poem or a critique on it, simply because I wanted it to read in my eyes and imagination what. Good analysis of the mythological landscape he wrote in.
In Keats “Ode to a Nightingale” we see the sense embodied through a variety of different literary techniques and in particular his use of synaesthesia imagery. The dejected downhearted nature of the poem promotes emotion in the reader even before noting poetic devices at work. The structure of the meter is regular and adds to the depth of this poe...
How is Bloom’s theory of influence connected to Keats and his ‘Ode on a Grecian urn’? As indicated by its title, Keats’s poem and Keats himself was influenced by Greek culture, which is confirmed in a further reading of the poem, when Keats mentions Arcadia and gods in the following lines: In Tempe or the dales of Arcady/ What men or gods are these?. It is generally known that Greek religion was based on polytheism and Arcadia is the province of Ancient Greece, in which were localized scenes from many pastoral poems.
In order to experience true sorrow one must feel true joy to see the beauty of melancholy. However, Keats’s poem is not all dark imagery, for interwoven into this poem is an emerging possibility of resurrection and the chance at a new life. The speaker in this poem starts by strongly advising against the actions and as the poem continues urges a person to take different actions. In this poem, the speaker tells of how to embrace life by needing the experience of melancholy to appreciate the true joy and beauty of
The second stanza of John Keats’s “Ode on a Grecian Urn” begins with the line, “Heard melodies are sweet, but those unheard / Are sweeter.” With this line Keats is saying that while spoken word is important and beautiful, a picture is worth 1000 words. The first four lines of the stanza set the stage for the story of the Urn to be told, and there is a clear separation between the first four lines of the stanza and the last six. Keats makes this separation obvious with his rhyming scheme. The first four lines of the stanza go ABAB with B being an implied rhyme, and the last six lines go CDECED. Each line of the second stanza has ten syllables except the
...at "more than their rhyming tell" ("To Ireland", 20). Yeats investment in the mystical Order of the Golden Dawn deepens his symbolic resources, extending his fascination with Celtic mythology into a syncretic spirituality which stresses the Jewish mystical doctrine known as the Kaballah. Through a combination of highly accessible rhyming and metrical poetry with such esoteric systems Yeats is able to construct a dual-level poetics in which readily traceable meanings are amplified by an acquaintance with the symbolic systems Yeats spent a great deal of his life mastering. His investment in these symbolic systems, and their ability to invoke unseen spiritual forces instantiates the poet's resistance to certain developments of modernity - such as the stress on reason, urbanity and individuality - and makes his poetic work a central aspect of his magico-religious Work.
Examining the definition of “ode,” there is a strong connection between song and poetry—an ode being “a poem intended to be sung or one written in a form originally used for sung performance”--, and within both poems the inspiration of each narrator is described in terms of creating poems meant to be sung. Essentially, Keats’s poem plays with the concept of the poetic form of an ode on a couple of different levels. Firstly, the nightingale, in stark contrast to the narrator’s feelings of despair, is presented as a “light-winged Dyrad of the trees, / In some melodious plot / … Singest of summer in full-throated ease” (“Ode to a Nightingale 7-8, 10). By introducing the nightingale in this manner, and by referring to it twice with musical adjectives—referencing its “melodious plot” and how the bird “singest of summer”—establishes this element of song as the focal point of the nightingale. Similarly, the goddess Psyche is first introduced by means of song, as the narrator begins “Ode to Psyche” by singing, and asking her to hear “these tuneless number” (Ode to Psyche 1) and to “pardon thy secrets should be sung” (3). The musical references to Psych continue in the third stanza, as the narrator laments the inclusion of Psyche into the Greek pantheon, he reveals
Truth remains a mysterious essential: sought out, created, and destroyed in countless metaphysical arguments through time. Whether argued as being absolute or relative, universal or personal, no thought is perceived or conceived without an assessment of its truth. In John Keats' "Ode on a Grecian Urn" and E.E. Cummings' "since feeling is first" the concern is not specifically the truth of a thought, but rather, the general nature of truth; the foundation which gives truth is trueness . Both poets replace investigation with decision, and that which would be argumentation in the hands of philosophers becomes example and sentiment in their poems. Each poet's examples create a resonance within the reader, engineered to engender belief or provoke thought. Employing images of unconsummated actions on an ancient urn carved with scenes from life, Keats suggests that "Beauty is truth, truth beauty"; Cummings, on the other hand, offers emotion as the foundation of truth, and supports living life fully through diction, theme-suggestive syntax, and images of accomplished action.
In "Ode on Melancholy," Keats welcomes the truth before him. He understands that bliss and suffering are one. To be able to completely have joy, one must also experience sorrow or melancholy to its fullest. “Ode on Melancholy” can be distinguished from "Ode to a Nightingale" and "Ode on a Grecian Urn," where the poet is a dreamer that is trying to escape his own reality into the sorrow less, eternal world of the nightingale and the urn. “Keats valued intensity of emotion, intensity of thought, and intensity of experience; fulfillment comes from living and thinking passionately. Keats does not shrink from the implication that feeling intensely means that grief or depression may well cause anguish and torment” (website junks).