Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Elizabethan era and theatre
Social classes in shakespeares plays
Elizabethan era and theatre
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Elizabethan era and theatre
In the 1600s the main form of entertainment was displayed in castles amongst many famous people of the king and queens court. Masquerades were first made popular by the court of King Henry VIII. Masquerades were a form of upper class entertainment that extended into the Elizabethan era. The staging, scenery, decor and setting were all very important aspects to a masquerade, they had to be perfect and full of excitement and beauty. The masquerades were a place that elegance and beauty flourished not only in the setting of the masquerade but in the colorful and elaborate costumes and outfits worn by the people of the masquerade.
Masks made the masquerades more exciting because they hide the true identity of the people.
“These costumed festivities
…show more content…
II. The upper class of the masquerades clothing was very expensive and detailed.
“Fantastic Costumes representing Greek Gods and Goddesses on Mount Olympus, fairies and mythical creatures were created.” (Elizabethan Masques) There clothes were usually made of high end silk, velvet, and satins that was usually colored with very expensive bright dye that was only available to upper class.
III. Many People attended masquerades to escape their usual duties in society.
“Wearing costumes and masks provided people with the opportunity to express desires that social conventions repressed in everyday life, which made these parties popular, even several centuries later.” (The evolution of the masquerade ball)
Upper class people would attend to do thing that would otherwise be frowned upon if they didn't have a mask and costume on.
IV. Masquerades etiquette was very formal and unique. “Most masquerades were also similar to each other in their enforcement of strict rules of dress and etiquette everyone had to be disguised.”(General Commonalities in the Masquerade)
At Masquerades woman were not allowed to work, they had to socialize and act out of their societal
One of the things that the women went through was alienation by other women, who were deemed as “true” women or respectable women. The alienation was not because of money or race, not even religion, but because the women of the factory wore slacks. A working class woman was seen as less of a woman because a woman during those times was expected to stay at home and play house because of society’s view on gender roles. Plus, the women who worked at factories wore slacks, which was a big taboo during those times also. Women who wore skirts
Big hair, bright colors, and denim helped to establish the time period the play was set in. Each actress’ outfit gave the audience an idea of her character’s personality. For instance, Clairee wore pant suits and looked the part of a sophisticated, classy former mayor’s wife. On the other hand, Ouiser wore comfortable clothes; often sporting a pair of jeans and a flannel shirt over a t-shirt showing her practical and simple lifestyle. The use of jackets and scarves portrayed the change in season and helped establish the different time frames from scene to scene. The costumes reflected each character well and were fitting for the time in which the play was portrayed.
This shows the importance of appearance in this time period. It was typical for wealthy women to dress so elegantly at parties or other social events. This description of attire also shows, to some extent, the practice Mrs. Hammond used in the exaggerated display of her daughters.
Masks are a way an individual expresses themselves with various types of people. We are given different occasions and have to act a certain way to do so. Gergen states that the cause of having a mask is “When an individual seeks approval from this diverse range of personalities,he or she adopts a wholly different mask or public identities.” (197) Each person has a different personality when they are with certain people, based on actions and reactions. For instance, when having a guest visiting for the first time, we tend to look our best and choose the best way to make them feel welcome. We tend to hide things that don 't seem “appropriate” and take out things that seem new. We probably don’t notice, but we create a mask based on appearance since we are hiding the reality based on their first
In the article “In Defense of Masks” by Kenneth Gergen, he claims that instead of developing “a coherent sense of identity”, people put on different “masks” that he constantly changes. Gergen believes that an individual’s development of a coherent sense of identity can make him “experience severe emotional distress”. People tend to act a certain way so they can receive the approval of others. The approval of others can bring satisfaction and enhance the self-esteem of a person but to succeed in this he must adopt different public identities. Moreover, in some cases individuals consciously wear various masks because of the situation they’re found in.
Being part of the workforce was something new for the American Women, since they were expected...
In “If We Must Die” by Claude McKay and Paul Laurence Dunbar’s “We Wear the Mask” both writers reveal problems concerning an individual concealing their feelings by masking. For instance, McKay explains why
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master’s detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.
The early nineteenth century which was in the Regency Era consisted of harsh judgments towards what was believed to be a “wealthy” look and what was considered to be “proper.” In Austen’s Pride and Prejudice, the clothing is more than just a fashion statement, it determines how they are perceived and their overall rank and social class in society. Therefore, fashion represents the importance of self appearance during that time.
When attending a masquerade, a person is expected to wear a mask. In fact, it’s looked down upon if a mask isn’t worn. But, what if for some people that mask never came off? In A Doll’s House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each character: Nora, Torvald, Kristine and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. Henrik Ibsen’s use of the masquerade serves as an extended metaphor to show the masks that the characters use in their everyday lives.
uncovered the shoulders revealing lavish necklaces. The goal of women’s clothing was to be elegant and full of character at the same time (Middle Ages Ladies dresses).
A Nobleman would wear a tunic that had a wide neck for decoration and for easy use. The tunic would also have three-quarter length sleeves with embroidered borders. The tunic would be loose with a belt at the waist. Underneath his tunic he would wear a linen shirt and braies,a kind of underpants connected to the stockings
One normally disguises in order to be someone else, whether this be in a costume during Halloween, or as a character in a play or movie. Shakespeare uses the idea of disguise in his ‘Taming of the Shrew’
A time of exuberance and elaboration ushers in new patterns and cuts, along with creativity and fantasy which brought about a distinct societal issue called classism, as shown by European fashion trends. The style of Baroque is “characterized by formal redundancy, by the complexity of patterns, by the eccentricity of decorations, and by the textile sumptuousness” (vogue.com). From light and airy tints, to deep and earthy hues, the coloration of clothes gave this extreme period emotion and depth that strikes the eye, even today. Classism is a major factor and restriction during this era, reflecting the attire an individual wears. Regarding child-like garb to the working class, public could distinguish rank. Furthermore, society can differentiate the church and the nobility’s superiority. In Baroque culture, your status was visually depicted by the clothing you were able to wear. Garments impacted civilization for the duration of the Baroque age, just as is does in society today.
Characters’ identities are extremely important in terms of how readers relate to them. But what happens when the character suddenly alters his or her outward appearance? In “A Scandal in Bohemia” by Arthur Conan Doyle and The Convent of Pleasure by Margaret Cavendish, the use of costume and disguise sets the stage to transcend ingrained and oppressive societal ideas about sexuality and femininity. In Doyle’s “A Scandal in Bohemia,” disguise changes clothing’s conventional function as an unambiguous marker of gender, sex, age, and class.