Throughout literature authors have written to express a message to their intended audience. This is no exception for the plays, Oedipus Rex and Darker Face of the Earth, written by Sophocles and Rita Dove, respectively. The similarities in plot, characters, and motifs are not the sole concurrencies between both plays; the overall message to the audiences in both plays is one in the same, one cannot escape their fate. Sophocles and Dove both illuminate this message through their use of the chorus. While Sophocles uses a single chorus of Theban elders, Dove illustrates the grimness of fate through several minor characters: the chorus, the prayers and the players, the rebels, and three female slaves. Dove’s usage of Phebe, Diana, and Psyche further accentuate the battle between free will and fate, as well as the role of women, a concept absent in Sophocles’ play. Phebe’s character serves a moderator between Augustus and the slaves, similar to the chorus, her role further develops the superiority of fate over free will. Whilst the Chorus opens Oedipus Rex in “Parados,” Phebe has the first lines in Darker Face of the Earth. Moreover, both Choragos and Phebe have some of the last lines in their respective plays. This parallel assists in creating a sense of continuity with their characters. Phebe was the name of the sun goddess for the Roman people, the sun is a static force, and it will always rise in the morning. The sun also represents light and knowledge, which are two characteristics that allow Phebe to be a leader. While, Choragos is a character like the Chorus that will always appear in Grecian plays. Both the role of Phebe and the role of the Chorus help set the ambience of each of their respective plays. The Chorus opens Oedip... ... middle of paper ... ... Diana both authors illustrate that one cannot control his or her fate. In both plays the authors use these characters as a medium for their own beliefs, to express their tone and overall message to the audience. Works Cited Atsma, Aaron J. "PHOEBE : Greek Titan Goddess of the Oracle of Delphi ; Mythology : PHOIBE." THEOI GREEK MYTHOLOGY, Exploring Mythology & the Greek Gods in Classical Literature & Art. Web. 14 Oct. 2011. . Lindemans, Micha F. "Diana." Encyclopedia Mythica: Mythology, Folklore, and Religion. 3 Mar. 1997. Web. 8 Oct. 2011. . "PSYCHE : Greek Goddess of the Soul | Mythology, Psykhe, W/ Pictures." THEOI GREEK MYTHOLOGY, Exploring Mythology & the Greek Gods in Classical Literature & Art. Web. 8 Oct. 2011. .
Sophocles' Oedipus Tyrannus can be argued that it is related loosely to Rita Dove's The Darker Face of the Earth. This comparative and contrasting characteristics that can be seen within both plays make the reader/audience more aware of imagery, the major characters, plot, attitudes towards women, and themes that are presented from two very different standpoints. The authors Sophocles and Dove both have a specific goal in mind when writing the two plays. In this paper I will take a closer look of the two, comparing and contrasting the plays with the various elements mentioned previously.
Pessoni, Michele. “‘She was laughing at their God.’: Discovering the Goddess Within Sula.” African American Review 29 (1995): 439-451.
Oedipus the King conveys many lessons that are relevant to people living today despite the fact that it was written by Sophocles twenty four centuries ago. Oedipus is a child destined to kill his father and marry his mother. During his life, he makes many mistakes trying to avoid his fate. These mistakes teach us about the nature of humans under certain circumstances. Oedipus possesses personality traits which causes him to make wrong decisions. Attributes like arrogance and his inability to make calm decisions in certain scenarios due to his anger causes his downfall. Oedipus’ excessive pride, like many people today, was an important factor that brought him grief. Oedipus’ lack of patience caused him to make hasty decisions which lead him to his greatest agony. Oedipus’ massive ego turned into excessive vanity, this was the first step to his downfall. Oedipus talks to Creon about the murderer of Laius. He declares, “Then I’ll go back and drag that shadowed past to light… but by myself and for myself I’ll break this plague” (Sophocles, 11). Oedipus is saying that he will be the on...
Athena and Calypso are the most significant goddesses presented in The Odyssey. While Athena embodies both feminine and not so feminine traits, Calypso embodies the sexual nature of women and the thought and feelings of sexualized women. Calypso, for example, sheds light on the double standards that exist between gods and goddesses: “Hard-hearted you are, you gods! You unrivaled lords of jealousy- scandalized when
Grant, Michael, and John Hazel. "Athena." Gods and Mortals in Classical Mythology. Springfield, MA: G. & C. Merriam, 1973. Print.
In Greek mythology, there are many, many gods and goddesses that the people prayed to on a regular basis for everyday things we take for granted. There was usually a different deity for anything a person wanted to pray for: love, money, children, success or almost anything else one could think of or want. People today are amazed at the number of gods there were and how people could remember which god did what. We study these today but still get easily confused, which is understandable. Athena was a very prominent goddess, especially in Athens and she is also featured throughout Homer’s Odyssey. Many confuse her with Aphrodite, the goddess of love. Actually, Athena is known as the goddess of war, practical reason, wisdom, and handicraft. She was also known as the protector of the city of Athens.
In Sophocles’ play, Antigone, the main character uses rhetoric to effectively persuade her audiences to sympathize with her. In the play, Antigone’s brother, Polyneices, dies a traitor to the Theban people. The king, Creon, decrees that no one is to bury the traitor despite the necessity of burial for proper passing into the afterlife. Believing that Creon’s decree is unjust, Antigone buries her brother. When she is brought to the king, Antigone uses this speech in defense of her actions. In the speech, she uses allusion, diction, and particular sentence structure to increase the effectiveness of her argument.
In Sophocles' most famous Theban play consisting of two parts, "Oedipus the King" and "Antigone", both parts are necessary in understanding some of the things that happened around them, and what type of man had raised Antigone. She is the main character in the play of “Antigone”.
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
In his tragic trilogy, The Theban Plays, Sophocles portrays the essence of Ancient Greek life; their culture, politics, religion and the maxims that are intended to guide their daily life through the actions of the main characters, Oedipus, Creon, and Antigone. Sophocles employs the use of thematic structures that coherently affects each character uniquely, and one of the most common themes depicted in these plays is that of fate vs freewill. In the Theban trilogy, Sophocles uses a well-structured theme of fate vs freewill to establish the relationship between the Greeks and the gods, as well as to illustrate the limits of mortality.
The ineffaceable impression which Sophocles makes on us today and his imperishable position in the literature of the world are both due to his character-drawing. If we ask which of the men and women of Greek tragedy have an independent life in the imagination apart from the stage and from the actual plot in which they appear, we must answer, ‘those created by Sophocles, above all others’ (36).
This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Oedipus Rex, whether static or dynamic, flat or round, and whether protrayed through the showing or telling technique.
Several similar themes are present between the three plays Antigone, Medea, and Oedipus Rex, written by Sophocles and one by Euripides. The three plays were written during the time of the ancient Greek civilization and, therefore, contain the morals and values of that time. Throughout the three plays, it is observed that the protagonists all carry similar traits: a sense of duty and stubbornness in their ways. Both of these traits lead to a tragic ending for the characters in the three plays. By observing the three plays and comparing them, readers are able to see these two traits play out among them and see how they ultimately lead to their downfall.
Years and years after Hercules had fought Hades and won that battle, his life had unexpected turns. He got to married his one true love Meg and had a beautiful child name Luna. Their daughter was half mortal, half goddess because Hercules was a God and Meg was mortal. He was the son of Zeus and Hera. Luna didn’t know she was half god, because Hercules and Meg made the decision to keep it hidden and Zeus was furious about that. Now they all lived in Thebes and Luna grew up as human as could be. She always had this unbearable strength, charming beauty, and a loving spirit. She always knew something wasn’t right, but couldn’t ask her parents because she knew they wouldn’t tell her. She had always had dreams about living on Mount Olympus with Zeus
Goddesses play important roles protectors and guardians of men and are demonstrated as being wise and knowledgeable in Homer’s Odyssey. Circe knows the directions to the underworld, and Eidothea, Proteus’ daughter knew where Odysseus was and was able to outmaneuver her father by telling men of how he will try to shift his shape and sh