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Analytical essay of carrie by stephen king
Analytical essay of carrie by stephen king
Amazing Carrie Stephen King
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Brian DePalma adapted Stephen King’s novel Carrie to inspire his horror film Carrie. Carrie is about Carrie White (Sissy Spacek) who is a shy and timid teenager. She is the daughter of Margaret White (Piper Laurie) who is a religious fanatic. Carrie, born with secret telekinetic powers, uses her power to exact revenge on her high school bullies who humiliated her when she had her period at the age of seventeen; Carrie’s menstruation represent her being late in becoming a women. The supernatural film is comprised of affective male characters to support the dramatic female character. The male characters have miniature roles; however, the male characters create tremendous effect upon the female’s actions. Carrie presents male characters, such …show more content…
as the popular athletes (Tommy Ross) as the tool to enhance the strong characterization for female characters, Carrie and the popular girls (Sue Snell). Female characters need the work of the male characters to become powerful in both positive and negative ways. Carrie introduces the handsome and popular athlete, Tommy, (William Katt) as the tool to intensify Carrie and Sue’s characterization. Half of the time when Sue and Tommy were together in the film, they discussed that Tommy would ask Carrie to the prom. Sue makes eye contact with Tommy while he tries to put his arms around her to calm her down; he believes she was over thinking. Sue feels guilty and Tommy, her boyfriend, tries to make her feel useful and thoughtful. Sue realizes how she disrespected other women when she threw pads and tampons at Carrie in the shower. The film illustrates Sue’s empathy towards Carrie when she quickly stops Tommy in the school hallway, and convinces him to ask Carrie to prom as planned. Sue knew it would be the best night of Carrie’s life. Tommy became the elite character when he agreed to take Carrie to the prom, and he supports Sue’s growth in character from bully to heroine. Tommy’s moral character creates a firm and positive effect upon Sue. In the film, all Tommy’s actions are driven by Sue; Tommy is Sue’s tool or “pawn” (Bellmore). A woman need a strong male status to support her actions, but to do so, she must have control. Billy Nolan (John Travolta) and Chris are consider the antagonists in Carrie.
Billy is Chris’s boyfriend who is older than most teenagers in the film. Billy is the antithesis of Tommy and Chris is the antithesis of Sue. Chris becomes very jealous and angry when she got expelled from school, which affect her from going to the prom. Billy gives her a plan to humiliate the prom queen by pouring animal’s blood on her. Before the prom begin, Chris forced Billy to do her dirty work: drives her to kill the pig and rigs the bucket. They approaches prom as an abominable couple because they are about to destroyed the prom. Male characters can provide malevolent influence for female …show more content…
characters. Carrie takes revenge on her high school classmates at the prom with her telekinetic represent the women’s limit and their strength.
Tommy and Carrie were announced the prom king and queen. A girl brought a bouquet to Carrie and quickly exit the stage. It was Carrie’s moment to shine; she smiles and see her classmates applauds her. All of a sudden, pig’s blood spills directly on Carrie from above the stage. Everyone in the building starts to laugh at Carrie. Tommy was half covered with blood and he yelled “what the hell?” to show how he tries to protect Carrie from humiliation as he promised Sue (Carrie). Carrie could not hold her ground and watch other humiliate her. Then, the empty bucket hit Tommy in the head and caused his death. Carrie saw Chris and her boyfriend, Billy Nolan, ran out the building; Carrie becomes angry. She becomes powerful as she releases her anger to the bullies. She locks down the building, throws people into the electrocuted water with her telekinesis, and sets the building on fire. The film clearly stated the important and unimportant male roles when Tommy tries to protect Carrie at the prom, but dies in a short, tragic incident, which leaves the female character to protect herself from the bullies. Carrie became a new person at the prom, and the devastation she wreaks is a result of feminine power. Male and female characters such as, Carrie’s classmates, can cause the female characters, Carrie, to trigger their self-evil. The film illustrates how
women lose control when others judge, mock, and harm them. Carrie’s audiences understands how the film is full of thrills and unexpected scenes, such as Carrie showers in the school’s bathroom and Carrie kills her classmates with her power. The film is not as thrilling as an emotionally disturbed telekinetic scorned. The film illustrates how people feel about bullies and how they react towards bullies. The film includes male characters to enhance the strength of female characterization in both positive and negative effects. Sue uses her women nobility to convince Tommy, her pawn, to ask Carrie to the prom because she felt empathy for Carrie. Carrie uses her telekinetic to revenge the bullies because her pawn, Tommy, died shortly after the blood spilled on them. Carrie illustrates how women can be as powerful and important as men when they stand alone. The stereotype about how every family should have a man as the “head of the house” is true but it is unnecessary; because there are single mothers who can take care of their own family. Women is powerful, but it needs to be the right time for it to trigger.
Good afternoon, today I will be discussing the perceptions of masculinity and the need to take responsibility for one’s own actions.
As Jeannette gets older she realizes that her parents differences are not something to be proud of. She comes to this conclusion at first when she is in the hospital after getting severe burns from her mother letting her cook hot dogs at the age of three. She realizes that it is not right for a parent to let their three year old to be cooking. Another example of when she realized that is when she had to eat food from a garbage can at school while all the others had brought food from home. She decided to hide her shame by eating the food from the garbage can inside the girls washroom. As Jeannette gets older she changes a little bit more by her perspective of things when she meets Billy. Billy is a juvenile delinquent that also has a father for a drunk. When Billy laughs at his own father when he was sleeping from drinking so much the night before, Jeannette argues with him saying that no one should make fun of their own father. Billy
Masculinity in Deliverance by James Dickey The novel Deliverance by James Dickey portrays the essence of middle-aged men experiencing the mid-life crisis through which they must prove to themselves and more importantly everyone else that they still possess the strength, bravery, intelligence, and charm believed to be society's ideal of "masculinity." Dickey's four main characters undertake a risky adventure to satisfy their egotistical complexes and prove to the world that they are still the strong young men their wives married. Each character represents a different stereotype of the middle-aged man, and therefore experiences a different type of psychological and physical journey than their peers. The character Drew Ballinger in Deliverance is a sales supervisor at a soft-drink company who is very devoted to his son and his job.
In 1996, the Wachowskis wrote and directed the noir crime thriller, Bound. In this film, the directors turned some of the archetypes of film noir on its head. Most notably, the role of women in film. Film theorist, Laura Mulvey, claims that the main role of women in film is to function as a source of pleasure, to be objectified, to be passive and at the command of male fantasy. This relationship of looking and being looked at causes each gender to have a particular presence within film; the male is active and the female is passive (Mulvey, 1975). However, in Bound, the character Violet, who is obviously objectified by the gaze of the male characters, does not hold a passive role within the film itself. Violet is a force that acts upon the narrative, manipulating events and scenes to her favor, along with actively controlling male gaze and using it to her advantage. Film theorist, Tania Modleski argues that there are passive and active roles within films that have connotations with “femininity” and “masculinity”, but these roles do not have to apply to the gender or outward appearance of characters that they align with. Modleski focuses more on the actions, not the outward appearances, of the film
Ava is a senior who is new to the school. With being new to the school, Ava wants to just get through the year with no drama. She is an unwilling participant in the Prom Bowl as the “Wild Card”. While not as skinny as the other girls in school, Ava doesn’t care about the social dynamics of the girls. The other main character is Mark Palmer, a typical senior football player. As the quarterback for the team, Mark is trying to earn scholarships for college. The character Mark has never had a long-lasting relationship in high school. Mark tries to save Ava from being involved in the Prom
The tragic situation of Connie relates to the real life chain of murders in Tucson, Arizona. Tom Quirk iterates that Oates seems to get her creative imagination from “real criminal and real crime”, the irony is the story of Connie is sadly all too familiar in society (Quirk 413). The characters of Eddie and Ellie Oscar are figures that are not particularly familiar to readers. The lack of dialogue from these characters tend to neglect their significance, however studying them may actually connect a few dots that Oates purposely leaves for the reader to wonder. The comparison of Eddie and Ellie inclines that they are actually the same person. From research into Ellie’s appearance and mysterious motivation to remain unnoticed by Connie hints at the notion that instead of young teenage boy named Eddie accompanying Connie at the restaurant, it was none other than Ellie disguising himself. Although some find it bizarre that Connie could not see Eddie/Ellie for who he was while spending hours with him, one must take into account that Connie was more into herself rather than the boy she was with. Along with Connie’s natural infatuation with herself, the drive-in restaurant presented distractions such as the bright lights and loud music which aided Eddie/Ellie. The main antagonist Arnold Friend makes various statements and questionable actions that support the theory that Ellie has already encountered Connie at some point in time, thus providing the explanation as to how he knew so much information about
Characterization: as Carrie hopelessly looks for work she can’t help but keep her eyes off of all the expensive and valuable things in life, the readers later learn that Carrie looks at these things as necessities instead of wants. Motif: Dreiser’s showing that in this point of time, Carrie and others soon to come all have this idea where the less important things in life are needed to maintain a high status, confidence, image, etc.
The director has used the theme conflict throughout the movie to make the film valuable for a 21st century learner. Conflict can be seen throughout the movie. Kat, the main character struggles for independence. For example, the scene when Mr Stratford refuses to let Kat study at the university of her choice.The camera angle changes between the father and daughter during the fight. A high camera shot is added to show
This brings to the table duality in the film as a major component of the psychological make-up of the characters, as each of the major players has a “darker” version of themselves. Ginger is an analogy of Las Vegas. She’s beautiful on the outside but tormented and corrupt on the inside. Like the tourists who come to Las Vegas, she’s attracted to the opportunities that await her. When she meets Sam, she sees this as her perfect opportunity to forget about the hardships and financial struggles that she’d endure on the outside. With Sam, he’s entranced by Ginger’s beauty and spirit—she’s a woman who knows what she wants and in a way, is very reminiscent of himself. However, he is so consumed by this notion of romantic love that he fails to realize that these feelings are not shared. She cannot give him what he wants. He’s a jealous man who feels the need to control everything that she does. It is partially due to this that leads Ginger spiraling down a path of self-destruction when she gets heavily involved with drugs and alcohol. Tired of his wife 's alcoholism, Sam seeks a divorce from Ginger. However, she 's insistent on getting her share of their wealth, which makes Ace reconsider the divorce. Whereas Ginger suffers from an actual addiction, Sam’s addiction is Ginger. She’s his own personal drug. When he
Miss Desjardin, still incensed over the locker room incident and ashamed at her initial disgust with Carrie, wants all the girls who made fun of Carrie suspended and banned from attending the school prom, but the principal instead punishes the girls by giving them several detentions. When Chris, after an altercation with Miss Desjardin, refuses to appear for the detention, she is suspended and barred from the prom and tries to get her father, a prominent local lawyer, to intimidate the school principal into reinstating her privileges.... ... middle of paper ... ... Revealing that Carrie's conception was a result of what may have been marital rape (although she admits she enjoyed the sex), she stabs Carrie in the shoulder with a kitchen knife, but Carrie kills her mother by stopping her heart. Mortally wounded but still alive, Carrie makes her way to a roadhouse where she sees Chris and Billy leaving.
According to common conceptions of machismo, the ideology of masculinity is set upon the stereotypical ideals, which, America has towards the idea of manhood. In the short story, “Brokeback Mountain”, Proulx uses masculinity as the singular focal point within the text. This melancholy tale of two young cowboys, that emerges into a sexual and emotional connection that truly can’t exist. We often see cowboys as virile men saddling a horse or lone men gathering sheep in a valley, but they’re never been depicted as anything other than that. As we’re introduced to Ennis and Jack, they’re nowhere short of the of the common cowboy stereotype. Proulx makes that apparent when she states, “Ennis, high-arched nose and narrow face, was scruffy and a little cave-chested, balanced a small torso on long, caliper legs, possessed a muscular and supple body made for the horse and for fighting” (3). Indicating that young Ennis and Jack are just like any other cowboys. But when young Jack and Ennis meet on Brokeback Mountain, their sexuality doesn’t eliminate their masculinity. It rather confuses it and compromises their sexuality. No matter the acts that these two men may choose to consume their selves to act upon, their masculinity is evident throughout the text. Initially, instead of removing their masculinity, their sexual identity complicates their manhood. “I’m not no queer”, stated Ennis, which makes it evident that these men are aware of their masculinity (7). Aware of the complexity of their relationship Ennis says, “if you can't fix it you've got to stand it”, meaning that he knew the relationship between him and Jack was corrupt but he didn’t know how to stop it. The complicated situation between Ennis and Jack threatened societal norms by...
According to Kimmel, the earliest embodiments of American manhood were landowners, independent artisans, shopkeepers, and farmers. During the first decade of the nineteenth century, the industrial revolution started to influence the way, American men thought of themselves. Manhood was now defined as through the man’s economic success. This was the origin of the “Self-Made Man” ideology and the new concept of manhood that was more exciting, and potentially more rewarding for men themselves. The image of the Self-Made Man has far reaching effects on the notion of masculinity in America. Thus, the emergence of the Self-Made Man put men under pressure. As Kimmel states,
power and the ability to lead. In American culture women must act like men to gain positions of
On the train to Chicago, Carrie had met a traveling salesman, Charlie H. Drouet. She is impressed by the way he talks and dresses. When they meet again, Drouet is aware of her beauty and innocence and he hopes to charm and seduce her. He "lends" Carrie money to buy nice winter clothes, treats her to fine meals, takes her to the theater, and shows her the sights of Chicago. Because Carrie is young and inexperienced in the world of men, she is not wise enough to understand where all Drouet's attention is leading toward. Although she senses that the money should be given back, her desire and longing for the good things in life are so powerful that she ignores her beliefs in what is right and wrong.
Masculinity and femininity are two terms, which have been interpreted differently throughout history. Both the males and the females have responsibilities and duties but these duties differ based on one’s gender. Gender has played a prodigious role in the economy, politics, and the society. Everyone starts making interpretations of the strengths and weaknesses based on one’s gender. These interpretations are not always based on his or her ability but is usually based on his or her gender. Males tend to be judged as extremely strong and unfashionable in terms of appearance. Whereas, females are judged as expensive and very fashionable. Males and females both differ in their abilities and their enjoyments. Fashion, entertainment, and strength are three topics, which are used to define masculinity and femininity in the 21st century.