“Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse” Rocking chair “Carrie passed along the busy aisles, much affected by the remarkable displays of trinkets, dress goods, stationery, and jewelry. Each separate counter was a showplace of dazzling interest and attraction. She could not help feeling the claim of each trinket and valuable upon her personally, and yet she did not stop. There was nothing there which she could not have used—nothing which she did not long to own” “On the first morning it rained she found that she had no umbrella. Minnie loaned her one of hers, which was worn and faded. There was a kind of vanity in Carrie that troubled at this” …show more content…
Shakespeare “I’ll tell you what to do,” he said. “You come with me. I’ll take care of you.” “They’ve got that Martha Griswold in it again. She thinks she can act.” “Her family doesn’t amount to anything, does it?” said Mrs. Hurstwood sympathetically. “They haven’t anything, have they?’ Foreshadowing: by giving these two different scenarios, Dreiser basically is telling the readers how the novel will play out.
Carrie will either follow down the right path and better herself or let society and fame consume her and become worse, which is what she does. Symbolism: sign of peace, often used when the characters are looking for some relaxation and distraction from their problems Characterization: as Carrie hopelessly looks for work she can’t help but keep her eyes off of all the expensive and valuable things in life, the readers later learn that Carrie looks at these things as necessities instead of wants. Motif: Dreiser’s showing that in this point of time, Carrie and others soon to come all have this idea where the less important things in life are needed to maintain a high status, confidence, image, etc. Characterization: this incident shows Carries true self. After her sister lends her an umbrella that isn’t too appealing, Carrie goes out and spends over a $1.50 on a new one ($1.50 was big money back then), and it’s now clear to see she cares too much about appearance. Allusion: a hopeless romantic just as
Drouet Characterization: after all this time Drouet is still so invested in Carrie to the point where he’ll even let her come live with him. Motif: it is again shown that in that time period and in their society the idea of power and money is all that mattered if you wanted to be looked at with respect—you had to have money and be of some value
The narrator has two daughters, Dee and Maggie. Dee was this cute girl who was super intelligent and sophisticated. She often saw herself as being above her mother and sister and would often make them feel stupid and bad about themselves. "She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice". She shows that Dee enjoyed making her mother and younger sister feel dumb about themselves because it made her feel superior. Her whole life Dee detested her family and where she came from and couldn’t wait to get away. But, still her mother worked her booty off to provide her with high education and a good life. Dee goes away to college and when she returns she is a completely different person, suddenly interested in her family; photographing them upon arrival. With her guest, new "Wangero Leewanika Kemanjo", invades her mothers house taking everything in like it’s a cute display for her. Finally, when Wangero (Dee) demands that her mother give her some quilts, her mum can not take anymore. She tells Dee that Maggie, not her, will be receiving the quilts and she snaps. "I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands, and dumped them into Maggie's lap. Maggie just sat
... attempts to change the way Mama and Maggie perceive tradition by using the quilts as a wall display. Mama refuses to allow it, Dee was offered the quilts when she was in college and didn’t want them at that time. Mama gives the quilts to Maggie as her wedding gift to be used every day as they were intended, knowing how much Maggie appreciates them. I agree with Mama and Maggie for keeping family memories and objects in daily use. It is important to maintain your family history in your everyday life to preserve those special memories.
The Wrights home was a poor, lonely type of home. The trees that surround the house grew in a sad state. The road that led up to the farm was an unoccupied path. Minnie Wright is the woman who lives on these lonely grounds. She is friendless and mostly keeps to herself. There is no one for her to talk to, her husband died recently, thus, she lives out her life as an outcast. In hindsight, Mrs. Hale, a woman who knows Mrs. Wright, explains to her friend, “'But I tell you what I do wish, Mrs. Peters I wish I had come over sometimes when she was here I wish– I had.’ I [too] wish I had come over to see Minnie sometimes.’” Since no one takes the time out of their busy schedules to visit Mrs. Wright, Minnie feels unwanted.
...e of the meanings to be determined by the reader, but clearly conveys the meaning behind others. Such variety provides something or someone for any reader to relate to. Symbolism, hidden or obvious, serves to connect the reader with the characters of “The Things They Carried” and follow their development with interest and ease. In many cases, symbols answer the question which the entire story is based upon, why the men carry the things they do.
In Housekeeping, the idea of freedom is symbolically represented in one’s connection to nature and the lifestyle of a transient. In the instance where Sylvie and Ruth decide to burn their belongings, Sylvie’s unorthodox housekeeping was explained as “she considered accumulation to be the essence of housekeeping, and because she considered the hoarding of worthless things to be proof of a particular scrupulous thrift” (180). The idea behind Sylvie’s incompetence in the field of Housekeeping shows her ideology, as she does not place value into physical objects and views the idea of property as simply worthless. Not placing value into her belongings shows an unorthodox view on property, one that departs on the societal notion where belongings emphasize one’s status. This quote relates to the book of Fences, in a differencing sense as the family particularly emphasizes the belongings, especially their house. Additionally, an important moment in Ruth’s acceptance of a transient lifestyle comes when “you do not resist the cold, but simply relax and accept it, you no longer feel the cold as discomfort. [She] felt giddily free and eager, as you do in dreams, when you suddenly find that you can fly, very easily, and wonder why you have never tried it before. I might have discovered other things. For example, [she] was hungry enough to begin to learn that hunger has its pleasures, and I was happily at ease in the dark, I could feel that I was breaking the te...
...hem as the result of her efforts, and then conclude that she has the ability to confront the problems she has.
The twenties, a time marred by prohibition and television's implantations, were widely known as a time of struggles such as the Great Depression and the beginning of what later became known as women's rights. However, presumably the greatest struggle was that of colored' people. Because of limited resources, limited speech, and limited economic opportunities many colored' people sought ways to escape everyday' life and the hardships they often faced. One of these ways came by beginning to express themselves more freely. In addition, as a result, the Harlem Renaissance formed. In "Everyday Use", Alice Walker, one of the frontrunners of the Harlem Renaissance, tells the story of an oppressed and under-privileged African American family with differing values on what it means to live, or more importantly, of one who struggles with understanding of their present life in relation to the traditions of their ancestors and culture. The audience is introduced to both girls at the beginning of the story. From the narrator's vivid description of the girls, the reader quickly forms a distinction between the two daughters. The way Maggie walks is compared to that of "a dog run over by a careless rich person" (453). However, Dee is described as "lighter than Maggie, with nice hair and a fuller figure" (454). Just from the physical description, the readers can infer that Dee is the "prettier" of the two. Though they are totally opposites in physical features, both girls share a central theme. Alice Walker uses something as simple as a quilt to develop the central theme. This theme is that both daughters, Dee and Maggie, are confused about the meaning of their heritage. However, Dee's confusion is a result of her not wanting to acc...
In Chapter 1 of Sister Carrie, when Carrie boarded on the afternoon train headed for Chicago, “she was eighteen years of age, bright, timid and full of the illusions of ignorance and youth… She gazed at the green landscape now passing in swift review until her swifter thoughts replaced its impression with vague conjectures of what Chicago might be.” (page 3) At the time, we know only that Carrie was an eighteen-year-old girl from Columbia City, Wisconsin, that her father was a miller, that she had at least one elder sister, and that she grew up in straitened circumstances; however, in the end when Carrie seemed to have
Carrie's Revenge in Steven King's Carrie. The novel Carrie is about the chilling story of a girl and her power. Carrie White possessed a phenomenon, known as telekinesis. movement of objects by scientifically inexplicable means, as by the exercise.
In the short story, "Everyday Use", author Alice Walker uses everyday objects, which are described in the story with some detail, and the reactions of the main characters to these objects, to contrast the simple and practical with the stylish and faddish. The main characters in this story, "Mama" and Maggie on one side, Dee on the other, each have opposing views on the value and worth of the various items in their lives, and the author uses this conflict to make the point that the substance of an object, and of people, is more important than style.
Quilts symbolize a family’s heritage. Maggie adheres the tradition by learning how to quilt from her grandmother and by sewing her own quilts. Maggie also puts her grandmother’s quilts into everyday use. Therefore, when Dee covets the family’s heirloom, wanting to take her grandmother’s hand-stitched quilts away for decoration, Mama gives the quilts to Maggie. Mama believes that Maggie will continually engage with and build upon the family’s history by using the quilts daily rather than distance herself from
Barbara Taylor Bradford once said, “Priceless things matter not for their value, but because they offer us an enduring reminder of stability and permanence” (Quotes About Antiques). In We Were the Mulvaneys, Corinne’s antique shop is a appears to be a cornerstone in her life. While it is often criticized within the family and its importance is understated, the antiques add another level of meaning to the multifaceted novel. These pieces come together to represent her children, her will to hold on to her family, and the misuse of beautiful things. Throughout We Were the Mulvaneys, written by Joyce Carol Oates, Corinne’s antique shop, and the connection she has with it, represents the Mulvaney family as a whole.
There are several symbols present in the novel A Long Way Gone by Ishmael Beah.
Shakespeare used this traditional symbol throughout the play to focus on the Elizabethan concept of the Great Chain. When the chain is in order, everything is good and there is light. When the chain is violated, bad things happen and there is evil and darkness.... ... middle of paper ...
... Ironically, this has occurred because of the folly of the men, almost making up for the double standards exercised in the beginning…But not quite. Hero should not have had to depend on the men to regain her honor. Works Cited