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HALP PLEASE
soooo i need desperate editing help. i need to have a good transition between my intro paragraph and the one where i dive into the story of melusine. i can't figure out how to do this. also, could you please look at melusine's story and it's tense. i need to fix it and i think i did but i don't know...it seems off. one of the comments on my draft was to stay within "the same tense as story."
Winged Beasts
“My armor is like tenfold shields, my teeth are swords, my claws spears, the shock of my tail a thunderbolt, my wings a hurricane, and my breath death!”
J.R.R Tolkien, The Hobbit
Dragons lie in the realm of fantasy; legendary creatures who are deeply rooted in magic and have captivated audiences for centuries. The depiction of these winged beasts depends on
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Saphira is a wise, intelligent, and fiercely loyal creature who aids her rider, Eragon, on an adventure to defeat the antagonist of the story, Galbatorix.
Lastly, I’ve saved the best for last because of the impact that these dragons have had in pop culture. Drogon, Rhaegal, and Viserion in The Song of Ice and Fire series by George R.R. Martin. These creatures were hatched by Daenerys Targaryen in Drago’s funeral pyre. The name for the dragons are sentimental to Dany. Drogon is named after her late husband, Khal Drogo; Rhaegal and Viserion is in memory of her brothers Rhaegar and Viserys Targaryen.
Dany’s dragons are powerful winged beasts who have a strong connection to magic. It is because of their existence that magic slowly resurfaces throughout Westeros this is a big deal. Like Paolini’s Saphira, Martin’s three dragons can be trained and bonded to a person – in this case to Dany. If a dragon is not trained they will destroy everything that is around them.
So, if you ever come across a dragon egg remember to properly train it or else…well, you
(blackdrago.com) “Dragon images have been found on the Ishtar Gate of Babylon, on scrolls from China, in Egyptian hieroglyphs and Ethiopian sketches, on the prows of Viking ships, in bas relief on Aztec temples, on cliffs above the Mississippi River and even on bones carved by Inuits in climates where no reptile could live.” (McNeil) Stories of dragons can be found all through history. Over five thousand years ago, ancient Sumerian cultures had dragon legends in their religions. Modernly, few still believe dragons exist, they can still be found in our movies, books and video
Grendel and Saint George's dragon, then to the mermaids, trolls, and one-eyed giants of our fairy and
1.Though The Glass Castle is brimming with unforgettable stories, Which scenes were the most memorable for you? Which were the most shocking, the most inspiring, the funniest?
Translating literature from different time periods can be difficult, but when successfully done the comparisons of the two pieces of literature can be amazing. During the Medieval period in times people feared mythical creatures such as dragons. People would have houses built to protect and save them from these creatures. These mighty mythical creatures were rarely seen and told about, but there were some who finessed in the destruction of these mighty beasts. During the More Modern era people do not have to worry about ginormous beasts, but they have to worry about war. Nowadays people build homes to look nice and make them best fit for themselves. There are no gigantic beasts that people must worry about in the present. Even though the two
n Name:Diego Armendariz Date:11 /13/1Period: 2/3 Write a persuasive essay arguing how one group struggles more than the other. Support your claims and counterarguments with logical reasons and relevant evidence. __________________________________________ (Your Creative Title). Introduction Paragraph Cherry Valance once said, ‘Things are rough all over” My quote ties with S.E Hinton’s popular book The Outsiders because in the book the Greasers and Socs are constantly fighting and don’t know why,
His pride forces him to find the traitor who murdered Laius. He eventually finds out that he is the sinner and gouges his eyes out to prove that he is not worthy of sight.
Throughout early English literature, it is highly apparent that novels and poems had much deeper meaning than just a story for entertainment. Many of these stories were great works used for religious purposes to show that good will always triumph over evil. Two great works that utilize this are the epic poem, Beowulf and the great allegorical poem, the Faerie Queene. Though these literary works were written almost eight centuries apart, it is apparent through biblical allegories, symbolism, and descriptions that both were written for similar purposes of religious influence, but they were written to different Christian audiences. Through their comparison, there are many similarities and differences in the biblical allegories pertaining to each fight with the dragon. In each story, the dragon is meant to symbolize the epitome of evil, but they symbolize two different types of evil. They are very different in their descriptions of the two dragons and the fight. Through acknowledgement of these similarities and differences, it becomes very obvious to whom the work is directed towards.
Pylades arrives bearing the sad news of Orestes death. He tells Clytemnestra that Orestes was killed in a chariot race at the Delphian games; his body was cremated and his ashes were sent to. Mycenae. Concealing his identity, Orestes arrives with the help of Electra and Pylades, plots the murder of his mother and his mother's. lover. Orestes enters the palace, kills his mother and returns to Electra. When Aegisthus arrives, Orestes kills him as well. his destiny.
The first step towards getting Odysseus home is when Athena disguises herself as Mentes, who motivates Telemakhos to find his father and aide in his return. It is Athena’s revelation of divinity to Telemakhos that spurs his courage and determination that help him realize his dream of revenge. For at first, Telemakhos feels ...
The dragons that we come across in our lives can be just as menacing and terrifying as one would imagine a dragon to be. They rear their beastly heads, breathe the scalding fire that threatens to burn everything in it’s path, and menace our lives with an unparalleled sense of fury. We are not all born princes, the ones who defeat the dragons with a sweep of their magical swords, filled with a bravery and courage that only a prince can possess. Nor are we all damsels in distress, needing the prince to come and save us from the monster that some evil force has enforced to keep us trapped in a castle forever. I am certainly no prince or princess, at least in the metaphorical sense. I am certainly not about to go out and slice off the heads of whatever stand in between myself and my desires. Because what good would that do? We cannot merely overcome one obstacle in our lives, save the princess, and live happily ever after. Life does not work the way a fairytale does. We are supposed to learn from the obstacles, grow, overcome other obstacles, grow some more, and continue with this cycle throughout our lives. Because regardless of how many of them we slay, these dragons are not going to disappear from our lives. They are going to keep coming back in all sorts of shapes and sizes, bringing along as much hurt as they can possess, and throw enough hardships in our lives that we may want to give up, let them win for once. We might feel the need to succumb to their fiery breath, to drop our swords and give up the fight. Dragons in our lives are always going to be a presence that looms around us, waits for us to slip up and make a mistake that opens the door for them to swoop in and roar with ferocity. In Letters To a Young Poet, Rilke is as...
Mysterious and misunderstood dragons are, thought to be ferocious beasts of destruction and chaos. One does not fully understand the ways of a dragon until one has stared into the eyes and peered into the soul of such a beast. In the tall tales dragons are drawn as monsters with terrible claws and gnashing teeth knights must face in order to prove their valiance and bravery. The inferno that escapes the depth of the dragon through the fiery throat incinerates knights and leaves only the shadow as a reminder of a great defeat; while as the dragon’s claws, teeth, and fiery breath may be the key to survival of these mystical creatures.
At this time, the reader begins to feel sorry for the two sisters. They have lost their father and their two brothers, all at the same time. Later in the conversation, the reader learns that Antigone has a plan to bury her brother Polynices and that she wants Ismene to help her. Ismene is scared to do this because the new king, Creon, has issued a decree that says that any person that attempts to bury the body will be sentenced to death. The fact that Antigone is going to attempt to bury the body creates fear in the reader.
Many Europeans were strong believers of the faith and had many legends and stories about different religious aspects. Around the same time, dragons were becoming increasingly popular in European culture, which made them open to be used in religious storytelling and art. The word “dragon” even comes from the old Latin word draco, meaning snake or serpent; the word’s association with dragons, which slightly differ from serpents, was due to Christianity’s negative connotation with snakes and serpents, which are famously connected to the Devil in the Bible (“Dragons”). A famous example of dragons in medieval religion is the leviathan, a “fearsome fire-breathing sea dragon whose scales could not be pierced by swords or spears” (“Dragons in Paradise”) that was spoken of in the Bible. It was one of the most popular types of dragons in the Middle Ages. Because this type of dragon in particular was so popular, even outside of the Bible, leviathans became associated with Satan in Christianity (“Leviathan”). In medieval times, books containing information on various animals called bestiaries were kept, and were “almost undoubtedly used as religious texts” (McShane). These books, kept by churches and used as serious sources of information, included dragons in their compilations; in the bestiaries, dragons were called “evil, deadly, and a bad omen for
What is the difference between a hobbit, dwarf, and elf? Are there similar features between all of them? In the Hobbit, by J.R.R Tolkien, there was a hobbit named Bilbo who goes on an adventure with a group of dwarves called Thorin and the Company, where he meets elves, humans, and other creatures. His adventures with the dwarf's leads him to become friends with many of the people he meets like the elves. Bilbo goes on an adventure as a burglar to take back the treasure the dwarf's once had.
Slytherins get a bad wrap. While we did once house several of the greatest villains, some refuse to face the fact that it is not only home to the greatest villains, but the heroes as well. If you do recall, Harry Potter himself is a true Slytherin, but chose Gryffindore himself, because he was influenced by some redheaded poor boy with a cold sandwich and a biased opinion. Also, if you'll recall, Draco Malfoy turned out to be a good guy in the end, and his mother, another Slytherin, saved Harry's life. Harry, the true Slytherin, the chosen one, who saved the life of his enemy. Please tell me, what true Gryffindore did that? The answer: None.