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Themes of the house on mango street
Women and literature
Eleven sandra cisneros literary techniques
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Recommended: Themes of the house on mango street
Stepping Off the Stones Often how people are raised affect their adult lives and their decision making abilities. In the novella The House on Mango Street by sandra Cisneros explains the life of Esperanza Cordero. The novella follows Esperanza as she goes through instrumental years of her life as she struggles to find who she truly is and what she has in store for her life. It takes place in a poverted neighborhood of New York surrounded by Hispanic culture and her large family. Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these woman and Esperanza’s reactions to them, Cisneros shows not only the hardships the woman face, but also explores the power to overcome them. …show more content…
In the vignette, “Marin” of Sandra Cisneros The House on Mango Streets she writes, “Marin says that if she stays here next year, she’s going to get a real job downtown because that’s where the best jobs are… and get to wear nice clothes and can meet someone in the subway and meet someone who might marry you” (26). This perfectly exemplifies these expectations of the woman in the society. Though she does have aspirations to go out and get a job, probably more than her mother may have, she want to do this so she may meet a man that would marry her. Instead of woman who grew up with encouragement to live independently who may have fought to be able to work but also take this potential opportunity to work up and make a name for herself. The way she was raised frowns upon straying from gender roles causing her to make the same mistakes prior generations have
Esperanza is a young girl who struggles with feelings of loneliness and feeling that she doesn’t fit in because she is poor. She always wanted to fit in with the other kids and feel like she was one of them. She loves to write because it helps her feel better about herself writing about her life and her community. Writing helps her with
Modern society believes in the difficult yet essential nature of coming of age. Adolescents must face difficult obstacles in life, whether it be familial, academic, or fiscal obstacles. In the House on Mango Street, Esperanza longs for a life where she will no longer be chained to Mango Street and aspires to escape. As Esperanza grows up on Mango Street, she witnesses the effect of poverty, violence, and loss of dreams on her friends and family, leading her to feel confused and broken, clinging to the dream of leaving Mango Street. Cisneros uses a reflective tone to argue that a change in one’s identity is inevitable, but ultimately for the worst.
Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old. She lived in a one story flat that Esperanza thought was finally a "real house". Esperanza’s family was poor. Her father barely made enough money to make ends meet. Her mother, a homemaker, had no formal education because she had lacked the courage to rise above the shame of her poverty, and her escape was to quit school. Esperanza felt that she had the desire and courage to invent what she would become.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
Esperanza, the most liberated of the sisters, devoted her life to make other people’s lives better. She became a reporter and later on died while covering the Gulf Crisis. She returned home, to her family as a spirit. At first, she spoke through La Llorona, a messenger who informed La Loca that her sister has died. All her family members saw her. She appeared to her mother as a little girl who had a nightmare and went near to her mother for comfort. Caridad had conversations with her about politics and La Loca talked to her by the river behind their home.
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
Each part contains short stories within them. These all consist of a heartwarming girl, Esperanza,who matures into a woman and how she faces these gender roles through love and violence. Cisneros alters the name Esperanza with Chayo, Rachel, Lupe, Ines, and Clemenica, to explain differences between them along with to give the story more lewd effectiveness. Sandra Cisnero's main focus throughout the novel was identity. Cisneros starts off in the first section (“My Lucy Friend Who Smells Like Corn), narrating as a young child and further matures into the final section (There was a Man, There was a Woman)....
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
Esperanza is a very strong woman in herself. Her goals are not to forget her "reason for being" and "to grow despite the concrete" so as to achieve a freedom that's not separate from togetherness.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
The theme of the book is feminism and about self-identity. Esperanza struggles with finding herself throughout the book. In the beginning, Esperanza talks about wanting to change her name so she can identify herself on her own terms instead of accepting her family’s heritage. In the same chapter Esperanza talks about how society doesn't like their women strong. We can infer from this that Esperanza understands how differently women are treated compared to men.
Gender defines us but only physically. Emotionally genders can be very similar. People have a great impact in your life and their gender plays a role in that. In the House of Mango Street the male characters have an impact on Esperanza’s persona. They make her aware of the male role in daily life at the time.
The struggle started pretty early for women of Mango Street, they were forced to think that one day someone would appear out of nowhere and marry them and take them to a perfect life, which happened with many characters in the novel, who thought they would’ve had the perfect life with their men, which ends up not being true. And as Cisnero quotes, with such fantasy presented to women of Mango Street they had to “ look out the window her whole life,” (11) a thing that didn’t happen with the protagonist Esperanza, who was a very different girl. She didn’t want to wait for anyone, she wanted to be free by herself and so this reveals that the character of Esperanza is very independent and focused on changing how women were seen at that time. Meanwhile girls like Minerva suffer at home with her husband leaving her, making her depressed and after a while coming back like nothing happened, repeating this process many times, “ the big one is her husband who left and keeps leaving,” (85) this man representing how women in Mango Street depend on their husbands to live, giving one more reason for Esperanza to not be like those women and more like a independent girl who doesn’t want to be stuck in that dominance of men at that time. Throughout the whole book Esperanza experiences how it is to live