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Speech – AT3 – *All page references refer to ebook version Good afternoon, today I will be discussing the perceptions of masculinity and the need to take responsibility for one’s own actions. ‘Raw’ is a novel written by author ‘Scott Monk’ where he addresses the ideas and perceptions of masculinity and the need to be responsible for one’s own actions. He achieves this through the use of narrative elements such as symbolism, characters, plot, structure and settings. Monk further explores the issues of masculinity and responsibility by introducing the themes of teenage rebellion, peer pressure, self-awareness, freedom of choice and the use of power and authority. Brett, the 16-year-old protagonist, forms the basis of the novel with his rebellious, arbitrary way of thinking. The scene is set …show more content…
Brett Dalton as well as many other young male characters such as Tyson, Josh and Frog show their masculinity in different ways, which in turn causes problems between the boys living at the farm. Actions that occur in the novel suggest that Brett’s masculinity consists of rebelling against rules, acting tough and refusing to do what anyone tells him to. This is in comparison to Tyson who feels as if his size, strength and ability to fight make him masculine. An example of this occurs when Brett is tormented by Tyson and his gang as shown on page 103 “…Tyson crushed his knee even deeper into his chest. He yanked up a handful of Brett’s hair then started sawing off tufts with some sort of blade...”. Brett feels that he has lost a sense of masculinity as he shaves off the remainder of his hair, unable to bring himself to look in the mirror. Tyson feels no guilt, nor is he apologetic for the violent actions he took against Brett Dalton, this shows his lack of sympathy towards anyone other than himself. This is shown in the excerpt found on page 103, “…Getting rid of the remnants was the final
In Kimmel’s essay “’Bros Before Hos’: The Guy Code” he argues that the influence of society on masculinity is equal to or greater than biological influences on masculinity. In the essay, Kimmel uses various surveys and interviews to validate his argument. He points to peers, coaches, and family members as the people most likely to influence the development of a man’s masculinity. When a man has his manliness questioned, he immediately makes the decision never to say or do whatever caused him to be called a wimp, or unmanly. Kimmel’s argument is somewhat effective because the readers get firsthand accounts from the interviewees but the author does not provide any statistics to support his argument.
Masculinity in Deliverance by James Dickey The novel Deliverance by James Dickey portrays the essence of middle-aged men experiencing the mid-life crisis through which they must prove to themselves and more importantly everyone else that they still possess the strength, bravery, intelligence, and charm believed to be society's ideal of "masculinity." Dickey's four main characters undertake a risky adventure to satisfy their egotistical complexes and prove to the world that they are still the strong young men their wives married. Each character represents a different stereotype of the middle-aged man, and therefore experiences a different type of psychological and physical journey than their peers. The character Drew Ballinger in Deliverance is a sales supervisor at a soft-drink company who is very devoted to his son and his job.
Back in the 1950’s the idea of masculinity was a loosely-defined term. It was a time in which the country was dealing with men returning from years at war and struggling to assimilate back into society. As a result, many were forced with the challenge of being the breadwinner of the family while maintaining what were considered conventional fatherly characteristics of that time. Rebel Without a Cause challenges this notion through the portrayal of Jim’s father Frank Stark. Frank is not the typical post-world war two breadwinner of a father, rather, Carol Stark provides for the family. Additionally, Frank lacks the ability to stand up to his wife, something Jim longs for. As a result, Frank lacks the ability to control his own son. Jim’s insecurities about his father further influence his impulsive nature. We first see this when the teenagers take a field trip to the planetarium. Jim is approached by Buzz and his friends who start clucking like a chicken. At first Jim doesn’t want any trouble, but after Buzz kicks Plato, a switch goes off in his head and a fight breaks out. Acting on impulse, Jim yells, “All right--you want it, you got it!” (Stern). Jim’s impulsive nature and need to prove himself gets him into even more trouble when he agrees to a chicken-run with Buzz. Jim doesn’t want to race, but does not back down as his pride is questioned. This feeling of peer pressure is one that is all too familiar with any teenager. When Jim asks his father for advice on the situation, he replies, You know I never stop you from anything. In ten years you'll look back on this and wish you were a kid again” (Stern). Unsatisfied with his father’s answer, Jim storms out of the house as his desperate father tries to reason with him. The chicken-race that follows is a great illustration of masculinity, for what is more masculine than loud, powerful American automobiles.
The patients at Craiglockhart Hospital experience several different instances of doubting their masculinity in Pat Barker’s Regeneration. The men experience a variety of forms of emasculation as the plot progresses. Barker writes “The war that had promised so much in the way of ‘manly’ activity had actually delivered ‘feminine’ passivity, and on a scale that their mothers and sisters had scarcely known. No wonder they broke down” (Barker 107 - 108), which accentuates the theme of emasculation.
... E Glenn, and Nancy B Sherrod. The psychology of men and masculinity:Research status and future directions. New York: John Wiley and sons, 2001.
E: Moreover, I also wanted to bring up this notion of compulsive heterosexuality, which is when boys force themselves to be “manly” to reassert their herterosexuality and masculinity to themselves and to their peers.
The central question as to what makes masculinity a complex ideology is explained through a means of a superhero. To better understand masculinity, it must be broken down into its origins. The main point the author emphasizes is that masculinity is something that is constructed and created, rooted from society's cultural beliefs. It is never static, in other word...
Ruddell, Caroline. "Virility and vulnerability, splitting and masculinity in Fight Club: a tale of contemporary male identity issues." Extrapolation 48.3 (2007): 493+. Literature Resource Center. Web. 9 Dec. 2013.
According to common conceptions of machismo, the ideology of masculinity is set upon the stereotypical ideals, which, America has towards the idea of manhood. In the short story, “Brokeback Mountain”, Proulx uses masculinity as the singular focal point within the text. This melancholy tale of two young cowboys, that emerges into a sexual and emotional connection that truly can’t exist. We often see cowboys as virile men saddling a horse or lone men gathering sheep in a valley, but they’re never been depicted as anything other than that. As we’re introduced to Ennis and Jack, they’re nowhere short of the of the common cowboy stereotype. Proulx makes that apparent when she states, “Ennis, high-arched nose and narrow face, was scruffy and a little cave-chested, balanced a small torso on long, caliper legs, possessed a muscular and supple body made for the horse and for fighting” (3). Indicating that young Ennis and Jack are just like any other cowboys. But when young Jack and Ennis meet on Brokeback Mountain, their sexuality doesn’t eliminate their masculinity. It rather confuses it and compromises their sexuality. No matter the acts that these two men may choose to consume their selves to act upon, their masculinity is evident throughout the text. Initially, instead of removing their masculinity, their sexual identity complicates their manhood. “I’m not no queer”, stated Ennis, which makes it evident that these men are aware of their masculinity (7). Aware of the complexity of their relationship Ennis says, “if you can't fix it you've got to stand it”, meaning that he knew the relationship between him and Jack was corrupt but he didn’t know how to stop it. The complicated situation between Ennis and Jack threatened societal norms by...
McCourt matures as he gradually loses his innocence through the experiences he goes through, and as a result he becomes more aware of the environment he is in. He grows from a naïve boy who idolizes his father and blindly follows his orders, to a young man who starts to question his father’s authority. After his father drinks away the money for baby Alphie, McCourt realizes “it’s bad enough to drink the dole or the wages but a man that drinks the money for a new baby is gone beyond the beyonds” (186). He realizes his father is not the perfect person that he respects and admires, and that his father’s actions are absolutely unacceptable; McCourt’s understanding of what is right and what is wrong has developed to a degree where he can judge for himself the character of his own father, and the realization that his father is not who he believed to be strips McCourt of his childlike adoration of his father. Additionally, when his mother is sick and his brothers are starving, McCourt goes out on his own to steal food for them. When McCourt sees “crates of beer and lemonade outside and there isn’t a soul on the street[,] in a second [he has] two bottles of lemonade up under [his] jersey and [he] saunter[s] away trying to look innocent” (236). Following the departure of his father, McCourt begins to assume the ro...
The famous quote, “Masculinity is not something given to you, but something you gain. And you gain it by winning small battles with honor” by Norman Mailer grasps the moral of Ernest Hemingway’s “Indian Camp” and William Faulkner’s “Barn Burning.” “Indian Camp” and “Barn Burning” both tell the story of a young boy discovering what it means to be a man in the face of various challenges that would compromise manhood through the help of their fathers. The stories share similarities as their fathers through a rite of passage lead both young men to manhood. However, the meaning of being a man and how it is achieved differs greatly among the works.
“Cut”, Bob Greene's essay, recalls many memories of men being told they were not “good enough” (Greene 59). All of the men had tried out for some sport team in their teen years, but were all rejected. Though the rejections were responded to differently, for one man it was “the last time [he] cried”, each of them look back at those moments as what had sculpted their lives forever (Greene 57). Undoubtedly, the cuts were the starting point of all of the men “'determining that [their] success would always be based on [their] abilities, and not on someone else's perceptions'” (Greene 59). The pure feeling of rejection in these memories coexists with the fiery ambition to forever ensure that their identities would reflect their unbending will to never feel such rejection
The narrator is unaware that Tyler Durden is in fact himself. The identity crisis the narrator is dealing with is solely based on ideal of masculinity. The masculinity that is acceptable in the modern workplace did not fit with the narrator’s view as masculinity. The narrator is not the only one, in the film many people around the world subscribe to Tyler Durden’s Fight Club. This speaks to the origin of society as masculinity was viewed as a man’s ability to protect and defend, yet today masculinity can now be defined by financial prosperity. Tyler Durden and this film are just a way of getting back to how things once were. The only things that matter must be “essential to survival” (Fight Club, 00:29.30). Yet, the film is meant to explain that there needs to be a balance. Life can backfire if one becomes too dependent on one way of
Toby seems to show signs of emotional and behavioral disorders in his journey through adolescence. He develops many different distinct personalities at various points to try to evade the harsh realities of his life. In the beginning of the novel, he expresses a...
Masculinity in film create dominant social values and stereotypes for the men in society. One of the most common stereotypes is the ‘alpha male’, a man tending to adopt a dominant or forceful role in social or professional situations. In the movie School Ties (1992) directed by Robert Mandel, the character of Charlie Dillon (Matt Damon) displays this stereotype throughout the film, however it doesn’t take long for the audience to discover his real personality. A number of narrative, symbolic and technical elements have been used. Charlie Dillon is represented as an insecure alpha male because the audience sees him as supposedly having everything, always getting what he wants and having a pressure to succeed because of his family name.