Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Individual identity in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Individual identity in literature
Characters’ identities are extremely important in terms of how readers relate to them. But what happens when the character suddenly alters his or her outward appearance? In “A Scandal in Bohemia” by Arthur Conan Doyle and The Convent of Pleasure by Margaret Cavendish, the use of costume and disguise sets the stage to transcend ingrained and oppressive societal ideas about sexuality and femininity. In Doyle’s “A Scandal in Bohemia,” disguise changes clothing’s conventional function as an unambiguous marker of gender, sex, age, and class. Wilhem von Ormstein, the badly disguised king of Bohemia, wears a mask when he first comes to Holmes to foil Irene Adler’s attempt at blackmail. The King’s failure to effectively disguise his age, sex, or …show more content…
However, when reading a text, it is impossible to know who the person behind the disguise is before the moment of revelation. Although it may be comforting for the reader to be able to re-inscribe the memory of the costumed person with a new sex by saying, “she was a woman all along”, the re-inscription does nothing to dispel the notion that there may be gender non-conformists that go unnoticed, even by a rational masculine detective like Holmes. A “Scandal in Bohemia” shows us that non-normative configurations of sex, gender, sexuality and self-defined gender identity cannot simply be rationalized away. For Irene Adler, disguise is an occasional pleasure, but both her heterosexuality and her particular expression of masculinity are fixed no matter what she is wearing. As Adler tells Holmes and the reader, “male costume is nothing new to me. I often take advantage of the freedom which it gives” (24). Adler’s assertion is contained in a note addressed to Holmes, positioning him as a reader alongside the readers of the story. Just like the reader, Holmes is reliant on the writer to give over all the information that would expose the lack of gender normativity. Irene Adler does not tell the reader what freedom and liberties she is able to indulge in using disguise, which leaves a lot to the
“From Lieutenant Nun,” a memoir written by doña Catalina de Erauso, tells an intriguing story of a young Spanish female and her advantageous journey through Spain and the New World. Her family intends for her to become a nun but, that is not the life she seeks for herself. Therefore, she breaks away from the convent in hopes of finding somewhere to make her fortune by passing as a male. Catalina’s story is noteworthy because it gives readers another perspective of exploration focusing on self-discovery during the seventeenth century emphasizing how passing as a male is the only thing that secured her ability to explore. In the memoir, Catalina repeatedly reminisces about clothing and, whether she consciously or unconsciously does so, she allows the reader to see that this is an important aspect of her exploration. Throughout Catalina’s journey, clothing plays an increasingly important role not only in her travels but, also her personal life because it symbolized ones status, role, gender and privileges.
Briefly, the choice of the ladies in their clothes, show their personality. Men in the asylum are wearing the same clothes and they are messed-up. Even a prostitute wears clean and tasteful clothes, some showing their womanly figures while some hides theirs. To conclude, the usage of superiority of male sexuality over female authority, matriarchal system that seeks to castrate men in the society, mother figures as counterpart of Big Nurse and “Womanish” values defined as civilizing in the novel shows us the role of woman in society in those times.
A reoccurring theme that will be discussed in the literature review as well as the chapter on The Captive will discuss the ways in which the use of the voice (or lack of) in Irene and Madame d’ Aiguines character is a signifier of their lesbianism. Sherrie
Card’s work examines elements of a dystopian universe by including rich connotations of the following concepts: deceptive reality, isolation, illusion, totalitarian mannerisms, and persuasive ornery. However, Card’s novel itself notes Valentine’s success as Demontheses in a universe, where the government encourages prominent failure, and she forsakes typically feminine stereotypes during the 1980’s. The author’s showcase of Valentine’s brazen pseudonym relies on societal perception with the institution of a contemporary but, panoramic
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
First, no matter what is represented on stage, the fact that boys are actually playing cross dressing men and women is insistently metaphorical; the literal fact of trans-vestism (that is, the boy actor impersonating either a woman, a woman cross dressed as a man, or a man cross dressed as a woman, not the represented character) is divided between the homoerotic and the blurring of gender. On the other hand, the represented female character who cross dresses functions literally to relieve the boy actor, at least for a time, from impersonating a woman. Represented characters who cross dress may pre-sent a variety of poses, from the misogynist mockery of the feminine to the adroitly and openly homoerotic. In the case of the title character of Jonson's Epicoene, the motif is utilized as disguise intended to effect a surprise ending for Morose and his heterosexual audience, for whom the poet also pr...
As part of the Sherlock Holmes series, the short story, “A Scandal in Bohemia,” written by Arthur Conan Doyle, introduces the Victorian concept , “The New Woman.” The term “New Woman” describes noncomformist females as smart, educated, independent, and self-reliant. These women decided that they did not want to get entrapped into the stereotypical “Angel of the House.” The New Woman concept did not only apply to middle class women, but factory and office workers. These women put off marriage to make themselves an individual. The New Woman concept made a major impact in social changes that redefined gender roles, consolidating women’s rights, and overcoming masculine supremacy. This new woman also appeared in literature that involved crime
It seems that in ordinary life, we are most likely to distinguish between a man and a woman by clothing. This is more difficult to do in the present day, in which women have adapted much traditionally male clothing for their own use, but in the time periods in which Orlando is set it was still the case that men and women wore distinct clothing. If we consider our everyday experience, it becomes clear that this is the means we use, at least from a distance. Other cues such as hairstyle, quality of voice, and so on enter the equation later, but clothing comes first. A man with long hair is eccentric at worst; a man wearing a dress runs the risk of being beaten to a pulp for this transgression. People wishing to undergo a sex-change operation must undergo a period of living as the opposite gender before going through with surgery - the first and most important thing invariably done here is to purchase a new wardrobe.
A Shakespearian comedy is made up of primarily five components. Cross-dressing and disguising constitute the first of these factors, which is immediately evident in the Induction, where two characters entirely transform into different identities. One example is Christopher Sly, a tinker who is convinced he is a Lord. This becomes apparent in his query “Am I a Lord…?” (Ind.2.68) to which his servants respond by saying “O, how we joy to see your wit restored!” (Ind.2.78). In the same scene we also have a page dressed up as a lady because he was commanded to do so by his Lord. The Lord says “And see him dressed in all suits like a lady.” (Ind.1.106). Shakespeare incorporates this particular male playing a female into his play to further add humor to it. It also foreshadows that the rest of the play will have characters dressed up as people they are not supposed to be. The first character in The Taming of the Shrew who adopt a pseudo identity is Lucentio, who pretends to be Cambio, a schoolmaster, so he may pursue Bianca’s love. His servant, Tranio, who dresses up proudly as him, assists him in his venture. This is made explicit when Tranio says, “I am content to be Lucentio” (1.1.216). The pu...
his great detective skills has been outwitted by a women. Began referring to Ms. Irene Adler
Evaluate and respond to the presentations of women in the Romantic period. Feel free to discuss presentations of women, by women (such as Austen’s Persuasion) as well as presentations of women by men (such as the “she” in Byron’s “She Walks in Beauty”). Consider the following questions: are these presentations problematic? What do they tell us about the values and briefs of the Romantic Period? Do any of these presentations subvert (complicate, or call into questions) the time’s notions of femininity?
The great part of Irene Adler outsmarting Holmes is that it is very ironic, and goes against the beginning of the story. The very first paragraph of the first story in this collection, A Scandal in Bohemia, includes the following line: "He was, I take it, the most perfect reasoning and observing machine that the world has seen."(405 Pickering). Part of Sherlock Holmes's attraction, both for Watson as his narrator and for the readers, is the guy's superbly disciplined mind. Conan Doyle emphasizes Holmes's magnificent brain in many ways: he uses Watson's admiration to reinforce the reader's own. Which is why the story being told from Watsons point of view gives it a completely different feel. He gives Holmes lots of foils, including foolish officers and the criminals he's hunting. And perhaps the best trick of all, Holmes frequently gets to show off his smarts by wowing
By understanding the passage’s literary form as it is expressed through a duality of intimacy and isolation, images of role reversals in both gender and character traits and the image of the femme fatale, Irene Adler’s inherent power as the central figure of the story becomes clear. Her ability to distance herself away from Sherlock Holmes despite his efforts to define her as “the woman” and avoid being restricted to a canonically passive female role is necessary for predicting her eventual evasion at the end of the
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
For thousands of years in patriarchal cultures women were looked down upon and thought to be the weaker gender. While men were the protectors and providers, women were expected to focus on child bearing and rearing. Although women as a whole have more freedom of choice and a more equal social status today, as well as even by the Victorian Era, Sir Arthur Conan Doyle wrote stories giving women the role of damsel in distress, with the exception of Irene Adler. Cassandra Poole, in her article discussing women in the Sherlock Holmes canon, writes, “She is ‘the woman,’ Irene Adler, whose strength, intelligence, and independence have made her a recurring star in extra-canonical books, television shows, film adaptations, and Sherlock fan fiction”