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Most book reviews of Stephen King's 1974 novel, Carrie, were generally positive. With Steve Calvert's review, he focuses on the structure of Carrie. These reviews differed in minor ways but overall the reviewers admire Stephen King's work and enjoyed the story of Carrie White.
In Josie Kafka's review, she talks about how the book was able to hurt and horrify the audience. She explains how the hurt and horrifying experiences lead up to Carrie White's horrific explosion. She also makes a point that this is a book about women and their manipulation to obtain power or control. She provides examples of manipulation and control with Chris, the bully, who used the power of manipulation to constantly hurt Carrie; Sue who has the power to save Carrie; Miss. Desjardin who use her authority (power) over her students; and Carrie, with her telekinetic abilities.
While I agree with the point made about power and manipulation, I strongly disagree with Kafka's review that defined Carrie as "the most memorable creature". The dictionary definition of creature is an "animal, as distinct from a human being". One of the most controversial topic of the book is whether Carrie White was the victim or the monster. High school can be a cruel place, the memorable shower scene at the beginning of Carrie can supports that cruelty factor. As a reader with the knowledge of her dysfunctional family situation and her never ending nightmare at school, Kafka chose to acknowledge her as a "creature" rather than a character and that is a realistic example of cruelty.
In Trevor Palmer's review, he references the story of Cinderella in his review, relating the characters in Carrie to the character in Cinderella to provide an easy understanding of what the characters'...
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... reflects the horror genre. The specific example he used was the imagery of the "tortured and bleeding Jesus hanging from the walls"(Calvert) in the house. This image reminds me of the other imagery of Margaret abusing Carrie physically and psychologically.
Works Cited
Calvert Steve. "Carrie". Steve Calvert. Np. Nd. Web. 6 Nov 2013.
Kafka Josie. "Lost Lit: Stephen King's Carrie". Doux Reviews. Np. 2009. Web. 6 Nov 2013.
Palmer Trever. "Carrie, by Stephen King Review by Trever Palmer". Horror Drive-In. Np. Nd. Web. 7 Nov 2013. .
King, Stephen. Carrie. New York: Anchor Books, 1974. Print.
Reviews, Kirkus. Carrie. Doubleday, 1974. Print.
For instance the first chunk of the passage Richard Matheson operates a series of rhetorical devices to emphasize Robert Neville’s feelings such as , visual imagery and simile in line 1-3 from (He-Eyes) and more visual imagery on lines 4-5 (Robert-arm).Richard Matheson employs simile and visual imagery in a discrete manner and emphasizes that man’s skin to that “clammy turkey skin” and the visual imagery “red-splotched checks, the feverish eyes, “to highlight that Robert Neville is scared of the
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As the world has transformed and progressed throughout history, so have its stories and legends, namely the infamous tale of Cinderella. With countless versions and adaptations, numerous authors from around the world have written this beauty’s tale with their own twists and additions to it. And while many may have a unique or interesting way of telling her story, Anne Sexton and The Brother’s Grimm’s Cinderellas show the effects cultures from different time periods can have on a timeless tale, effects such as changing the story’s moral. While Sexton chooses to keep some elements of her version, such as the story, the same as the Brothers Grimm version, she changes the format and context, and adds her own commentary to transform the story’s
From the displays of power that have been shown through out this essay, we see that this story is a story about power. Power is the story is primarily about peoples need for some small amount of power to survive in life and to feel that hey have a purpose within their society which every society it may be whether its is Gilead or Nazi Germany or modern day Britain.
Bettelheim, Bruno. “’Cinderella’: A Story of Sibling Rivalry and Oedipal Conflicts”. Behrens and Rosen 651-657.
Breit, Harvey. Shirley Jackson. The New York Times June 26, 1949, 15. Rpt. in Modern American Literature, Vol. II. Ed. Dorothy Nyren Curley et al. New York: Continuum, 1989.
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Descriptive imagery is also dominant in line 29 “She clawed through bits of glass and brick,” allows the reader to vividly picture the mother frantically digging through the crumbling remains of the church in search of the daughter she holds dear to her heart. Clearly picturing the frantic mother the readers can feel how dramatic the situation is and the devastating, emotional impact it will have on the mother’s life. The descriptive imagery adds to the dramatic situation by allowing the reader to picture the mother and bu...
The book uses fictional documents, such as book excerpts, news reports, and hearing transcripts, to frame the story of Carietta "Carrie" White, a 17-year-old girl from Chamberlain, Maine. Carrie's mother, Margaret, a fanatical Christian fundamentalist, has a vindictive and unstable personality, and over the years has ruled Carrie with an iron rod and repeated threats of damnation, as well as occasional physical abuse. Carrie does not fare much better at her school where her frumpy looks, lack of friends and lack of popularity with boys make her the butt of ridicule, embarrassment, and public humiliation by her fellow teenage peers.
Characters have played a large role in setting the theme of abusive power; they gain power over a group of individuals and misguide them. One obvious example from Lord Of the Flies was Jack. Towards the beginning of the novel, when the “elections” for the leader of the group took place Jack tried to get power. “‘I ought to be chief,’ said Jack with simple arrogance, ‘because I’m the chapter chorister and head boy. I can sing C sharp’” (Golding 22). After losing the election to Ralph, he became the head of the hunters. Here he abused the miniscule powers given to him over the small group of boys formerly known as the “choir”. Jack’s influence possibly corrupted the minds of the young boys and made them into cold blooded killers going from killing pigs for food to harming humans for enjoyment. “The circle moved round. Robert squealed in mock terror then in real pain… Jack had him by the hair and was brandishing his knife.” (Golding 114). The significance of this was that it was the first major point that lead to the collapse of society on the island. Jack thought that Ralph did not appreciate what he was doing for the group by gett...
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