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Women of the 17th century
Women of the 17th century
Women of the 17th century
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“From Lieutenant Nun,” a memoir written by doña Catalina de Erauso, tells an intriguing story of a young Spanish female and her advantageous journey through Spain and the New World. Her family intends for her to become a nun but, that is not the life she seeks for herself. Therefore, she breaks away from the convent in hopes of finding somewhere to make her fortune by passing as a male. Catalina’s story is noteworthy because it gives readers another perspective of exploration focusing on self-discovery during the seventeenth century emphasizing how passing as a male is the only thing that secured her ability to explore. In the memoir, Catalina repeatedly reminisces about clothing and, whether she consciously or unconsciously does so, she allows the reader to see that this is an important aspect of her exploration. Throughout Catalina’s journey, clothing plays an increasingly important role not only in her travels but, also her personal life because it symbolized ones status, role, gender and privileges. Catalina first shows her transformation, when she breaks away from the convent and quickly disguises herself as a male. In her initial transformation, Catalina is forced to take the clothing she is presently wearing and turn it in to something that would pass for a male until she was able to acquire more desirable garments. She describes this transformation stating, “With the blue woolen bodice I had made a pair of breeches, and with the green petticoat I wore underneath, a doublet and hose- my nun’s habit was useless and I threw it away, I cut my hair and threw it away”(Erauso 49). This particular scene is important to the whole work because it provides a vivid description of Catalina’s first transition from her old life to tha... ... middle of paper ... ...personality develops throughout her journey through her battle to survive in a world, which she did not belong. Her ability to overcome the stereotypical role of females of the seventeenth century contributes to her lingering recognition. Throughout her story clothing is a distinct symbol of status, role, gender and privileges. All of these aspects being things she wanted to have control over in her life. In life individuals have to develop their personalities and define themselves according to what they value. Catalina valued status, role, gender and privileges and thus she decided to live a life that would allow her to attain all of those things. Works Cited Erauso, Catalina. “From Lieutenant Nun.” American Literature. Volume 1. 2nd Edition. William E. Cain, Alice McDermott, Lance Newman, and Hilary E. Wyss. New York: New York, 2013. 48-53. Print.
Catalina de Erauso experienced many different traumatic and surprising events throughout her life. She completely changed her identity from being a woman to a man after she made the decision to have a more adventurous life than the average seventeenth century woman. Catalina went from a life devoted to god, growing up in the Convent of the Dominican of Nuns, to becoming a lieutenant of the Spanish military. Her ability to transform and disguise herself into a man and live unnoticed for more than two decades suggests that gender is fabricated and not a true trait, masculinity can be created through deception.
...g. Ed. X. J. Kennedy and Dana Gioia. 12th ed. New York: Pearson, 2013. 549-51. Print.
The Women of Colonial Latin America serves as a highly digestible and useful synthesis of the diverse life experiences of women in colonial Latin America while situating those experiences in a global context. Throughout, Socolow mediates the issue between the incoherence of independent facts and the ambiguity of over-generalization by illustrating both the restrictions to female behavior and the wide array of behavior within those restrictions. Readers of varied backgrounds will come away with a much deeper understanding of the challenges and opportunities that defined the lives of the diverse women of the New World ruled by Portugal and
Women in pictorial history have often been used as objects; figures that passively exist for visual consumption or as catalyst for male protagonists. Anne Hollander in her book Fabric of Vision takes the idea of women as objects to a new level in her chapter “Women as Dress”. Hollander presents the reader with an argument that beginning in the mid 19th century artists created women that ceased to exist outside of their elegantly dressed state. These women, Hollander argues, have no body, only dress. This concept, while persuasive, is lacking footing which I will attempt to provide in the following essay. In order to do this, the work of James Tissot (b. 1836 d. 1902) will further cement the idea of “women as dress” while the work of Berthe
Catalina de Erauso was examined by midwives who confirmed that she was a virgin, persuading the bishop to place in Lima. However, communication between the American and Spain was effective, where she was confirmed to have never been a nun where she was thrown out of the convent. Gender role in the Americans dictated the role of women and men and enforced different image among them. Catalina de Erauso defied female image when she decided to cut her hair and wear male pants, where she took pain in altering her female physique that resemble that of men. She was able to act masculine because she wanted to act like a man. Catalina de Erauso was biologically a woman, making her to rebel undoubtedly against a female gender through her actions and appearance. Most of her action behavior and appearance conformed to that of men in the American society, where she tried to ignore societal gender rules by transgressing between female and male ideals. Catalina de Erauso conform to the society by abiding by male gender code, and there is a possibility she was unemotional as her autobiography suggest. Erauso does not go details after she murdered her
Eds. Gary Goshgarian and Kathleen Kruger. New York: Parson-Longman, 2011. 500-04. The. Print.
Once Orlando returns to the world of civility, boarding a ship to London in her new dress, she reflects upon the duties of a woman. She remembers that, as a man, she thought women were to be “exquisitely apparelled” but also “chaste year in and year out” (251). This upsets her as she is overwhelmed by the large effort she will have to put into her appearance only to get no reward. Orlando’s dilemma has been one that women have always faced: the balance of sexuality and modesty. Her society places heavy emphasis on marriage, wherein daughters vainly alter their appearance in hopes that they will use their beauty to attract a man of status. Consequently, they must also show modesty, not making a man want them too much, in order to preserve their image of purity. After losing her ability to be sexual, Orlando realizes that she faces many problems that she didn’t have as a man. In coming home after a long trip, Orlando returns to countless lawsuits because her sons are fighting for a property she can no longer own. Although Orlando “remained precisely as [she] had been” (220), her memories and ability the exact same, society deems her incapable of owning property. Orlando’s society would rather take everything from her than admit that her sex changed very little else about her ability and personality.
Bearing a child is the biggest responsibility that will happen in life. Providing time and protection of the child is a major part. But the most important thing is that they do not become lonely and forgotten. When being a parent, this is their job, to keep them welcomed and to never forget about them. In the fragment titled, “The Virgin,” Sappho uses vivid imagery to show how an apple tree has a relationship like mother and child. How the tree would be the mother, and the child would be the apple. Like a mother and child, it is the responsibility of the tree to hold on to the apple and make sure it gets taken care of, no matter what.
UN women’s goodwill ambassador, Emma Watson once said, “we should stop defining ourselves as what we are not, and start defining ourselves by who we are”. An example of this quote is evident in the autobiography, Lieutenant Nun: Memoir of a Basque Transvestite in the New World. During this time period, society and culture created gender roles in colonial Spain. They exemplified the “appropriate” behavior for an individual of that certain gender, giving males power in the household to do as they please, while women were to listen to society and follow the rules of her husband. Women had no freedom. The idea of cross-dressing was taboo.. Except to Catalina de Erauso. Throughout Lieutenant Nun: Memoir of a Basque Transvestite in the New World, Catalina de Erauso cross-dresses to give herself the power to form a more masculine personality, which entails the freedom to travel. Moreover, this leads Catalina to run into situations where she is able defend her honor through violent acts.
Louisa Ellis is the main protagonist in Mary E. Wilkins Freeman’s 1891 short story “A New English Nun”. Louisa is described as a quiet lady who is known to have a pretty manner and a soft grace. Louisa has a fiancé named Joe Dagget who left her for fourteen years in search of his fortune. During the years of Joe’s absences, Louisa has fallen into a particular routine that completely enclosed her from the outside world. Her typical routine has left her unwilling to accept changes in her life. Louisa remains stubborn in keeping her former way of life and that led to the conflict that is present in the story.
Women in The Count of Monte Cristo possess unique personalities, but intensely similar restrictions. Currently, women in the United States, as well as other countries, are able to have jobs, travel, and participate in many other activities that the ladies Dumas portrays are not allowed to. Feminist analysis of this book reveals the ways of the time and the delicate balance of society’s typical structure. In The Count of Monte Cristo, Alexandre Dumas realistically conveys that when women violate their traditional roles, the balance of life is disrupted. This is evident through descriptions of instances in which females are in the home as well as when they are not.
There is perhaps no greater joy in life than finding one’s soul mate. Once found, there is possibly no greater torment than being forced to live without them. This is the conflict that Paul faces from the moment he falls in love with Agnes. His devotion to the church and ultimately God are thrown into the cross hairs with the only possible outcome being one of agonizing humiliation. Grazia Deledda’s The Mother presents the classic dilemma of having to choose between what is morally right and being true to one’s own heart. Paul’s inability to choose one over the other consumes his life and everyone in it.
In the FemTechNet video dialogue, “Transformations,” Catherine Lord and Donna Haraway discuss Beatriz DaCosta’s triptych art video “Dying For the Other,” where DaCosta creates visual representation of her own transformation through chemotherapy. She documented her many transformation after being diagnosed with brain cancer. The video goes back and forth comparing DaCosta’s treatment experience with being the patient and being tested on, in comparison to transgenic mice who are being used for testing for cancer research. Both are equally depressing to watch. The video displays her many transformations and changes in her lifestyle as she begins to learn how to use her brain and body normally after chemotherapy. DaCosta and the mice share similarities
- “For not having enough dedication to here duties as religious woman and dedicating too much time to ‘profane literature’”. But the implicit problem was that she did not fulfill the social role created for the women of that moment.
Kennedy, X.J., Dorothy M. Kennedy, and Jane E. Aaron. Bedford reader. S.l.: Bedford Bks St Martin'S, 2013. Print.