A. “And the Word became flesh and lived among us, and we have seen his glory, the glory as of a father’s only son, full of grace and truth.” (1:14)
B. The Gospel of John depicts Jesus not only as the son of God, but as the Word. The Word is God, thus Jesus is God in flesh. Jesus, the Word incarnate, was sent with a purpose, to shed light into the world. John 1:14 describes this light as the “grace and truth,” within Jesus. Yet, John 1:14, also depicted Jesus as a God, who “lived among us,” and through incarnate life showed the world “glory,” possible only through “a father’s only son.” John 1:14 functions by, one demonstrating Jesus as God (incarnate) and by two discussing the gifts only capable by Jesus. The christology reiterated within the quote, the belief of an incarnate God, echoes throughout the rest of the
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The brief statement works in two ways, one it explains that Michelangelo’s painting was delivered onto the world because God intended it that way. Secondly, it depicts the manners through which “Fate” played a role in the creation of both the artwork and the man who made it. Michelangelo was not only an artist but a person of great knowledge who much like Jesus came down to Earth, with a divine purpose. What jumps out in particular about this quote are words and phrases such as “grace” and “divinity of knowledge.” In relation to John 1:14, the word “grace,” also used, discusses Jesus’ glory and ability to bring forth light through “grace and truth.” In Vasari’s case, he used the term to describe Michelangelo as a being who was sent to Earth “infused with grace and the divinity of knowledge.” Vasari depicts Michelangelo in a similar light to Jesus, as a man who was granted special kinds of knowledge and “grace.”
For example, John begins by introducing Jesus as the Word made flesh, who existed in heaven beside God until coming down to earth (John 1:1,14), immediately making this gospel stand aside from the synoptic gospels, which portray Jesus as a human figure who begins his life the moment he is born. The absence of the nativity scene in John supports the claim of Jesus being the divine Son of God who was sent down from heaven and transformed into the Word incarnate. Birth wouldn’t be important to someone who had previously existed (Harris, 253). The Gospel of Matthew does in fact include the nativity scene, because according to Matthew this is the very beginning of Jesus’ existence. Before the birth, Matthew maps out the genealogy of Jesus, all to support the claim that, “Jesus the Messiah, son of David, the son of Abraham,” (Matt. 1:1) is heir to the Davidic throne, and in fact the Jewish Messiah, King of the Jews. Right off the bat it is evident that John disregards the birth scene because it really isn’t relative to the divine being, and Matthew accentuates Jesus’ lineage, which would make Jesus appear to the audience very human, and rightful to the throne, something many Jews disagreed with during that time. Matthew does, however, also refer to Jesus as the Son of God multiple times similar to John. It is still true that John uses that title to express Jesus as being, “a father’s
John focuses on the profound meaning of the life of Jesus, whom he saw as the
Michelangelo was born in Caprese, Italy on March 6th 1475. His family was politically prominent as his family had large land property. His father was a banker and was looking to his son to engage in his businesses. As a young boy, he has ambitions of becoming a sculptor, but his father was very discouraging of this. He wanted his son to live up to the family name and take up his father’s businesses. Michelangelo became friends with Francesco Granacci, who introduced him to Domenico Ghirlandio(biography.com). Michelangelo and his father got into a series of arguments until eventually they arranged for him to study under Ghirlandaio at the age of thirteen. Ghirlandaio watched Michelangelo work and recognized his talent for the art and recommended him into an apprenticeship for the Medici family palace studio after only one year of at the workshop. The Medici’s were very rich from making the finest cloths. Lorenzo, which was one of the most famous of the family had a soft side for art and is credited for helping the Italian Renaissance become a time of illustrious art and sculpting. At ...
Michelangelo di Lodovico Buonarroti was born on March 6, 1475 in Caprese, Tuscany. His dad was Lodovico di Buonarrotto and his mother was Fracessca Neri. Michelangelo was also the second of five brothers. His mother was not capable of raising Michelangelo so his dad let a stonecutter’s wife raise him. Sadly, Michelangelo’s mom died when he was six (Bonner Par. 1-13).
We have seen his glory of the one and only Son, who came from the Father, full of grace and truth.”1 John is describing the Son of God. The Son of God who will carry out the word in the proper context. He will show the world how living in the light will lead to a fulfilled life. Jesus showed the people of the time, how interacting and loving creation brings hope to the darkness, moving out of sin and impurity and into the beauty of the light of God. God kept his covenant with Noah, and instead of wiping out the earth filled with darkness, he sent Jesus to purify the sins of the earth. Jesus would be able to seek out the darkness and being a shining light in those times. John Calvin said in his commentary, “Yet the Son of God stooped so low as to take to Himself that flesh addicted to so many wretchednesses.”4 God made it a priority to enter into the darkness, and move mankind into the light. Through moving into the light, people can live a fulfilled life in the Kingdom of
The Gospel of John begins by stating that God sent John the Baptist to identify Jesus Christ as the true Light and Savior. First Christ became a human being and lived here on earth among us and was full of loving forgiveness and truth(John 975). One day while John was baptizing in the Jordan River, Jesus approached to be baptized. Once He was baptized, the Holy Spirit descended from Heaven in the form of a dove and rested on Jesus. This sign told John that Jesus is the Son of God(John 977).
He carries with Him the transcendence that comes only with God Himself. Therefore, His work on our behalf makes our salvation sure. Jesus, the God-man, has atoned for our sins. We can place our confidence in Him because of His divine nature” (7). This is the ultimate application of the gospel of John. John is a book that Christians need to read and gather as much information out of it as possible to share with others who do not believe in or have not heard of Jesus. The applications written in this book are for all to hear and for all to reap the benefits of. Jesus is the only one who can save humanity from the sin that we have brought upon ourselves in which the consequence is death. Jesus died on the cross so that we would not have to pay for our sins. God sacrificed His one and only son so that we may live eternally with Him in Heaven. According to the lesson on John, the Holy Spirit empowers Christians to provide the gospel message to others and share the love of Christ (Lesson 7.23.3). We are to allow the Holy Spirit to guide our actions so that the Lord might save as many as
"And the Word became flesh, and dwelt among us, and we beheld His glory, glory as of the only begotten from the Father, full of grace and truth."(New Revised Standard Version, John 1:14) As the only son of God in the Christian theology, Jesus Christ was tasked with a multitude of trials, and horrors the common man would have rebuked and refused to undertake. However, as a demi-god born of the divine Christian deity and the mortal, virgin Mary, Jesus was not the average mortal man.
Michelangelo was born in a time in which the church had a great influence on most things that people did in their everyday life. He grew up in a wealthy family and was exposed to people of high position. The paintings and sculptures that Michelangelo created were strongly related to the Bible, and showed his respect and knowledge of the religion and culture he was brought up in. Starting with the Sistine Chapel ceiling, it has paintings that start with the creation of the world all the way to the flood and drunkenness of Noah. Michelangelo took four years to paint the ceiling and broke down different aspects of the earlier parts of the Bible throughout the ceiling. The most prominent paintings that are on the ceiling would have to be where God’s hand reaches out to Adam’s hand. This shows that Michelangelo views man and God as having a relationship where they know each other. Man can reach out to God, while God reaches down to man. With that being said, I believe this shows that the way in which man encounters God in this painting was a form of the ontological type. In ...
age of twenty-five and is the only work he ever signed. This sculpture shows a
The night Michelangelo Buonarroti was born, “Mercury and Venus were in the house of Jove,” says Vasari. This means that, according to a lucky star, Michelangelo could be expected to produce extraordinary works of both art and intellect. How true this turned out to be! Whether it was fate or coincidence, few haven’t heard of this world renowned and avant-garde talent. From painting to architecture and sculpture, it seems like there is nothing Michelangelo couldn’t master. Michelangelo is said to have considered himself a sculptor, but why was it then that he produced his sculpture with such a unique and striking depiction of the human body? Why did Michelangelo create such masculine forms, and was it self expression that provoked this intense artistry? There are many factors that can influence an artists creative process, but with Michelangelo the most prominent were most likely his religion, society, travels, and self perception.
John’s Gospel is unspeakably mission oriented. John the Baptist come out and go to the community and tell them what it means to get rid off their sin, enjoy freedom, and being justified. John the Baptist did not present the one to come (the Son) as a humble and ordinary human rather he presents him as powerful, mighty (John 1:27). But later in John Chapter 13 we see a humble and feet washer Son of God. Does Jesus came as a mighty and powerful who human being is even unworthy to untie His sandals straps (John 1: 27 NIV) or humble feet washer and fish cooker (John 13 and 21:7), came to create incredible relationship with humanity? How do we see both John the Baptist and Jesus mission to community, how much the humanity (becoming flesh) favor the mutuality between the messiah and human being. There no time when Jesus’ Divinity overshadow his humanity. Our justification is based on...
In the early 1400s, Italian engineer and architect, Filippo Brunelleschi, rediscovered the system of perspective as a mathematical technique to replicate depth and form within a picture plane. According to the principles, establishing one or more vanishing points can enable an artist to draw the parallels of an object to recede and converge, thus disappearing into a “distance”. In 1412, Brunelleschi demonstrated this technique to the public when he used a picture of the Florence Baptistery painted on a panel with a small hole in the centre.3 In his other hand, he held a mirror to reflect the painting itself, in which the reflected view seen through the hole depicted the correct perspective of the baptistery. It was confirmed that the image
The word became flesh and made his dwelling among us. We have seen his glory. The glory of the One and Only, who came from the Father, full of grace and truth. Jesus was perfect; he did not even yield to the temptations of his nature unlike the people around him. It says in John 14:30 that “but the world must learn that I love the Father and that I do exactly what my Father has commanded me.
The Last Judgement by Michelangelo is the most preeminent representation of Italian Renaissance fine art, and undoubtedly the most valuable piece of the era. Characteristics of Italian Renaissance artwork are present throughout the painting. Realism, perspective, individualism, light & shadowing and are the most prominent qualities of this painting. Particularly, realism is expressed through the nudity of the people displayed in the painting, not every person’s body is perfect, ideally many bodies have flaws. Realism and expression are shown when “the proportions of his figures grew… more menacing… [and] seething with nudity” (1). The people behind the altar of the Chapel were naked with indecent expressions, displaying individual