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Imagery in Hernandez’s artworks
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Ethically, the biggest issue in migrant Latino workers’, rests in the exploit of them by corporations for personal gain and the concealment that follows. Generally, big agricultural corporations perceive migrants as uneducated and skill less. In result, wages are lowered to account for a greater profit at the worker’s expense, leading them into a state of poverty. Viramontes piece proves this describing Estrella “feeding children with noise” in effort to distract the starving children (p. 29) However to promote sales, corporations hide the truth in their development with images displaying healthy and homegrown practices. Hernandez shows this aspect in her Sun Mad artwork, a depiction of the Sun Maid Raisin box. Her cunning presentation of the …show more content…
The expenditure of the journey, unmet ambitions, and the oppressive system imposed by American society eventually take a psychological toil, deteriorating the confidence of migrant workers. Viramontes illustrates this during Estrella and her family’s visit to the clinic in need of medical care for Alejo. Alejo’s sickness impends Estrella’s family to stretch their funds to pay for his medical expenses. Concurrently, Alejo continuously devalues himself as less than important expressing “I’m not worth it, Star. Not me.” (p. 162) Alejo becomes part of the repressed migrants that have accepted their circumstances. He views himself as worthless and unfit for Estrella’s effort. Only through Estrella demands and violent assertions is Alejo helped. The distress of living in poverty is heavy, especially after surviving the dangers in migrating. Maria’s story from De Nadie, sadly involves her rape after she was robbed. The shame and disgust that followed from the incident is what she carried on her journey. Her anguish and pain is felt after she voiced her wish to be left for dead, explaining that “they killed my happiness”. Furthermore, Maria believed that she couldn’t return to her family anymore, not defiled and broken. Similar to Alejo, a loss of self worth is shown, contributing to the imposed standards and conditions amongst
In both the movie, La Misma Luna, and the newspaper series, Enrique’s Journey, migrants are faced with many issues. The most deadly and scarring issues all relate back to bandits, judicial police, and la migra or Mexican immigration officers. The problems that arise are serious to the point of rape, robbing, and beating. It is not easy crossing the border illegally and secretly, but the successful ones have an interesting or even traumatic story about how it worked for them.
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
Life for young Elva Treviño Hart was less than ideal and in her autobiography, Barefoot Heart she vividly explains the back-breaking work, financial hardships, and emotional struggles a migrant worker faces. Influenced by the struggles of day-to-day life, migrant work, school life, and society, Elva was shown over and over again what life would be like if she did not make an effort to change her predestined life. All too commonly people like Elva Treviño who are born into poverty will remain living in such conditions for the rest of their lives; however, growing up in poor conditions will have a great positive influence the life decisions someone like Elva makes.
Cecelia Sanchez is the assistant professor of foreign languages. An immigrant from Mexico, Cecelia is the first in her family to make something of herself, at least in her family’s eyes. She has done all the right things yet she feels dislocated from herself. On arriving at Moo University she experiences a feeling of displacement, as if she doesn’t belong. In her first weeks there "she would have picked a different source of dislocation." (Smiley, 16).
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
A less than human way to live motivates thousands of people each year to embark on a journey across South America to the United States. This journey is extremely dangerous, which is why it has been compared to being as difficult as winning the lottery. During this dreadful journey, migrants are beaten, assaulted, arrested, and blackmailed. But those who do get through to the United States feel overwhelmed and thankful. Such is the case with Enrique from Enrique’s Journey. When he does get to the United States, he feels conflicted between staying in the US with his mother or going back to honduras with his pregnant girlfriend. If he stays with his mom, he’ll feel the love he never received as a child. Enrique’s mother spoils him, “Whenever he leaves the house, she hugs him.[...]
Terrified of finding herself in her great-grandmother’s situation, Esperanza is determined to fight for her freedom and self-government. When grandmother Esperanza was young, she fought against the same pressures and refused to be married, but she was unable to conquer the sexist society alone. One day, against her will, a man “threw a sack over her head and carried her off…She looked out the window her whole life.” This man was young Esperanza’s great-grandfather. Because great grandmother Esperanza was unable to overcome the gender expectations of her world, she spent the rest of her existence in despair, something that young Esperanza wishes to avoid. Young Esperanza knows that it will be challenging but possible to overcome the expectations of modern society. She has learned from her grandmother’s sorrow that she must find and seize the opportunity to create a better life for herself. Simultaneously inspired and disheartened by her ancestor’s respective spirit and inability to protect herself from the marianismo of society, Esperanza states that she has “inherited her name, but [she does not] want to inherit her place by the window.” She knows that the same expectation of machismo exists in the Latino community but that it can now be overcome. As long as she fights for her own beliefs and rights, she can protect herself from the hordes of men who want to control her
Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these woman and Esperanza’s reactions to them, Cisneros shows not only the hardships the woman face, but also explores the power to overcome them.
As of 2011, there are over 11 million illegal immigrants in the United States (5.1). This leads to the question, should undocumented immigrants be granted amnesty? Amnesty refers to granting an official pardon to those who have broken the law. Giving amnesty to undocumented immigrants would mean forgiving them for the crimes they have committed and entering the U.S illegally. Millions of undocumented immigrants have come to America looking for a job or education, freedom, and etc.
Children of illegal immigrants, it’s a controversial topic going on right now. Coming from a home were my mom is born in Mexico, I can relate to this situation. Children of illegal immigrants born in the United States are considered legal U.S. Citizens, this is set by the 14th amendment “all persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States.” The law and the government can deport illegal parents but not children born in the United States. Children of illegal immigrants or American-born children are considered U.S. citizens if born in the U.S., the president and many other legal counselors considered this untrue now and our trying to change the law.
Children of illegal immigrants go through many struggles throughout their lives. One of the main struggles they may have to deal with is education. I believe that children of illegal immigrants should be granted rights to education due to the matter being unconstitutional, an amount of social injustice against children of illegal immigrants, and prejudice against the children.
The contrast between the Mexican world versus the Anglo world has led Anzaldua to a new form of self and consciousness in which she calls the “New Mestiza” (one that recognizes and understands her duality of race). Anzaldua lives in a constant place of duality where she is on the opposite end of a border that is home to those that are considered “the queer, the troublesome, the mongrel and the mulato” (25). It is the inevitable and grueling clash of two very distinct cultures that produces the fear of the “unknown”; ultimately resulting in alienation and social hierarchy. Anzaldua, as an undocumented woman, is at the bottom of the hierarchy. Not only is she a woman that is openly queer, she is also carrying the burden of being “undocumented”. Women of the borderlands are forced to carry two degrading labels: their gender that makes them seem nothing more than a body and their “legal” status in this world. Many of these women only have two options due to their lack of English speaking abilities: either leave their homeland – or submit themselves to the constant objectification and oppression. According to Anzaldua, Mestizo culture was created by men because many of its traditions encourage women to become “subservient to males” (39). Although Coatlicue is a powerful Aztec figure, in a male-dominated society, she was still seen
Illegal Immigrants and Their Problems What do know about illegal immigrants? Are they good people or not? Do they have the guilt of being poor or not? Illegal immigration is people who come from different countries Illegally.
I am for undocumented workers because their the ones really doing all the hard jobs for less money because they don't have any papers but also they should be able to work at better places because how would we like it if we were them. We wouldnt like to get under payed for some of the hardest jobs to work for because it's back breaking work that a lot of them do to support their families. Alot of these undocumented workers work out in the fields where it is really hot and they really don't got any breaks they need just work until their shift is over. I think this helps the economy though because i don't know many people that would want to take back breaking jobs when their already have better things i'm not saying that undocumented workers don't have other better things to do but they can't really get better jobs than that because they are undocumented workers but they have to start off some way right?
In search for the “American Dream” each day thousands of immigrants run away from their homelands to “better” their lives. The land of opportunities as they call America, isn’t really all that great once they arrive, the hardships and indifferences the Latino immigrants face I believe were depicted in the works of Francisco Jimenez’s The Circuit and Gregory Nava’s El