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The role of a narrator
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Lyddie should sign the petition Lyddie a novel written by Katherine Paterson in February 1991 is about a young girl by the name of Lydia Worthen, Who is thrust into a life of work at a young age. She starts at her home in Vermont working at her family farm. Then her father leaves promising to come back with “treasures”. Soon later Lyddie moves to a tavern And works there soon she realizes that how much money she's making is not enough. So she takes a loan from tryphenna And heads to Massachusetts. On the way there the conveyance she was riding in hits a rock and thus making the carriage come to a halt the men in the carriage get out and try to push it but can't so lyddie Hops out and helps. The stagecoach was not helping because he found it humorous. He thanks lyddie and recommends her to a concord company where her sister works she accepts seeing an opportunity. Once she's in the workplace, she hears a barbaric blast of noises she's never heard before, it was an uproar for her since she was raised on a farm. …show more content…
Another reason is the rambunctious noise. My evidence is on (62) “Creation! What a noise! Clatter and crack, great shuddering moans, groans , creaks, and rattles. The shrieks and whistles of huge leather belts on wheels . and when her brain cleared up enough, lyddie saw through the murky air row upon row of machines… I chose this quote because it shows how loud lyddie's work is and how unsafe it is. 150 decibels is usually considered enough to burst your eardrums, but the threshold of death is usually pegged at around 185-200 dB. You may think that the machinery is not that loud but the book shows
involved troubling situations. Look at how she grew up. The book starts off during a time of Jim
... her family with such courage are actions that demands respect from those that know of her and her sufferings. However, I do not find that Lyddie fully understands what selflessness is, a misunderstanding which makes her decisions that surround her family and her safety extremely difficult to make. Selflessness is a quality nearly synonymous to bravery. To devote oneself to a cause with absolutely no regard to his own mental and physical safety is at times a blind decision, but also almost always indicates a specific type of courage. On the other hand, it may only emphasize how the glamorization of selflessness is capable of making one so very blind to the true form of unselfishness’s consequences—a lesson young Lyddie must learn if she desires to use her selflessness wisely throughout her life. Occasionally, one must be selfish in order to achieve selflessness.
Celia, A Slave by Melton McLaurin tells a true story of a female slave who was sexually exploited by her master and the trial she faced as a result. At the young age of fourteen, Celia was brought to Callaway County under her new master, Robert Newsom. Celia later murdered Newsom, in an act of self-defense, and was placed on a trial challenging the institute of slavery and the moral beliefs of anyone involved with slavery in the South. The short life of the young Celia revealed a slave girl who had pushed beyond the ideal limit of a system that denied her humanity and threatened to erode the base of the antebellum southern society.
It is of no surprise to anyone that people in general, particularly Americans, tend to be overly-enticed by materialistic things and ridiculous ideals, placing more emphasis on them than things of sentiment. In “On Dumpster Diving,” author Lars Eighner develops on his experiences as a homeless man not in an attempt to defend the art of Dumpster diving, but instead to build upon the idea that a majority of people spend too much time and money on things that will not matter in a few years—they should instead focus on things that will never lose their value. Throughout the essay, he is attempting to persuade his audience that they should change their regular way of thinking and let go of materialistic things in order to live a better, more sound, and overall healthier life. To develop this purpose, Eighner utilizes juxtaposition, exemplification, and definition.
Jacobs uses the pseudonym Linda Brent to narrate her first-person account. Born into slavery, Linda spends her early years in a happy home with her mother and father, who are relatively well-off slaves. When her mother dies, six-year-old Linda is sent to live with her mother's mistress, who treats her well and teaches her to read. After a few years, this mistress dies and bequeaths Linda to a relative. Her new masters are cruel and neglectful, and Dr. Flint, the father, soon begins pressuring Linda to have a sexual relationship with him. Linda struggles against Flint's overtures for several years. He pressures and threatens her, and she defies and outwits him. Knowing that Flint will eventually get his way, Linda consents to a love affair with a white neighbor, Mr. Sands, saying that she is ashamed of this illicit relationship but finds it preferable to being raped by the loathsome Dr. Flint. With Mr. Sands, she has two children, Benny and Ellen. Linda argues that a powerless slave girl cannot be held to the same standards of morality as a free woman. She also has practical reasons for agreeing to the affair: she hopes that when Flint finds out about it, he will sell her to Sands in disgust. Instead, the vengeful Flint sends Linda to his plantation to be broken in as a field hand.
Jeanne Wakatuski is a young girl who had to endure a rough childhood. She thought herself American, with a Japanese descent. However, with WWII and the internment camps, Jeanne struggled to in understanding who she really was. It started with Manzanar, at first she knew herself as a Japanese American. Living in Manzanar gave her a new perspective, “It (Manzanar) gradually filled me with shame for being a person, guilty of something enormous enough to deserve that kind of treatment” (Houston and Houston 161). Jeanne faced the problem of being someone who was not wanted or liked in the American society. A good section that shows the discrimination at the time was when Jeanne tried to join the Girl Scouts, which is on page 144. She was turned
Tristan and Iseult wander throughout the woods with their pallid faces and tattered clothes. In the high woods, they discern the dwelling of an old, religious man named Ogrin. Ogrin apprises Tristan of two things: 1) King Mark is awarding a ransom of a hundred marks of gold for whoever captures Tristan, 2) Tristan should "do penance" so God can pardon his sins. Tristan informs that there is nothing to repent because he craves being with Iseult, even if he subsists on a tougher life. Ogrin elucidates that Tristan is obligated to return Iseult to the King as he wronged him. In return, Tristan justifies that he is not entailed penance because King Mark sacrifices Iseult to the lepers. Ogrin iterates and reiterates the words of his holy book to Iseult, but Iseult weeps. Despite Ogrin's reasoning, Tristan is nevertheless convinced that he penance is not a necessity.
Incidents in the Life of a Slave Girl is written by Harriet Ann Jacobs, and edited by L. Maria Child. Harriet writes this story as Linda Brent; a girl born into slavery, suffering and fighting for her freedom (and later for the freedom of her children). Although Linda was born a slave, she didn’t realize it until the age of six. As a child she was taken care of by a kind mistress who promised Linda’s mother to take care of her and protect her. When this mistress passed away Linda hoped for her freedom. Sadly, she was handed over to the Flint family, where she grew into her teenage years. Her life in this house was miserable and like many slaves there were many times she wished her life could have ended. Her first true love was denied to her. She hoped that this free man could get her freedom. The only way this could happen was to be put on the market for sale. Mr. Flint denied her this, using the excuse that she was the property of her daughter and he could not sale her. After having to give up on her first love, Linda’s only hope for escape was Mr. Sands; her white lover and father of her two children.
By writing Sisters of the Yam: Black Women and Self-Recovery Bell Hooks gave black women a chance to relate to one another on issues that we are often afraid to express. In PSC 318 we often discussed the stigma of being a “strong black woman” and the negative aspects of that stigma. In my eyes thee is nothing negative about being strong and there is surely nothing negative about being a black woman. But, as a black woman we are looked at providers, caregivers, mentors, mother figures, a shoulder to lean on and much more. Bell Hooks touches on the touchy subject in the black community and that is mental health. Often times as black people we worry about physical health and spiritual health, in the black community our answer to everything and anything going wrong in our lives is to pray about it. Yes, God can heal and help us but Bell Hooks tells us in writing Sisters of the Yam: Black Women and Self-Recovery that we need to take care of our mental health as well as pray. Black women rarely go to therapist to talk about their problems because they are so worried about helping everyone else handle their problems.
Although Kelroy is a novel of manners, the story contains more plot than the other nineteenth century novels in its category. The story begins with Mrs. Hammond finding herself a widow at the age of thirty. She realizes that she is incapable of supporting her family in the men's business capital of Philadelphia, where they live. She devises a plan to find wealthy suitors for her daughters, Lucy and Emily. With good intentions, Mrs. Hammond began throwing numerous parties for her daughters. However, Mrs. Hammond's true motive is to guarantee her own well-being and influence in society. Lucy , the oldest daughter, is very similar to her mother. Although she is physically attractive, she is shallow and realistic. She mee...
Lydia’s understatements in her letter to Mrs. Forster reveal her genuine motives of true love and minimize the severity of ignoring her family’s expectations. Austen develops climax in the story through downplaying Lydia’s opinion of her frowned upon marriage as she giggles, “For it will make the surprise greater, when I write to them, and sign my name Lydia Wickham. What a good joke it will be” (276). Lydia’s casual tone expresses Austen’s satirical message: that the pressures on women may backfire and influence them to unconsciously rebel against the status quo. As Lydia runs away and laughs about the shame she brings to her family, Austen provides a climax against 19th century society by warning of the consequences of too much
Lydia Worthen was only thirteen when she took on a job at the Lowell Mill as an attempt to bring her family back together. In the novel, Lyddie, by Katherine Paterson, Lyddie was first introduced as the mother figure of her large family. She grew up without a father but instead with her mother and many siblings. She grew up in 1843 in Vermont until her mother hired her as a Tavern worker. Eventually, Lyddie finds her job at the Tavern unpleasant and once she’s dismissed, Lyddie switches to the factory life as a female textile worker at the Lowell Mill in Lowell, Massachusetts. The factory is strict with their set of regulations but after working for some time, Lyddie makes a few companions. One of which, Diana Goss, presents Lyddie with a petition. If the petition holds
Slavery was a historically significant, yet dehumanizing period the United States encountered; the period conveys a reminder to humanity that individuals are created equal, as stated in our Constitution. One individual holds vivid memories of this dark period, she presents her anecdotes through the perception of a young woman, Linda Brent. The novel, Incidents In the Life of a Slave Girl, by Harriet Jacobs, primarily identifies the hardships slavery imposed upon African Americans, specifically Linda, during the period of slavery in the mid 1800’s and express how the fetters of slavery prohibit the main character from obtaining human rights sprouted from freedom. Although she battles the repercussions of slave laws and cruel slave owners, Linda
The novel ‘Bastard Out Of Carolina’ by Dorothy Allison is about a girl named Ruth Anne Boatwright who goes by the name of Bone. It opens on Anney Boatwright at the age of 15. She had just given birth to Bone a few months ago and is trying to change Bone’s birth certificate so that the illegitimate stamp across the bottom can be removed. The reason that this stamp is there is because Bone’s father is unknown. At the age of 17 Anney marries a boy names Lyle Parson’s. Lyle and Anney have a daughter together named Reese. Lyle is later killed in a car accident leaving Anney to be the mother of two children at such a young age. Anney keeps her job at the local diner in order to support herself, Bone and Reese. After a few years Anney meets a man
Machines traveled faster than horses, and made less of a mess. These new inventions could do more detailed work. So instead of a boss employing a bunch of people who could risk losing a finger or two, they could build a machine and only have to repair it occasionally. They could do more detailed work such as replacing bobbins so that children didn’t have to. It was supposed to be great. It wasn’t. Instead it just made the already hot workrooms of the past even hotter and stickier and got rid of a lot of jobs. Why have a line of humans rolling cigarettes when you could just have a row of machines? Machines didn’t tire, or get sick. Machines could do the work faster, more precise, and with less of a fuss. Cyril was lucky he was so good with machines, otherwise he would have been one of the many who had gotten