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Social construct of masculinity
Social construct of masculinity
Societys view of masculinity
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Masculinity in film create dominant social values and stereotypes for the men in society. One of the most common stereotypes is the ‘alpha male’, a man tending to adopt a dominant or forceful role in social or professional situations. In the movie School Ties (1992) directed by Robert Mandel, the character of Charlie Dillon (Matt Damon) displays this stereotype throughout the film, however it doesn’t take long for the audience to discover his real personality. A number of narrative, symbolic and technical elements have been used. Charlie Dillon is represented as an insecure alpha male because the audience sees him as supposedly having everything, always getting what he wants and having a pressure to succeed because of his family name.
Dillon
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is the youngest member of a family who have attended this school for generations, and so, he feels the pressure to do well in school. Therefore, as soon as David Green (Brendan Fraser) the new quarterback appears, he immediately feels threatened. “I envy you… ‘cause if you get what you want, you’ll deserve it and if you don’t, you’ll manage. You don’t have to live up to anyone’s expectations, you are who you are,” Dillon tells Green when they are sitting on a deck, after losing one of their best friends to a nervous breakdown. This statement shows that Dillon does feel the pressure to do well in school, because there is an expectation for him already and his jealous of David. It also demonstrates that Dillon is not afraid to put his opinion forward, by talking about his jealousy of Green in front of David himself. Another time when Dillon’s pressure is shown is before the football game. When the announcement is made that “the youngest member of the hall of fame, quarterback Grayson Dillon the third,” the shot quickly switches to Charlie, and he gives a look as if to say to Green ‘I told you.’ Through the use of clever film editing, the audience were able to see the look of great pressure on the face of Charlie Dillon. Dillon portrays the Alpha male stereotype from the expectations that are set by his family, but he always seems to get everything he wants. Charlie Dillon seems to always get what he wants, and as a result can be quite arrogant and overconfident.
This can also lead to a desire to want more, this can be seen in a scene that shows Dillon using his roommate’s notes to cheat in the exam the next day. This scene cleverly uses music that gives a feeling of suspense in the background and it also shows close-ups of Dillon looking intently at the notes, before he decides to use them for his own good. By using the close ups, this scene shows how determined Dillon is to get what he wants, and in this case it is good grades. However, it also foreshadows that he’ll cheat in the exam on the following day by using the unsettling music for atmosphere. Not only does he get what he wants, he is also prepared to get what he desires. This is shown in the scene where David Green confronts Charlie in his own room and tells Charlie to tell the truth. “Look, alright, alright. How much do you want, okay? Nothing for nothing, alright? How much will it take for you to keep quiet? How much is it gonna cost?” Charlie tries to negotiate with David, but fails. This suggests that Charlie would bribe someone to get what he wants so that his family’s reputation is still kept the same. Charlie Dillon gets what he wants because he is an alpha male, but he also appears to have
everything. At the start of the film, Dillon appears to have everything, but by the end the audience realise that he wants to be someone that he’s not. Many times throughout the film, Dillon is seen wearing a collared shirt with a tie. This signifies that he wants to be the man his father and his brothers were when they attended that school because he presents himself in such way, he is able to deceive the average teacher. Charlie Dillon claims he has standards set by his family that he has to live up to and he really feels the pressure to be this ‘perfect guy’. However, it drives him, to not only throw away important friendships, but to take advantage of others. In conclusion, Dillon is a ruthless alpha male who is prepared to do anything to live up to his family’s expectations. Through the use of narrative, symbolic and technical elements, the audience were able to depict the type of man Charlie Dillon is. Charlie Dillon has pressure from his family to do well in academics and sport, football in particular, so is driven to the point that he will lie and cheat to get what he wants. In addition, the audience is positioned to view Dillon at the start as having everything, but develops an idea that he has lied and cheated to get the rewards he has. Finally, in Dillon’s nature, he is prepared to do anything to get what he wants. As a final point, the insight that Mandel wants the viewers to take away is that even though Dillon lies and cheats to get what he wants, in the end it is just a hollow victory.
The movie Neighbors (2014) is about a family, Mac, Kelly and their new born daughter, who are settling into a quiet neighborhood until a fraternity moves into the house next door. The fraternity keeps the couple up at night because they are being to loud which ultimately leads to a ‘war’ between the couple and the fraternity. Each of the main characters are trying to prove that they have more power and establish their male dominance over one another. This paper will highlight the masculinities and place emphasis on the main male characters in this movie, the father, Mac, and the fraternity president, Teddy.
He doesn’t lack of encourage anymore, he has overcome his fear and despair. “I have to go. I have to disobey every impulse and leave her for Jasper Jones, for Jack Lionel, for this horrible mess.” We see a different Charlie from his determination. From escape to face up, he shows us more responsible. From helpless to assertive, he comes to realize what he really wants. He knows the dark side of human nature and this unfair and cold world. His innocent, his perfect world has been destroyed by those horrible things; because of these, he knows the part of real world, he knows how the ‘dark’ actually changes this world, his friends, his family, included
Over time, the United States has experienced dramatic social and cultural changes. As the culture of the United States has transformed, so have the members of the American society. Film, as with all other forms of cultural expression, oftentimes reflects and provides commentary on the society in which it is produced. David Fincher’s 1999 film Fight Club examines the effects of postmodernity on masculinity. To examine and explicate these effects, the film presents an unnamed narrator, an everyman, whose alter-ego—in the dissociative sense—is Tyler Durden.
I see Charlie attempting desperately to act out of character. Adept at business he has shown ability, humility and perseverance. However, he seems to be out of touch with the manifested feelings of others his path has crossed.
‘Lad flicks’ or ‘lad movies’ is a type of film genre that emerged in the late 1990s. They are defined as a “‘hybrid of “buddy movies”, romantic comedies and “chick flicks”, which centre on the trials and tribulations of a young man as he grows up to become a ‘real man’. ‘Lad flicks’ respond in part to the much-debated ‘crisis in masculinity’” (Benjamin A. Brabon 116). This genre of film explored what it meant to be a ‘real man’ in the twentieth century and in order to do so, they would have to grow up and leave their juvenile ways behind to enter the heterosexual world. Gender relations in ‘lad flicks’ portray masculinity as a troubled, anxious cultural category hiding behind a humorous façade and also rely greatly on a knowing gaze and irony. The two ‘lad flicks’ that will be analyzed are The 40-Year-Old Virgin (Judd Apatow 2005) and Role Models (David Wain 2008).
All over the world Masculinity has many different cultural definitions. Depending where someone is from, and what they were brought up to believe, defines what the term “masculinity” entails. Different Social institutions all over the United States, such as the military, sports, clubs, and fraternities, have been constructing their interpretation of masculinity. One major social institution that is active in thousands of Universities across the United States is campus fraternities. Campus fraternities create their own sense of masculinity by generating certain requirements and characteristics a man must hold in order to represent them as a part of their fraternity.
The usage of media is huge in nowadays. People rely on different kinds of media to receive information in their everyday life because they are thirsty for the diverse and informative content. However, inaccurate portrayals of people from different races always appear in the media and audience will exaggerate those portrayals by their inflexible beliefs and expectations about the characteristics or behaviors of the portrayals’ cultural groups without considering individual variation (Ting-Toomey and Chung, 2012); in fact, it is also called as stereotypes. According to a study by the Center for Integration and Improvement of Journalism at San Francisco State University (Stein, 2012), racial stereotyping continues to occur in media and the mainstream media's coverage of different cultural groups is full of biased reporting, offensive terminology and old stereotypes of American society. It specifically emphasizes that majority of the stereotyped characters in media will only bring out the dark side of their cultural groups which many of them might not be true, especially for the portrayals of black community: African American.
Smith, Jeff, and Chloe Beighley. "Normalizing Male Dominance: Gender Representation in 2012 Films." Grand Rapids Institute for Information Democracy. N.p., 12 Feb. 2013. Web. 1 Apr. 2014.
Charlie also shows a lot of cleverness.... ... middle of paper ... ... This shows that Charlie realizes that his friends like him for whom he is, not for how smart he is.
Throughout time, women in movies and other similar texts are shown to be generally focused on men. This might make sense if every movie ever made was set in a time where women had absolutely no rights but of course, that is not the case. Older and more modern depictions of women in media, both show women whose lives revolve around men. Even movies that market their female characters as strong and powerful are still shown to be dependent on the male leads and puts them first. Also, since women in movies have more of a focus on men, female to female relationships suffer in the same films. There are very few exceptions to this unfortunate truth.
Ruddell, Caroline. "Virility and vulnerability, splitting and masculinity in Fight Club: a tale of contemporary male identity issues." Extrapolation 48.3 (2007): 493+. Literature Resource Center. Web. 9 Dec. 2013.
Others often use masculinity, most often associated with strength, confidence and self-sufficiency to define a man’s identity. The narrator perceives Tyler Durden as a fearless young man who is independent and living life by his own rules. So is Tyler Durden masculine because of his no nonsense attitude or are his law breaking antics and unusual lifestyle seen as a failure because he is a man with neither family, money nor a well respected job? These typical aspirations are commonly defined as the male American dream, but does following life by the rulebook placed on males by society really make a male masculine? Fight Club specifically debunks the male American dream. It challenges’ the idea that the masculine identity is defined by material items and instead embraces the idea that masculine identity can be found in liberation from conformity and the ability to endure pain.
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
Throughout society, men and women have been expected to live by guidelines consisting of media generated ideas and ways of living out life. Both men and women’s thinking process are being altered the negative effects of society’s mass media. For both sexes, this repeating negative exposure causes a constant downfall in self-image and creates media influenced decisions that lead to unhealthy lifestyles. The media effects the thinking process of both men and women in negative ways therefore media needs to be heavily regulated.
Sex and gender are attributes to our identity. Sex describes the physical and biological factors we are born with, for example male or female genitalia, as quoted from blackadder “A boy without a winkle is a girl” (Elton and Curtis 1998). Whether we have oestrogen or testosterone hormones also tells us if we are man or woman. Gender however is in relation to stereotypes of masculinity and femininity, and expectations of what characteristics men or women should portray. Anyone given the opportunity to describe men, they would say words like dominant, non emotional, macho, aggressive, and to be the provider and protector of his family. This essay sets out to examine if masculinity is socially constructed and to do this the theories of gender, media, historical societies and even sexuality will be analysed throughout.