Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
We wear the mask explanation
Breaking down "we wear the mask
Research Paul Laurence Dunbar
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream be otherwise” (13). The unreal character of the mask has played a significant role in the lives of African Americans, who pretend to put on a smile when they feel sad internally. This occasion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart, and Miller 466). Through the utilization of iambic tetrameter, end rhyme, sound devices, and figurative language, the speaker expresses the hidden pain and suffering African Americans possessed, as they were “tortured souls” behind their masks (10). The poem's meter, iambic tetrameter, represents the speaker's heartfelt attitude towards the sorrow that blacks kept away from whites, and in some cases, themselves. In the first stanza, the speaker declares that "[w]ith torn and bleeding hearts we smile, / And mouth with myriad subtleties" (lines 4-5). During the time when Dunbar published "We Wear the Mask," blacks faced constant discrimination and were treated without dignity. They felt helpless and unable to stop the series of unfortunate events that were happening to them, such as beatings, lynchings, and a lack of access to education and employment opportunities.... ... middle of paper ... ...To prevent any altercation, African Americans had to wear a mask that allowed them to smile "with torn and bleeding hearts" and "mouth. myriad subtleties" (4-5). Today, everyone is entitled to equal opportunities in the US. However, back in Dunbar's time, slavery prohibited black people from being ordinary members of society. Although they prayed heavily and persevered, they wore the mask for the time being, in the hopes of living in a world where the color of one's skin would not determine their character. No changes needed as this is a Works Cited section and should not be edited.
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.
The work, the Souls of Black Folk explains the problem of color-line in the twentieth century. Examining the time following the civil war the author, W.E.B. Dubois, explains the African American experience of living behind the “veil”. To fully explain the experience of living behind the veil, he provides the reader with situations that a black race experiences in reconstruction. This allowed the readers to metaphorically step into the veil with him. He accomplishes this with the use of “songs of sorrow” with were at the beginning of each chapter, and with the use of anecdotes.
The inconsistent American view of integrity exposed in “We Wear the Mask” Paul Laurence Dunbar and “Theme for English B” Langston Hughes acknowledges the struggle between how society views African Americans and how the community views itself. Circumstances were difficult in America amongst the end of the 19th and beginning of 20th century. An immense amount of changes were happening, and numerous people had a troublesome time dealing with them. African Americans specifically got in a culture that showed up to more superior to anything it had been before and surrounded by the Civil War. The truth was, things simply weren 't so divine. African-American of this time period are prime cases
While exploring an unknown island and struggling to survive, a group of schoolboys reveal their primitive, barbarous identities in William Golding’s work, Lord of the Flies. Similarly, Paul Laurence Dunbar, an African American poet, describes the hidden nature of individuals in order to protect themselves and conceal their pain. Golding’s novel and Dunbar’s poem, “We Wear the Mask,” both express masks as means of escaping reality and a source of strength; however, the pressures of society suppress the characters in Dunbar’s poem while the boys in Lord of the Flies unleash true feelings through their innate savageness.
...one existing trapped within the view of hegemonic society; angry, but powerless so long as he remains in this state. Yet Sanchez provides a succinct plan for Black Americans in their quest to ascend the Veil: to exist as both African and American while feeding white America a pacifying view of a half truth-destruction fueled by deadly ignorance. The speakers of the poems are merely victims of the same system, seeking the same freedom. While the works of these authors differ greatly, one characteristic is common in both works: The desire for power to ascend the Veil that hangs heavily upon them like a cloak that prevents their ascension. The desire to live beyond the Veil.
Angelou and Dunbar speak of hiding their true identities in the face of the world and it's adversity. Both authors speak to a communal mask that all men and women wear. Angelou and Dunbar suffer in their lives, so they must wear a mask to hide themselves from the glaring public eye, for the public cannot help them. The mask forms their identity to the world, but they themselves have a personal identity that only those truly close to them know of. In a wider sense, everyone wears a mask; hiding themselves from everyone else.
Paul Laurence Dunbar is one of the most influential African American poets to gain a nationwide reputation. Dunbar the son of two former slaves; was born in 1872 in Dayton, Ohio. His work is truly one of a kind, known for its rich, colorful language, encompassed by the use of dialect, a conversational tune, and a brilliant rhetorical structure. The style of Dunbar’s poetry includes two distinct voices; the standard English of the classical poet and the evocative dialect of the turn of the century black community in America. His works include a large body of dialect poems, standard English poems, essays, novels, and short stories. The hardships encountered by members of is race along with the efforts of African Americans to achieve equality in America were often the focus of his writings. http://www.dunbarsite.org/
... collective consciousness of the Black community in the nineteen hundreds were seen throughout the veil a physical and psychological and division of race. The veil is not seen as a simple cloth to Du Bois but instead a prison which prevents the blacks from improving, or gain equality or education and makes them see themselves as the negative biases through the eyes of the whites which helps us see the sacred as evil. The veil is also seen as a blindfold and a trap on the many thousands which live with the veil hiding their true identity, segregated from the whites and confused themselves in biases of themselves. Du Bois’s Souls of Black Folks had helped to life off the veil and show the true paid and sorry which the people of the South had witnessed. Du Bois inclines the people not to live behind the veil but to live above it to better themselves as well as others.
Written in iambic tetrameter and in the plain English verse, the writer continually bombards the reader, through continuous repetition, the idea that the Negro hid his emotions behind "The Mask. " This is done to emphasize a sense of deception and belief that the average negro is a happy soul, rather than a "tortured [one]" (p 918,11) as Dunbar implies. The first stanza in itself is a lament of the "Negro's" conditions as perceived by the world. It is a representation of the past, in that the past is the speaker's past lament of the mask, not a past event in history/time. The first two lines of the poem, "We wear the mask that grins and lies, It hides our cheeks and shades our eyes,-" (p 918,2) are incorporated to introduce the image White Americans see when visualizing the slave.
“We Wear the Mask” by Paul Laurence Dunbar and “Richard Cory” by Edwin Arlington Robinson are two poems that depict how many people hide their feelings from others. The two poems are similar in theme, but are told from different points of view and differ in plot.
In the story "Battle Royal" the narrator's grandfather tells the family to undermind the whites with "yeses" and "grins", he also instructs them to "agree'em to death and destruction". The grandfather felt that in order to keep the family safe and also hold on to the oppression that scars them everyday, they should put on a mask. This will keep the white man pleased and the blacks could keep there self respect because as soon as the opportunity for social equality comes they'll go for it. This didn't seem like a bad idea but it was hard for the narrator to comprehend.
The mask is a form of deception or illusion. Sometimes, it can be worn as both. It hides the true emotions of slaves, keeping the slave master from knowing what is going on in their minds. The mask also allows the slave to have an identity without the master’s detection. The mask gives the illusion that the slave is exactly how the masters believe, ignorant, incapable of true emotion, and unable to think for themselves.
	Unlike a few writers at that time, Dunbar did not only write about black people struggling to survive, but black people flourishing.
In the inspiring poem- I, too, sing America- Langston Hughes, states real life situations of the constant battle of racism in the world. A servant to the white family, waiting on their every move, making sure they are taken care of before himself. This poem can have a wide range of racial statements or actions, the black male does not seem to have fear, through his courageous actions, putting the consequences he may face aside to prove a point. A small act of bravery through this world wide sickness some people have, can make an enormous impact of many lives, regardless of race.
Dunbar uses irony to express what the mask really is. As the poem opens, I for one was confused at what it was about. With no prior of Paul Laurence Dunbar, I had no idea what to expect. The opening lines of the poem read “We wear the mask that grins and lies,