5. Nаrrаtive techniques in Woolf’s ‘‘To the Lighthouse‘’
“To the Lighthouse” is open to more thаn one interpretаtion. It is different from other modernist novels in the wаy Virginiа Woolf experiments with the new devices such аs streаm of consciousness technique, the pаssаge of time аnd how women аre forced by society to аllow men to tаke emotionаl strength from them. Her nаrrаtive technique is unique in thаt it contаins the devices no other writer employs. She presents consciousness by using а number of devices in one аnd the sаme flow of consciousness such аs multiple point of view, use of free аssociаtion, use of time montаge, shift of chаrаcters, interior monologue without wаrning аnd the overuse of personаl pronouns. (Dick, Susаn,
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Rаmsаy, аnd the dominаtion of Lily Briscoe, the single women аrtist аt its end. However she never provides obvious аnswers to the problemаtics of gender roles thаt this novel represents аs one of its essentiаl concerns. Woolf represents her level of potentiаl to deаl with sociаl stаndаrds within the nаrrаtive gаps in “To the Lighthouse” аnd in the аmbiguities аnd concerns of her writing. But, however the аppаrent closure of Woolf's novel through the structurаl completion of Woolf’s “To the Lighthouse” contrаdict this good ending.
On the other hаnd, the rhythmic pаtterns of Woolf's writing guide reаders to find significаnce in the very concerns thаt deny us аnswers on аnother level. Her lаnguаge requires reаders аcross so much nаrrаtive ground thаt аll possible meаnings hаve been exhаusted.
But, even аs reаders detect this pаttern, Woolf's visuаls аnd style complicаte our reаding аnd open the nаrrаtive up to more complex interpretаtions. In this wаy, Woolf prepаres reаders for the concerns of the lаtter pаrts of “To the Lighthouse” through which shе continuеs to prеsеnt а highly еnigmаtic nаrrаtivе. (elаborаted from The stylistics of resolution in Virginiа Woolf’s “Mrs Dаllowаy” аnd “To the Lighthouse” by Helen R. Tаkаlа,
Woolf’s pathos to begin the story paints a picture in readers minds of what the
Virginia's relationships throughout her life contributed, not only to her literature, but the quality of her life as well. Perhaps the greatest influence in Virginia's life is her mother, Julia Stephen. "Julia Stephen was the most arresting figure which her daughter [Virginia Woolf] tried to resurrect and preserve" (Gordon 4). Woolf, a manic-depressive, found herself constantly searching for approval. "Virginia needed her mother's approval in order to 'measure her own stature" (Bond 38). Battling with a sense of worthlessness, Virginia's mother helped her temporarily rid herself of self-criticism and doubt. This however was short-lived. When Mrs. Stephen rejected Virginia, she felt her mother's disapproval directly related to the quality of her writing. "Virginia Woolf could not bear to reread anything she had written… Mrs. Stephen's rejection of Virginia may have been the paradigm of her failure to meet her own standards" (Bond 39). With the death of her mother Woolf used her novel, To the Lighthouse to "reconstruct and preserve" the memories that still remained. According to Woolf, "the character of Mrs. Ramsey in To the Lighthouse was modeled entirely upon that of her mother" (Bond 27). This helped Virginia in her closure when dealing with the loss and obsession with her mother. Although Virginia clung to the relationship with her mother, she favored her father, Leslie Stephen. Virginia resembled her father uncannily in character traits, in her writing and self-doubts, in her great and malicious sense of humor, in her marriage, in her frugality, in her fear of aging, and in her social consciousness. (Bond 59) They were both extremely outspoken while sparing no one's feelings with their comments. Virginia and Leslie both had strong personalities and rapid mood changes. Woolf portrayed her father, like her mother, through characterization in To the Lighthouse. Mr. Ramsey captures her father as a man of "baffling mutability, a lightening switch from the most lovable of men, to a 'famished wolfhound' and back again" (Gordon 22). This portrayal of Leslie Stephens relates to his uncontrollable rages and mood swings. Leslie Stephen not only controlled Virginia's mental development, but her intellectual development as well.
In Virginia Woolf’s novel, To the Lighthouse, childhood is portrayed as a time of tribulation and terror, rather than the stereotype that claims that childhood is a blissful period of innocence and wonder. Because of her more realistic point of view, Woolf molds her characters into complex adults that are products of their upbringings. This contributes to the piece as a whole because it has a sense of reality that allows readers to relate with the characters on a personal level. Throughout the novel, Woolf uses two main characters to embody her representation of childhood. Even though Charles Tansley is an adult, the reader can see the full effects his childhood had on his adult life. Moreover, the reader sees the troubling events of childhood and their effects on adulthood in James Ramsay’s life.
The Contrast of Virginia Woolf and Alice Walker After reading the four essays assigned to this sequence, it becomes interesting to contrast two author's points of view on the same subject. Reading one professional writer's rewriting of a portion of another professional writer's essay brings out many of each of their characteristics and views. Also, the difference in writing styles could be drastic, or slight. Nevertheless, the writers display how versatile the English language can be.
Through metaphors, the speaker proclaims of her longing to be one with the sea. As she notices The mermaids in the basement,(3) and frigates- in the upper floor,(5) it seems as though she is associating these particular daydreams with her house. She becomes entranced with these spectacles and starts to contemplate suicide.
In Virginia Woolf’s “To the Lighthouse”, the struggle to secure and proclaim female freedom is constantly challenged by social normalcy. This clash between what the traditional female ideologies should be and those who challenge them, can be seen best in the character of Lily Brisco. She represents the rosy picture of a woman that ends up challenging social norms throughout the novel to effectively achieve a sense of freedom and individuality by the end. Woolf through out the novel shows Lily’s break from conventional female in multiply ways, from a comparison between her and Mrs.Ramsey, Lily’s own stream of consciousness, as well as her own painting.
Woolf, Virginia. To the Lighthouse. 1927. New York: Harcourt Brace and Company, 1951. pp 131-133.
After reading Virginia Woolf’s, “To The Lighthouse”, readers are left with the disturbing reality of the role of a woman during this time period. The characters of Mrs. Ramsay and Lily Briscoe portray these demeaning roles. However, instead of completely giving in to the domination of men, they are starting the woman’s movement of resistance in the period of the beginning of World War I.
The opening scene of To The Lighthouse between Mr Ramsay and Mrs Ramsay displays the gender division that flows throughout this passage highlighting Woolf’s own perspective on society and sexuality between genders. Woolf supports the belief in a complete change to society resulting in a non – hierarchical society. Woolf felt for this to happen aside from the practical changes, that a radical redefinition of sexuality was also needed. The novel focuses on sexual issues of the twentieth century central to feminist campaigns, such as marriage being a form of institutionalized slavery . She brings to attention one of Freud’s most well-known theory, the oedipal conflict. The author draws upon the story of Oedipus who kills his father and marries his mother. Freud states that the daughter demands the attention of the father and the son the attention of her father. In doing so this monopolizes the love the son has for the mother at the risk of jealousy from the father, due to the dominating attention the child wants from the mother. Similarly, this oedipal triangle is formed between James and his parents. Woolf gives reference to Freud and his views on male development and family dynamics by sharing his views on the unconscious whilst talking about them in her own way. She “absorbs many of Freud’s insights about male and female gender identity, yet at the same time infected them in a manner now known as feminist.” The dialogue between the Ramsay’s and James is seen by the reader to express feelings equating to sexual intensity in the way he loves his mother and hates his father, simply by his reaction to Mr Ramsay’s comment about the foul weather. His preference for his mother over his father is clear when he states she is “ten thousa...
Woolf, Virginia. To the Lighthouse. Introduction by D.M. Hoare, Ph.D. London: J.M. Dent and Sons Ltd., 1960
To the Lighthouse is an autobiographical production of Virginia Woolf that captures a modern feminist visionary thrusted in a patriarchal Victorian society, as embodied by Lily Briscoe. Lily’s unique feminist vision and her ability to transcend artistic and patriarchal conventions progressively allows her to locate her quest for identity as an aestheticized epiphany journey. However, no matter how Woolf attempts to present Lily’s aestheticized exploration of her identity as a radical opposition to patriarchy alone, therein lies a specific aspect of feminism that Lily secretly wants to achieve. Therefore, I argue that although Lily is a symbolic rebel of patriarchal conventions who strives for women individuality, she brings her struggles a
Woolf presents three characters who embody three different gender roles. Mrs. Ramsay is the dutiful wife and mother. Mr. Ramsay is the domineering patriarch. Lily Briscoe is an independent, aspiring woman. Woolf sets these three roles in contrast with each other. She allows the reader to see the power and influence each character has. Mrs. Ramsay’s submissive and supportive nature arouses admiration. Mr. Ramsay’s condescending manner provokes animosity. Lily Briscoe’s independence enables her to find meaning and fulfillment in her life.
Woolf pioneered in incorporating feminism in her writings. “Virginia Woolf’s journalistic and polemical writings show that she made a significant contribution to the development of feminist thought” (Dalsimer). Despite her tumultuous childhood, she was an original thinker and a revolutionary writer, specifically the way she described depth of characters in her novels. Her novels are distinctively modern and express characters in a way no other writer has done before. One reason it is easy to acknowledge the importance of Virginia Woolf is because she writes prolifically.
A lighthouse is a structure that warns and navigates ships at night as they near land, creating specific signals for guidance. In Virginia Woolf’s To The Lighthouse, the Lighthouse stands a monument to motivation for completion of long-term goals. Every character’s goals guides him or her through life, and the way that each person sees the world depends on goals they make. Some characters’ goals relate directly to the Lighthouse, others indirectly. Some goals abstractly relate to the Lighthouse. The omnipresent structure pours its guiding light over every character and every action.
... Woolf’s experience with mental illness may have led to this distinct style, as she saw writing as a way to express and explore her mental depression. Talk more about style. Mary’s journey begins on her visit to “Oxbridge,” where Woolf is said to give her lecture on “Women and Fiction.” Woolf then provides the reader and Mary with her thesis: a woman must have money and a room of her own if she is to write fiction (1).