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Analysis of greek mythology
Analysis of greek mythology
Analysis of greek mythology
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The ancient Greeks were fond believers of Fate. Fate, defined according to Webster’s, is “the principle or determining cause or will by which things in general are believed to come to be as they are or events to happen as the do.” The Greeks take on Fate was slightly modified. They believed that the gods determined Fate: “…fate, to which in a mysterious way the gods themselves were subject, was an impersonal force decreeing ultimate things only, and unconcerned with day by day affairs.” It was thought that these gods worked in subtle ways; this accounts for character flaws (called harmatia in Greek). Ancient Greeks thought the gods would alter a person’s character, in order for that person to suffer (or gain from) the appropriate outcome. Such was the case in Oedipus’s story. The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness. Sophocles intentionally gave certain flaws in character type to Oedipus—he intended a downfall. That was the purpose of all ancient Greek drama: it was meant as “a dramatic reminder of [their] own mortality”. Sophocles used his plays in order to force people to learn at other’s mistake. Oedipus is a perfect example. His tragic flaws, persistence and ignorance caused his inevitable doom Oedipus’s persistence is seen even from the beginning of Oedipus Rex. “The first instance in which [it] is revealed is when he first encounters Teiresias, a seer who refuses to divulge the truth he admits to knowing.” Teiresias begs to Oedipus, “let me go home” . “However, Oedipus doesn't want anything withheld from him, and he gradually becomes more heated in his wheedling…” Teiresias even plainly states Oedipus’s flaw, “Why persist in asking? You will not persuade me.” Despite this comment, eventually “the prophet spits out the truth in disgust, and, cursing, takes his leave.” This is the first case in which Oedipus’s persistence causes him trouble.
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
At one time in our lives there is a moment that we may think of ourselves as better than someone or something else. There may also be a point when making a decision leads to a great error in judgment. In the play Oedipus Rex, written by Sophocles, both of these characteristics can be seen in the main character. These characteristics are known as tragic flaws. These flaws are known as hubris meaning excess pride, leading to overconfidence, and hamartia meaning errors and weakness in judgment. Both of these characteristics are the main reason of destruction and downfall in mankind and the tragic hero in this play. The tragic hero is unable to escape his misfortune that is destined to happen. There are many more tragic flaws other than these two that also contribute to the falling of the hero. The destruction and downfall can be seen as fate. Even though the hero chooses his own actions, the resulting consequences that come about are ones that are unable to be changed. As seen, no one is able to outrun his or her own fate.
Throughout the story, Oedipus' haste or lack of patience is most evident. Wishing to end this mystery of the death of Laios as quickly as possible, Oedipus passes an edict to kill or exile anyone who withholds information. Teiresias tested Oedipus' patience in the beginning of the story with the information he was holding; "You'd try a stone's patience!
tells the priest and the suffering people of Thebes. If Oedipus did not care for
Through the character of Oedipus, Sophocles shows the futility and consequences of defying the divine order. Oedipus served Thebes as a great ruler, loved by his subjects; but it is his one tragic flaw, hubris, which dooms his existence, regardless of the character attributes that make him such a beloved king.
His pride gets him into a lot of bad situations. The ultimate downfall of Oedipus is that he is unwilling to accept is fate. This drives him throughout the whole story to get down to the bottom of numerous questions. Such as, who killed his father? What is his fate and how can he avoid it? Also he was questioning the loyalty of his brother-in-law, Creon. Oedipus is genuinely concerned by the damage the plague is doing to his people and seeks to help. Creon informs him that the plague is the result of King Laius's murder and that the murderer must be found and killed or expelled. Oedipus seeks counsel from Teiresias the prophet. However, the prophet is afraid of divulging the truth about the situation. Reason being is because the prophet knows that Oedipus is guilty of killing his father. However, even though Oedipus has done many things that are frowned upon, the reader has to
Oedipus is guilty because, despite knowing the prophecy that he will commit parricide and incest, he yet kills an elderly gentleman and sleeps with an elderly women. The choice was his, and this accounts for his guilt.
The idea of fate has existed for a long time and exists even today. Fate revolves around the idea that people's lives are predetermined and that no matter what is done it cannot be changed. With the gods it was used to explain events that seemed strange. Sophocles expands on this idea by introducing Oedipus' fate. The thought of fate is strong considering no matter how hard he struggles he still receives what was predetermined. As a baby he survived the elements on Mount Cithaeron. As Oedipus was destined to live, it shows the dominance of fate. Having fate play such a large part of the play is certainly an insight into the Greek's idea that fate controls us no matter how hard we struggle against it.
Oedipus the King tells the tragic story of Oedipus and how Oedipus unwittingly fulfills his prophecy. Oedipus prophecy was that he would murder his father and marry his mother. Oedipus grew up in the kingdom of Corinth where he believed that he was the son of the Kings of Corinth; when Oedipus discovered that he is destined to kill his father and marry his mother, Oedipus decides to leave Corinth and try to prevent the prophecy from happening. Unknowingly to him during his escape from his destiny, Oedipus murderers his father and eventually marries his mother and fulfils the prophecy. After reading Oedipus the King I believe that one of the main ideas of Oedipus the King is that Oedipus own tragic flaws lead to the fulfillment of the prophecy and his eventual downfall.
Oedipus had a very short temper. Oedipus did not want to hear what Tiresias had to say after he begged him to tell him all that he knew. "Am I to listen to such things from him! May you be damned! Get out of here at once! Turn around and go!" (Literature, Oedipus the King, Ln. 434-436, page 1085) Oedipus went into a rage when Tiresias told him about the evils that Oedipus was living with.
According to Aristotle, the protagonist in a tragedy must have a tragic flaw that ultimately becomes the cause of his ruin. Oedipus in Oedipus the King by Sophocles tragic flaw that caused his downfall was his pride. Three examples of when Oedipus’ pride got the better of him were: when he left his adopted parents in Cornith, the second is when he goes against Creon, and the third is when Oedipus is demanding that the messenger tell him all he knows about who his real parents are.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
Here is a story where Oedipus the King, who has accomplished great things in his life, discovers that the gods were only playing with him. He has everything a man of that time could want; he is king of Thebes, he has a wonderful wife and children, and great fame through out the lands. He has lived a good life, but in the end everything is taken from him.
Oedipus is depicted as a “marionette in the hands of a daemonic power”(pg150), but like all tragic hero’s he fights and struggles against fate even when the odds are against him. His most tragic flaw is his morality, as he struggles between the good and the evil of his life. The good is that he was pitied by the Shepard who saved him from death as a baby. The evil is his fate, where he is to kill his father and marry his mother. His hubris or excessive pride and self-righteousness are the lead causes to his downfall. Oedipus is a tragic hero who suffers the consequences of his immoral actions, and must learn from these mistakes. This Aristotelian theory of tragedy exists today, as an example of what happens when men and women that fall from high positions politically and socially.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.