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What was the role of the chorus in greek times
Role of chorus in greek plays
Role of chorus in greek plays
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Oedipus Rex: Fallibility of the Chorus and the role of pride:
Chorus and its role:
The chorus was part of Greek plays. They were a group of about thirteen or fifteen masked men who spoke all at the same time. The masks created a sense of unity. Their purpose was to comment on what was happening in the play, and help the audience understand background information, to provide wisdom and knowledge in the play. However, the words of the chorus cannot be considered absolute, for the chorus merely represents the audience themselves, who are normal human beings just like the characters. The wisdom of the chorus can be owed to the fact that they are not directly involved in the play. Hence they provide clear insight and opinions on the matter without them being influenced by personal emotions. This can be supported by the fact that both Oedipus and Jocasta were blind towards the obvious truth that was in front of them. This could be blamed to the guilt and burden that was buried deep in their minds. In a contrast, the chorus can predict consequences of the characters’ actions beforehand with a clear and steady mind. Oedipus, blinded by his pride and outrage, considers punishing Creon for conspiring against him. It is Choragos, head of the
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The Greeks believed that pride or hubris will in time be paid back. That being said, pride alone cannot be held responsible for all the chaos in the story. It plays its part to a great extent but other factors – like fate, bad decisions on his parents’ behalf, ignorance of the obvious truth – all play a role in the tragedy. His first bad decision in the play i.e accusing Creon of betrayal was a result of his ignorance towards the fact. When he argued with the old blind Prophet, Teiresias, his anger forced him to say harsh words. And of course, the original sin, killing his father the King, was an outcome of his rage and
Throughout literature authors have written to express a message to their intended audience. This is no exception for the plays, Oedipus Rex and Darker Face of the Earth, written by Sophocles and Rita Dove, respectively. The similarities in plot, characters, and motifs are not the sole concurrencies between both plays; the overall message to the audiences in both plays is one in the same, one cannot escape their fate. Sophocles and Dove both illuminate this message through their use of the chorus. While Sophocles uses a single chorus of Theban elders, Dove illustrates the grimness of fate through several minor characters: the chorus, the prayers and the players, the rebels, and three female slaves. Dove’s usage of Phebe, Diana, and Psyche further accentuate the battle between free will and fate, as well as the role of women, a concept absent in Sophocles’ play.
In book IX of Homer's Odyssey, Odysseus ventures into the isle of the Kyklopes. Here he encounters a loutish and cannibalistic Kyklops named Polyphemos. The events that occur as a result of this encounter reveal much about Odysseus's heroic characteristics. Odysseus possesses composure in the face of danger, prowess in devising clever plans of action, and the ability to lead others in the execution of his well-conceived plans of action; all of which appear in direct opposition to Polyphemos's simplistic and brutish nature. In these events, Odysseus is not only contrasted with Polyphemos but also with his crew. Odysseus's desire for glory separates him from his crew whose chief desire is a safe return home. In the end, his prideful quest for grandeur dulls the greatness of his deeds and causes the downfall of him and his crew.
“All men make mistakes--that’s not uncommon. But when they do, they’re no longer foolish or subject to bad luck if they try to fix the evil into which they’ve fallen, once they give up their intransigence. Men who put their stubbornness on show invite accusations of stupidity.” (Lines 1139-1145) In the Greek play, Antigone, Creon is an arrogant, self-centered king who has many foils throughout the length of the play. Teiresias’ character serves as the superlative foil towards Creon’s character by highlighting his sour attitude of disrespect, showing him what he has done wrongly through their negative interactions, and by exposing his fatal flaw. Teiresias is an old, blind prophet who has never been proven wrong, so when he tells Creon what
One of Creon’s many failures as a statesman is his prideful attitude. For example, Creon believes that gods chose him to lead the kingdom: “But see, the king comes here, /Creon, the son of Menoeceus, /Whom the gods have appointed for us/In our recent change of fortune.” (Par. 122—125).This quote explains how authoritative Creon was when he first became king. Also, Sophocles explains how Creon’s divine rights made him feel superior to everyone else, which made him more insolent. In addition, Creon believes that he is the sole leader of the kingdom: “We’ll have no woman’s law here, while I live.” (Sc 2.444). Sophocles illustrates the dangers of pride in kingship. He emphasizes more on how kings should be reasonable to the citiz...
In the beginning of the play Creon presents a strong confident image, although it becomes apparent self-doubt is present due to his inability to accept a diminished view of himself. Whilst giving the orders to murder anyone who tries to bury Antigone’s brother, Creon refuses the advice of his trusted council because they suggest he may be in the wrong. Creon so harshly yells Stop right there, before I am gorged with rage! (Page 12). The personality trait of being unyieldingly stubborn is one a majority can of people relate to. Therefore the audience might have felt sympathy towards him during that moment. Often the audience relates well to the tragic and can ...
The idea that the people speak with a unified voice is seen whenever they speak. Never does one individual stray from this one voice. This is seen in the Strophes and Antistrophes, the choir speaks as a whole. At the start of the, the choir shows unquestioning faith in Oedipus. They believe that he is godly, that since he ended the Sphinx’s reign of terror, that he would stop the plague. They believed this without question, they had no doubts that Oedipus would find a cure. They even came to Oedipus with “olive boughs all wreathed in woe,'; the same way one would go to a altar when they wanted something urgently. This shows their faith in Oedipus.
It is clear that throughout the play Creon was given plenty of opportunities to see his wrong doings. Tiresias not only tells Creon that he is making a mistake but warns him of the consequences. Creon chooses to insult Tiresias and ignore his advice until he is swayed by others to follow the advice. However, Creon’s hesitation and pride cause him to lose everything.
Sophocles uses the chorus to convey the message that suffering brings about wisdom and that this suffering teaches the sufferer humility and exposes the limitations of the individual. Throughout the story of Oedipus Rex, the chorus explains that because humans are imperfect their suffering exposes their limitations. Years after Oedipus solved the great Sphinx Riddle, Oedipus desired to save the people of Thebes from the plague. The priest explains, “You cannot equal the gods...but we do rate you first of men…”
Oedipus the King: Reason and Passion In the play, Oedipus the King, there are dual parts of reason and passion. Oedipus primarily acts with both reason and passion at different stages in the play. There are several points in the play where Oedipus acts with reason. The first such point occurs when he is asked by his followers to help save Thebes. He acts with reason when he immediately decides to heed to their demands and find help for them.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
accuses Creon of plotting with Tiresias to hatch a plan to overthrow him. & nbsp;   ; I don't think that fate is inescapable. If it was, then why would blind prophet Tiresias tells Laius, Jocasta, and Oedipus their future, if not to. let them change. I believe they were all involved in their own 'fate'.
In Sophocles’ Oedipus the King, the audience is able to gain a deeper understanding of Oedipus’ downfall due to the context provided by the chorus. Through its own wavering faith in the Gods, the chorus is able to explain and add meaning to Oedipus the King that would not otherwise be evident. Further, the chorus’ explanation allows Sophocles to expose his goal in writing the play, giving the reader a unique perspective into the true cause of Oedipus’ downfall. Therefore, it is strictly the chorus that enables the reader to realize that the true cause of the plague is not a murderer but a crisis in faith.
According to Aristotle, the protagonist in a tragedy must have a tragic flaw that ultimately becomes the cause of his ruin. Oedipus in Oedipus the King by Sophocles tragic flaw that caused his downfall was his pride. Three examples of when Oedipus’ pride got the better of him were: when he left his adopted parents in Cornith, the second is when he goes against Creon, and the third is when Oedipus is demanding that the messenger tell him all he knows about who his real parents are.
In the list of characters at the beginning of the play, the Chorus is stated to be a chorus of Corinthian Women. This draws the first link between them and Medea. The Chorus follows Medea on her journey through this play. They act as narrators on important occurrences in the play; however, they also act as a device Euripedes uses to influence the opinion of the audience. He does this by presenting to the audience a moral voice in the Chorus. The audience can relate to them, because the Chorus is in a neutral position in the play. They are definitely an integral part of the play, but their role is not so much to influence the actual plot of the play, but more to echo what has happened in the plot and the thoughts of the protagonists, and to suggest moral solutions the audience. The Chorus uses language which almost makes it seem that they are speaking from the perspective of the audience, and in doing this they are guiding the audience responses to what Euripedes wants it to be:
What is the Role of the Chorus in Oedipus the King? In answering this question, I will look at the question in two ways. Firstly, I will look at the role of the chorus objectively, examining the basic role of the chorus in the play, and looking at the role of the Chorus as Sophocles would have intended the role of the Chorus to be understood. However, I will then look at how I think the Greek audience would have perceived the role of the Chorus and then how the role of the Chorus is perceived today in the 20th century and examine the key differences in the two different sets of perceptions. Finally, I will look at the importance of the role of the Chorus to a 20th century audience and a Greek audience.