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Children's literacy development
Children's literacy development
Literacy instruction best practices
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Overview/ Features
Not Your Typical Dragon is a reinvigorated story Dan Bar-el has written with a different twist. Rather than the knight as a typical hero, this story portrays the dragon to be the protagonist and the knight as his sidekick. The story is enlivened with Tim Bowers’ hilarious and enthusiastic illustration. The use of acrylic paint creates a vibrant and warm pictorial environment which reassures young readers that the story takes place in a safe and friendly place. Everyone knows your typical dragon breathes fire. But when Crispin the dragon tries to breathe fire on his seventh birthday, fire does not come out, only whipped cream! Crispin thinks his inability make him a failure, so he runs away. Meeting
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They are central to engaging young children in learning to read. Incorporating Not Your Typical Dragon in a class read-aloud, the educator needs to attend to the features in order to see the visual aspect in context, so that meaning making is a seamless and connected experience (Callow, 2016).
Reading Not Your Typical Dragon aloud with young readers creates a space to consider and discuss the ideas and themes inherited in children’s literature (Serafini, 2014). It also allows for educators to model and scaffold proficient reading skills (Serafini, 2014). Using this story to model the components of a narrative promotes discussion about the characters, setting, plot, problem and solution, which supports children to build a timeline of the events that occur in the story.
Using Not Your Typical Dragon and interactive discussion as a pedagogical scaffold (Serafini, 2014) enables educators to extend children’s vocabulary and share their emerging ideas. Discussing the features throughout the process of reading the story a second time consists at the beginning, middle and end, this enables educators to further extent on the theme or chosen area (Callow, 2016). The use of prodigious language throughout the story encourages curiosity, inviting the children to point out unfamiliar words and discussing their meanings, and also facilitates further extension on their
Carole Wilkinson’s Dragonkeeper impressed me with its writing style and incredible settings. She uses very rich vocabularies and analogies which help to imagine the towns, villages, and environment of old China. In addition, there were hidden settings and these become apparent at the end of the story. When I found out the hidden settings, I recognized the characters’ unusual behaviors. Ping who is the protagonist of this book learns a lot of important things with her friends while their thrilling and wonderful journey
Sipe highlights five different expressive engagements—dramatizing, talking back, inserting, and taking over—that children portray during story book read- alouds. He believes that teachers must encourage these behaviors in children because it shows participation and it inspires children to take over the story. Some of these expressive engagements are reasonable while some serve as a disfavor to children’s learning. On page 482, he gives instruction on how teachers can implement the expressive engagements in their classroom. Sipe claims, “the first type of expressive engagement, dramatizing, can be encouraged through dramatic reenactment” (481). This can be problematic for fairy tales such as “The Juniper Tree”. This story about a stepmother killing her stepson by beheading him then cooking him in a stew, and a little boy turned into a singing bird who then later kills his murderer by “…dropping a millstone on her head and crush[ing] her to death” (252) can be gruesome for children to dramatize. Another expressive engagement that Sipe mentions is “inserting”. Sipe claims that if children are encouraged to insert themselves or other people around them into the story that they are reading, they can exercise their power over the tales. Through this process, Sipe claims “children in process of becoming one with the story, to the extent of assuming their stance as fellow characters with equal agency and presence in the story” (478). The story of the little boy in “The Juniper Tree” suggest a different view about mechanically inserting characters in a story. The little boy must learn about what each of his family members did to contribute to his death. When the little boy died, he did not know anything about the causes of his death and the things that happened after. He had to learn that his “mother, she slew [him]”, his father
Dragons lie in the realm of fantasy; legendary creatures who are deeply rooted in magic and have captivated audiences for centuries. The depiction
John Gardner is the author of the story “Dragon, Dragon”.He was a very specific and humorous writer in his stories. Many of his stories were fictional. John Gardner’s stories were all based on humor. In “Dragon, Dragon” John Gardner puts things from the future and puts them in the past for example, at the castle owned cars. In the story the dragon ruins things when he is there.
Women aren’t represented as incompetent, but rather as limited. In “The Woman Precedent Female (Super) Heroism on Trial”, Julie O’Reilly analyzes the distinctions between the ways male and female superheroes are “put to the test” in narratives. She also describes how male superheroes are the ones who are accepted into the world of fighting and protecting against evil; while the females have to go through much more than males in order to be recognized for their efforts. “What really is on trial, then, is a female superhero’s ability to be a fully recognized subject” (O’Reilly 452). The “heroine in her own right” should be acknowledged just like how male superheroes are recognized. Female superheroes deserve the right of being able to do just as much, and possibly even more, than a male superhero can and they should be given the appreciation as well as the acknowledgment that they rightfully deserve. For example, one book written by Stieg Larsson called “The Girl with the Dragon Tattoo” depicts the life of a very strong female protagonist. The literature illustrates two people who are trying to solve the mystery of the disappearance of a young girl in the 1940’s but the woman isn't getting much credit or motivation as the other characters.
Fountas, I., C., & Pinnel, G. S., (2009). When readers struggle: Teaching that works. Portsmouth, NH: Heinemann.
By using the fiery imagery, the dragons automatically become evil and threatening to the heroes of the
My grandmother introduced me to reading before I’d even entered school. She babysat me while my parents were at work, and spent hours reading to me from picture books as my wide eyes drank in the colorful illustrations. As a result, I entered my first year of school with an early passion for reading. Throughout elementary and middle school, I was captivated by tales of fire-breathing dragons, mystical wizards, and spirited foreign gods. A book accompanied me nearly everywhere I went, smuggled into my backpack or tucked safely under my arm. I was often the child who sat alone at lunch, not because she didn’t have friends, but because she was more interested in a wizards’ duel than the petty dramas of middle school girls. I was the child who passed every history test because she was the only kid who didn’t mind reading the textbook in her spare time, and the child who the school librarian knew by name. Reading provided a
There are several advantages to using narrative text in the middle school classroom environment. The first advantage is that the reader is entertained when reading narrative text. Second advantage involves narrative text attains and contains the interest of the reader. Third advantage consists of narrative text teaching or instructing the reader. Fourth advantage focuses on narrative text inconstant demeanor or social opinions of the reader. For example soap operas. The Bold and the Beautiful displayed in one of the episodes concerning homeless people and how their circumstances caused these individ...
This activity suits the child’s current stage of oral development will interest them and aid in them progressing in their oral development. Children at this stage of development enjoy listening to stories which is good not only for their receptive skills, but also for their expressive language (Fellows and Oakley, 2014), in all four key components of spoken language. It helps with phonemes by getting the child to focus on the phonological patterns throughout the text (Fellows and Oakley, 214). Syntax knowledge allows them to observe the sentence structure and grammar in the book which allows them to develop a stronger awareness of the syntax. Visual aids in storybooks can aid in the child in the understanding of semantics (Fellows and Oakley’s), as the story is read aloud their receptive skills hear those more difficult words, when paired with a visual cue such as a picture in the book the child understands better and thus they are able to gain a better understanding of how to speak these difficult words. A better understanding of pragmatics can also be gained from storybooks as they understand how people communicate in society such as greetings and asking for things (Fellows and Oakley,
In the bold short story, ¨The Fifty-first Dragon,¨ by Heywood Broun, Gawaine le Coeur-Hardy is the most perpetuate young boy at his knight school. He may be tall and bulky but when it comes to being thrilled about something, anything, he does not prevail. Gawaine does not put forth any effort to become a skilled dragon slayer. When his slaying tally is at forty nine dragons, Gawaine runs into his first dilemma: he forgets his magical word. If I had the opportunity to learn about dragons and begin to slay them, I would be overjoyed. This brings me to say, Gawaine le Coeur-Hardy and I diverge when it comes to enthusiasm or being a good pupil, however, we are both very forgetful.
..., Maria. “An Introduction to Fairy Tales.” Writing and Reading Across the Curriculum. Ed. Laurence Behrens, Leonard J. Rosen. Toronto: Longman, 2013. 230-235. Print.
Peter hunt’s ‘Instruction and Delight’ provides a starting point for the study of children’s literature, challenging assumptions made about writing for children and they are trivial, fast and easy. Children’s literature is a conservative and reading it just to escape from the harsh realities of adulthood. It’s probably the most exciting for all literary studies, and a wide range of texts, from novels and stories to picture books , and from oral forms to multimedia and the internet , so it presents a major challenge and can be considered for many reasons. It is important because it is integrated into the cultural, educational and social thinking for the success of the publishing and media, and it is important to our personal development. Things that may seem simple at fist, how children understand the texts, how these differ from the
Human idealism has been the spawn of hundreds of mythical creature’s, crafting representations and symbolism with each new beast. Creature’s became the living embodiment of values that were held highly, often falling into folklore that involved human interests. One of the most globally used, and recognized creatures’s in our history is the dragon. A creature that not only appears in a variety of cultures, but has individual symbolism and traits attuned with each. Even today the idea of what is a dragon can differ from each individual. While most people in the modern day believe that all dragons are fire breathing terrors, it is a misconception of the idealism behind dragons. Dragons have taken many forms from fire-breathing monsters, to the divine spiritual bringer of wisdom and rain.
Literature has an enormous impact on a child’s development during the early years of his or her life. It is important for parents and teachers to instill a love of reading in children while they are still young and impressionable. They are very naive and trusting because they are just beginning to develop their own thoughts, so they will believe anything they read (Lesnik, 1998). This is why it is so important to give them literature that will have a positive impact. Literature can make children more loving, intelligent and open minded because reading books gives them a much wider perspective on the world. Through reading, children’s behavior can be changed, modified or extended, which is why books are so influential in children’s lives while they are young (Hunt, 1998). Literature has the power to affect many aspects of a child’s life and shapes their future adult life.