If We Must Wear the Mask:
A reassessment of masking in “If We Must Die” and “We Wear the Mask” Masking is it a good thing or is it a bad thing. Masking is when an individual modifies their behavior or personality to adapt to different issues. People tend to mask their feelings to hide their emotions from others. Some people use masking to cover up their feelings from when they are being disrespected and want to retaliate. Social pressures, harassment, embarrassment, physical or mental abuse are a few issues that causes an individual to mask themselves. The purpose of this essay is to examine the cycle of oppression Claude McKay’s “If We Must Die” in comparison to Paul Laurence Dunbar’s “We Wear The Mask” in regards to the poets understandings about concealing their feelings, being oppressed, and character. In “If We Must Die” by Claude McKay and Paul Laurence Dunbar’s “We Wear the Mask” both writers reveal problems concerning an individual concealing their feelings by masking. For instance, McKay explains why
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For instance, Dunbar explains in his poem how by masking they start to deceive the outside world, causing a negative effect to their character. He states, “We wear the mask that grins and lies,/ It hides our cheeks and shades our eyes” (Dunbar 1.1-2). The fact that one has to mask their feelings-- causing them to lie and smile through pain, really contributes to the factor of one losing their true identity. In Claude McKay’s “If We Must Die” tries to convince his audience to not be cowards and fight back; if not, they will die as weaklings. He goes on to say “ If we must die—let it not be like hogs” (McKay 1.1). McKay is basically telling his audience that continuing to mask deteriorates the level of character one will have if they are allowed to be troubled by their
Humans are capable of many expressions of emotion, but holding this ability also allows for many people to hide what they are truly feeling within their own minds. Those who shield their emotions from others around them frequently do so in order to protect either themselves or their loved ones from the pains that may occur in life, both in a society and in a family. In Pamela Painter’s Toasters, Jose Padua’s poem Barbie, Utahna Faith’s short story All Girl Band, and George the Poet’s One Number, the recurring theme of outward appearances not reflecting the mindset of the speakers is illustrated.
Though her life is a mystery to many academics, her only recovered works “Secret and “The Negro Laughs Back”, like Wilson’s, Hurston’s and Johnson’s explore the deep seated feelings of frustration with the ongoing fight for equality. However, unlike them, she explores ideas of spirituality which suggest that God lives within her. Mary Jenness’s work “Secret” is the exemplification of these ideas, she speaks directly to the heart of the African American struggle for equality within the United States. More assertive than her counterparts who proceed her, Jenness speaks directly to her oppressor, “Oh you that strike will never flinch/from hearts you cannot feel”, a line that suggests a lack of empathy from her oppressor. Using terms of aggression, such as strike and flinch to provoke an image of uncaring hatred (Jenness 82). She compares her plight, and the plight of all African American women to the same difficulties faced by Jesus Christ. Jenness creates this juxtaposition, by alluding to the Bible, best evidenced in the third line of the poem, “Though I that turn the cheek may hide/a wound that does not heal”, an allusion to Bible scripture Mathew 5:39, when Jesus instructs his followers to turn the other cheek. Yet, unlike Jesus, her wounds, and the wounds of African American women are often without healing. Jenness continues the work stating, “Yet something in you has to die/And something in me live” the “something Jenness refers to is humanity, noting that the cruelty exercised by her oppressors is hurting them more than her, as they are relinquishing their own souls and connection with mankind. The thought of this allows Jenness to end the work with a renewed sense of hope and thanks her enemies “for the gift of hate/ that keeps me sensitive” (Jenness 82). Throughout the poem, there is the familiar tone of anger and pain found in much of the writings of
In William Golding’s “Lord Of The Flies”, a group of boys is stranded on an island that completely changes them. The boys turn totally different from how they act from society as if they were putting on masks. It’s not just the boys that wear masks, but a lot of people try to hide from other people. What a mask does is that it hides a person’s trait and shows something completely different. I have made a mask like one of the boys, Ralph, that tries to show that he’s a leader, but hides a different personality. Here are some of the qualities of my mask.
For fear of judgment based on appearance, any human being might cover up his sorrows as to not display any signs of weakness. Throughout Dunbar’s poem, the characters reflect upon their perception of the world and ironically accept the world the way it is. Revealing the true nature of the world, Dunbar states, “Why should the world be over-wise, /In counting all our tears and sighs?” (Dunbar 6). The poet insists that everyone need to be more comfortable and open to new ideas while embracing each others uniquenesses defined by strengths and weaknesses. The world was never “over-wise” because people dismiss the idea of helping others in fear of ruining their own reputation. Because of the utter nature of society, citizens have no other option but to wear a mask of apathy and cover up their insecurities. The narrator feels the need to conceal their feelings by “wear[ing] the mask that grins and lies” (Dunbar 1). They use “lies” to cover themselves, but at the same time question why no one seems to care. This contradiction complicates the battle between the world and the individual. Nevertheless, by changing their identities, they spread the idea of disguise, making everyone blind to the truth of human
The poem, "We Wear the Mask”, by Paul Laurence Dunbar is about separating Blacks people from the masks they wear. When Blacks wear their masks they are not simply hiding from their oppressor they are also hiding from themselves. This type of deceit cannot be repaid with material things. This debt can only be repaid through repentance and self-realization. The second stanza of “We Wear the Mask” tells Blacks whites should not know about their troubles. It would only give them leverage over Blacks. Black peoples’ pain and insecurities ought to be kept amongst themselves. There is no need for anyone outside the black race to know what lies beneath their masks. The third stanza turns to a divine being. Blacks look to god because he made them and is the only one that can understand them. They must wear their mask proudly. The world should stay in the dark about who they are. This poem is about Blacks knowing their place and staying in it. This is the only way they could be safe.
“In Defense of Mask,” by Kenneth Gergen he states that it is not possible for humans to find a coherent self identity without having a solution. The idea of developing a “coherent sense of identity” makes us act a certain way to please the wish of others. Gergen wants to find intentions of an individual 's choice of mask and how outward appearances and inward feelings we all come across. The author proves his statement by experimenting on people who had a positive and negative reaction from an interviewer.Therefore, the “coherent identity” versus “multiple identities” is detrimental to many individuals when they are trying to perceive into someone that they wish to become. I agree with Gergen, because having a mask hides
In the time of the Great Depression, many people were in moments of suffering and hardships. However, African American were facing moments of prejudice and segregation, that was sonly based on the color of their skin. In the novel, “To Kill a Mockingbird” by Harper lee and the poem “We wear the mask” by Paul Lawrence Dumber, gave incite to those moments and how African Americans changed themselves to fit in to the white people society.
“We Wear the Mask” by Paul Laurence Dunbar and “Richard Cory” by Edwin Arlington Robinson are two poems that depict how many people hide their feelings from others. The two poems are similar in theme, but are told from different points of view and differ in plot.
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master’s detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.
“Be a man”, is on of the most destructive phrases to tell boys and men. The Mask You Live In explains the struggles boys and men have growing up in a patriarchal society. I chose to watch this to understand how men feel oppressed. All year, I became aware of females and their struggles in the patriarchy. It is interesting to see that men are affected too. The documentary should have had more personal stories because it allows the audience to connect with and have empathy for men. On the other hand, the movie thoroughly demonstrated the inner conflict boys and men face in society. Men feel they must be strong and dominate. They feel they need to hide emotion and empathy in order to fit in. They must be manly in order to
When attending a masquerade, a person is expected to wear a mask. In fact, it’s looked down upon if a mask isn’t worn. But, what if for some people that mask never came off? In A Doll’s House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each character: Nora, Torvald, Kristine and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. Henrik Ibsen’s use of the masquerade serves as an extended metaphor to show the masks that the characters use in their everyday lives.
Furthermore, emotional masks typically covers how others really feels on the inside. Some people be having a rough time, and they do not want everyone to know what is happening with them. So, they place a mask on and continue to smile to cover their real feelings. Everyone can not relate to people situations, and they can say things that are hurtful to others. Wearing the mask only shows the outside of someone, not the inside. To bring to light, most children commits suicide because they keep their feelings balled up inside, which can cause them to eventually break down. Their mask be super strong in public, but they can be
The title itself directs readers towards a sense of assimilation by wearing a mask. Wearing a mask indicates hiding an original identity in order to please the mainstream one. This is exactly the case in “We Wear the Mask”. In this case, blacks had to hide their humiliation and suffering from their white counterparts by wearing a mask that lies. When Dunbar wrote, “With torn and bleeding hearts we smile” (646), it is evident that African Americans were forced to hide their pain by showing a fake smile. They suffered emotionally on the inside but could not express it. In addition to showing a fake smile, African Americans did not care about their heritage. The third stanza reads, “But let the world dream otherwise, / We wear the mask!” (14-15). The lines do not celebrate cultural heritage because the slaves had to show pleasure while they are being tortured. Letting the world dream otherwise shows the slaves’ carelessness when it comes to expressing their identity.They are concealing their true self by hiding their pain. Hiding their pain also means hiding their cultural
While we all may be shown different faces and persona’s each day, it never becomes clear which a true personality is and which is just a mask. Joyce Carol Oates demonstrates the need for her characters to disguise themselves from the rest of society in order to either be accepted by others or to be seen in a more pleasant manner. However, these characters who conceals themselves are ultimately hurt because of their inability to shed their false fronts and accept who they truly are.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream be otherwise” (13). The unreal character of the mask has played a significant role in the lives of African Americans, who pretend to put on a smile when they feel sad internally. This occasion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart, and Miller 466).