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Summarize Freud's psychosexual theory of development
Feminism in Virginia Woolf's to the lighthouse
Summarize Freud's psychosexual theory of development
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The opening scene of To The Lighthouse between Mr Ramsay and Mrs Ramsay displays the gender division that flows throughout this passage highlighting Woolf’s own perspective on society and sexuality between genders. Woolf supports the belief in a complete change to society resulting in a non – hierarchical society. Woolf felt for this to happen aside from the practical changes, that a radical redefinition of sexuality was also needed. The novel focuses on sexual issues of the twentieth century central to feminist campaigns, such as marriage being a form of institutionalized slavery . She brings to attention one of Freud’s most well-known theory, the oedipal conflict. The author draws upon the story of Oedipus who kills his father and marries his mother. Freud states that the daughter demands the attention of the father and the son the attention of her father. In doing so this monopolizes the love the son has for the mother at the risk of jealousy from the father, due to the dominating attention the child wants from the mother. Similarly, this oedipal triangle is formed between James and his parents. Woolf gives reference to Freud and his views on male development and family dynamics by sharing his views on the unconscious whilst talking about them in her own way. She “absorbs many of Freud’s insights about male and female gender identity, yet at the same time infected them in a manner now known as feminist.” The dialogue between the Ramsay’s and James is seen by the reader to express feelings equating to sexual intensity in the way he loves his mother and hates his father, simply by his reaction to Mr Ramsay’s comment about the foul weather. His preference for his mother over his father is clear when he states she is “ten thousa...
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...want to be a mother" (15.374) this is seen to be of a humorous nature yet it draws to the attention of the reader Blooms ability to sympathize with the women around him and his ability to consider the pain and struggles they go through. Joyce utilises Bloom as a voice that appreciates women and understands their plight.
Works Cited
Justin Levenstein. ‘Ulysses, Dubliners, and the Nature of Relationships in the Modern World’. Emergence: A Journal of Undergraduate Literary Criticism and Creative Research. Available from(WWW) http://journals.english.ucsb.edu/index.php/Emergence/article/view/21/100 Date Accessed: 11/12/13
Virginia Woolf In To The Lighthouse( p68
Ljiljana Ina GJurgjan. The politics of gender in Virginia Woolf’s To The Lighthouse and James Joyce’s A portrait Of The Artist Of A Young Man. (Zagreb: 2010) pp 9
James Joyce. To The Lighthouse. (pp330)
Walzl, Florence L. "Dubliners." A Companion Study to James Joyce. Ed. Zack Bowen and James F. Carens. Greenwood Press: London, 1984
Throughout the book To the Lighthouse by Virginia Woolf, there are many burdens upon relationships in the storyline. One such burden is that of male superiority; through the belief of male superiority relationships are stressed because males constantly need to prove that they are better then females. This stress causes problems within marriages and affects the domestic life of husbands and wives. The unspoken problem between the sexes causes tension and affects thoughts shown within internal monologues more then it directly affects events.
In Virginia Woolf’s novel, To the Lighthouse, childhood is portrayed as a time of tribulation and terror, rather than the stereotype that claims that childhood is a blissful period of innocence and wonder. Because of her more realistic point of view, Woolf molds her characters into complex adults that are products of their upbringings. This contributes to the piece as a whole because it has a sense of reality that allows readers to relate with the characters on a personal level. Throughout the novel, Woolf uses two main characters to embody her representation of childhood. Even though Charles Tansley is an adult, the reader can see the full effects his childhood had on his adult life. Moreover, the reader sees the troubling events of childhood and their effects on adulthood in James Ramsay’s life.
Twentieth Century Interpretations of Dubliners. Prentice-Hall, Inc. Englewood Cliffs, New Jersey: 1968. Torchiana, Donald T. Backgrounds for Joyce’s Dubliners. Allen & Unwin, Inc. Winchester, Massachusetts: 1986.
Death is a difficult subject for anyone to speak of, although it is a part of everyday life. In Virginia Woolf’s “The Death of the Moth”, she writes about a moth flying about a windowpane, its world constrained by the boundaries of the wood holding the glass. The moth flew, first from one side, to the other, and then back as the rest of life continued ignorant of its movements. At first indifferent, Woolf was eventually moved to pity the moth. This story shows that life is as strange and familiar as death to us all. I believe this story was well written and will critique the symbolism, characters, and the setting.
In Virginia Woolf’s “To the Lighthouse”, the struggle to secure and proclaim female freedom is constantly challenged by social normalcy. This clash between what the traditional female ideologies should be and those who challenge them, can be seen best in the character of Lily Brisco. She represents the rosy picture of a woman that ends up challenging social norms throughout the novel to effectively achieve a sense of freedom and individuality by the end. Woolf through out the novel shows Lily’s break from conventional female in multiply ways, from a comparison between her and Mrs.Ramsey, Lily’s own stream of consciousness, as well as her own painting.
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
Female Identity in Virginia Woolf’s, To The Lighthouse, Elizabeth Bowen’s, Heat of the Day and Iris Murdoch’s, Under the Net
Thomas, Steve. "Dubliners by James Joyce." ebooks@Adelaide. The University of Adelaide, 23 Aug 2010. Web. 20 Jan 2011
To the Lighthouse is an autobiographical production of Virginia Woolf that captures a modern feminist visionary thrusted in a patriarchal Victorian society, as embodied by Lily Briscoe. Lily’s unique feminist vision and her ability to transcend artistic and patriarchal conventions progressively allows her to locate her quest for identity as an aestheticized epiphany journey. However, no matter how Woolf attempts to present Lily’s aestheticized exploration of her identity as a radical opposition to patriarchy alone, therein lies a specific aspect of feminism that Lily secretly wants to achieve. Therefore, I argue that although Lily is a symbolic rebel of patriarchal conventions who strives for women individuality, she brings her struggles a
In the novel To the Lighthouse, two main characters named Mr. and Mrs. Ramsay have an intriguing relationship with one another. Throughout the novel, Mr. and Mrs. Ramsay appear to have alternative viewpoints on life, and they tend to disagree. However, there are certain times where the two of them have an unspoken interaction where they seem to reveal their true feelings for one another. While one may question the status of their relationship and as to whether it is good or even healthy, Mr. and Mrs. Ramsay appear to be normal human beings who show various emotions and perceptions on life. Since the Ramsay’s marriage is complicated and shows various levels of attraction towards one another, someone could sum up the status of their relationship
Throughout history, women writers used pen names and pseudonyms to avoid the eyes of the patriarchal society. The female writers were no strangers to harsh criticism from the gender-biased readers regarding their artistic works. However such emphasis on gender discrimination coined the words, feminism and sexism, which now reflect on the past and the present conflicts. In the book A Room Of One’s Own, Virginia Woolf tracks down the history of women and fiction to find the answer. She argues, “A woman must have money and a room of her own if she is to write fiction”. She chants on and on about the topic of “women and fiction”, contemplating the role of women in the traditional domain and the virtues of women writers. Although, Woolf may have contemplated over such awareness that a woman needs an atmosphere of her own in which nobody can intrude, the modern world has prevailed over such hindrances throughout technological innovations that offer freedom of speech. Also, economical affluence is not a necessity for women to engage in the fictional world but rather a sufficient condition in the modern world. Thus Virginia Woolf’s predictions failed to represent the current vantage point revolving around women and fiction.
A central theme in James Joyce’s works is that of love: what is it, and how can we discuss it? Joyce could not bring himself to use the word ‘love;’ when Nora asked him if he loved her he could only say that he "was very fond of her, desired her, admired and honored her, and wished to secure her happiness in every way; and if these elements were what is called love then perhaps his affection for her was a kind of love" (Ellmann 6). One can read Molly Bloom’s "Oh, rocks. Tell us in plain words" as Nora’s answer to Joyce’s intellectual, complicated answer (Joyce, Ulysses 64). Perhaps as a result of Joyce’s own concern and questions about love, many of his characters are also confused and looking for a definition of love. There are many kinds of love discussed in Joyce’s works, including love for ideals, family, friends, God, and most importantly, husband and wife. This paper will explore the theme of love in Joyce’s work and show that love is a basic concept in life; characters unsure of this concept need to find a concrete definition before they can be comfortable. To do this I will analyze characters from Dubliners, A Portrait of the Artist as a Young Man, and Ulysses, using the Greek ideals of agape; spiritual love, storge; familial love, philia; the love between friends, and eros; sexual love.
Woolf presents three characters who embody three different gender roles. Mrs. Ramsay is the dutiful wife and mother. Mr. Ramsay is the domineering patriarch. Lily Briscoe is an independent, aspiring woman. Woolf sets these three roles in contrast with each other. She allows the reader to see the power and influence each character has. Mrs. Ramsay’s submissive and supportive nature arouses admiration. Mr. Ramsay’s condescending manner provokes animosity. Lily Briscoe’s independence enables her to find meaning and fulfillment in her life.
“Ulysses” The Language of Literature. Ed Arthur N. Applebee, et.A1. Illinois: McDougal Littell Inc., 2000. 839.