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Recommended: Nabokov lolita analysis
Vladamirs Nabokov’s novel titled Lolita explores the taboo topic of pedophilia and obsession. Humbert Humbert, the main character, has always had a strong attraction to young girls around the ages twelve to thirteen or nymphets as he likes to call him. He watches them play in the park, likes to look at pictures of Girl Scouts and enjoys watching them swim in the pool. Humbert reflecting on his life tries to justify his actions that have landed him in jail by writing them down in a manuscript. He writes to his readers about how he met Lolita, the twelve year old daughter of his landlady, and chronicles how he constantly fantasies about fondeling her body and eventually taking sexual action towards her. He also kidnaps her after her mother dies and often gives Lolita toys, magazines, clothes and money in exchange for sexual favors. Though out the entirety of the novel Humbert writes about how much stress and anxiety he experiences by attempting to hide his pedophilia and how fearful he is of his secret being found out.
Does Lolita give an accurate representation of the psychological disorder pedophilia? By looking at certain components of pedophilia sectioned off in this paper one can surmise that Lolita gives a fair rendition of the characteristics pedophilia can manifest itself in an individual but not necessarily a complete story of the disorder.
Onset and Course:
In Lolita Humbert Humbert describes the circumstances in which he believes his obsession with nymphets began. He describes a time when he was about thirteen and met his first love Annabel who was around the same age. So enraptured with each other, they tried to sneak off from their parents multiple times for sex. However they were so closely watched and so often int...
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... between low intelligence and pedophilia. There is no indication of associated problems in living despite the possible problems found in relationship deficits. The novel also never mentions anything about treatment of pedophilia and Humbert dies in prison, however, pedophiles in the federal system do receive treatment in the form of cognitive behavior therapy that can involve group talk sessions and aversive conditioning. The only substantial commonality Lolita seems to share with the actual description of pedophilia is a strong enduring sexual interest in prepubescent children. One possibility for this is that in the novel, Humbert Humbert is the narrator and consistently tries to downplay his disorder in order to evoke sympathy from his readers. This makes his rendition of events slightly unreliable. This makes it only a fair representation of pedophilia.
At the beginning of the 1900s, there was a “sexual revolution” in New York City. During this time, sexual acts and desires were not hidden, but instead they were openl...
John gradually discovers that Lenina is not the innocent, undiluted woman he once loved. Lenina’s sexual promiscuity is horrifying to him; the thought that other men have had sexual experiences with Lenina causes him to go insane. When Lenina makes a sexual advance, John shouts: “Whore! Impudent strumpet” (132). John’s dream is shattered – the perfect Other has its own imperfections, and this reality corrupts John’s self-awareness. Lenina’s image was a reflection of the person John viewed himself to be: an innocent character that is untainted by the “Brave New World” (94) and its vices. In order to expunge his sins, John flees civilization and moves to the countryside to spend his time gardening, praying, and whipping himself. His redemption is uprooted as he succumbs to the ways of the citizens of the World State by engaging in a masochistic “orgy-porgy” of self-inflicted pain and whips a woman who appears to be Lenina until she becomes a shell of a human being. Huxley provides closure to the fantasy John created by plunging John into an abyss of anguish, reflecting the idea that intense fantasy nurtures insanity. Voltaire, by contrast, ends on a relatively positive note. After a long voyage, Candide is reunited with his dear Cunnegonde only to realize that she is “a scullion … and is very ugly” (84-85). Candide stays true to his word and marries her, but he regains a sense of purpose by opting to tend to his own garden. Instead of relying on the fantasy of a perfect Other, Candide assumes responsibility for his own life by focusing on labor and cultivating his own work ethic. In Candide, characters escape the temptation of fantasy through hard work; by applying themselves to do “some service or other” (87), life is
"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the likeness of a list. Whether it's a list of things to do on the weekend or perhaps items of groceries which need to be picked up, her lust for each one of the boys in the story is about as well thought out and meaningful as each item which has carelessly and spontaneously been thrown on to a sheet of paper as is done in making a list. This symbolistic writing style is used to show how meaningless these relationships were but the deeper meaning of why she acted the way she did is revealed throughout the story. Minot cleverly displayed these catalysts in between the listings of her relationships.
Lullabies for little criminals tells the story of an 11 year old girl and her interactions with drugs, alcohol, and prostitution. We are introduced to Baby, who narrates her story in the first-person. The narrator of the novel is however an unreliable narrator because she is so young and innocent and often does not really understands what is happening to her. Heather O’Neill emphasizes the dark, grittiness of the Montreal street life by choosing the narration of an innocent child. We see multiple experiences that O’Neill enhances through her use of narration that causes Baby’s loss of innocence, such as drugs and hurt at a young age, prostitution and love. We are forced to grow up fast when we grow up alone.
In Aldous Huxley’s novel, “Brave New World,” published in 1932, two idiosyncratic, female characters, Lenina and Linda, are revealed. Both personalities, presented in a Freudian relationship (Linda being John’s mother and Lenina being his soon to be lover), depict one another in different stages of life and divulge ‘a character foil’. Lenina and Linda are both ‘Betas,’ who hold a strong relationship with the men in their lives, especially John. It can be stated that John may partially feel attracted towards Lenina, because she is a miniature version of Linda, in her youth. They both support the term of ‘conditioning,’ yet also question it in their own circumstances. Nonetheless, they both are still sexually overactive and criticized for such immoral decisions. Linda espouses it from her heart, while Lenina supports the process partially due to peer pressure and society’s expectations. Both female characters visit the Reservation with Alpha – Plus males, and both find a common feeling of revulsion towards it. Linda and Lenina are similar in many ways, yet they hold their diverse views on the different aspects of life.
The poet contrasts the girl’s ideas of love and sex with reality. This is done effectively by using techniques such as similes and alliteration. The poem shows how young teenage girls can be easily seduced under the influence of alcohol. ‘The Seduction’ also shows how young girls can be manipulated by the media. McAuley presents the setting for the seduction of the girl as harsh through use of language and imagery.
...s of Lolita and Humbert to show the isolation and loneliness they feel, and to show just how different and immoral the situation is. By stressing the dissonance between one persona to the next, he portrays a view of his characters that is sad and shocking, for the public seen is also the reader; the unaware, innocent, “moral” group. By letting us into the different faces of Lolita and Humbert, Nabokov reveals the tragedy in the novel, and allows the reader to vividly feel what is morally right and wrong with Humbert, Lolita, and ourselves.
With his 1955 novel Lolita, Vladimir Nabokov invents a narrator by the name of Humbert Humbert who is both an exquisite wordsmith and an obsessive pedophile. The novel serves as the canvas upon which Humbert Humbert will paint a story of love, lust, and death for the reader. His confession is beautiful and worthy of artistic appreciation, so the fact that it centers on the subject of pedophilia leaves the reader conflicted by the close of the novel. Humbert Humbert frequently identifies himself as an artist and with his confession he hopes “to fix once for all the perilous magic of nymphets” (Nabokov, Lolita 134). Immortalizing the fleeting beauty and enchanting qualities of these preteen girls is Humbert Humbert’s artistic mission
...has been proven and documented that Humbert is known to alter the truth and flat out lie when he is put into a tense situation in order to get himself out of trouble. Since a trial is usually used to decide whether a person is found guilty of his or her crimes it is only reasonable to believe that Humbert would lie in his narrative about his travels with Lolita in order to save and protect himself, thus cementing the fact that he cannot be trusted as a reliable narrator.
Humbert Humbert is a pediphile plane and simple. It has been argued that's Humberts unnatural love for what he calls “nymphets” originated from his childhood love Annabel. They sent one summer together when they were teens and he instantly fell for her. That summer ended in tragedy when Annabel died and Humbert was emotionally lost. Due to the fact that Humbert never had any closer in his relationship with Annable, his emotional maturity was eternally set at that of a teen. As he progressed through life his only sexual desires were directed towards children of smile characteristics of Annable. These were his nymphets; “between the age limits of nine and fourteen there occur maidens who, to certain bewitched travelers, twice or many times older
Confessional poetry of women poets of the then 1950s and 1960s opens a new vista for them to express their ‘self’ and to foreground their identity. These poets feel the need for self-affirmation because of their experience of marginalization in society. They found all the experiences are gendered in the 1950s and 1960s patriarchal society and so they also develop a gendered image of their ‘self’ in their confessional poetry. At the time when Sexton and Plath were children, the authoritarian figure within the nuclear family was the father and so he was the representative of society’s rule. Hence, the delineation of the Electra complex in their confessional poetry is one of the approaches of scratching their gendered ‘self’ because through the Electra complex the poets inscribe the female sexuality into the text. So, “with their autobiographical works, they write themselves into the canon and represent and deconstruct cultural images and linguistic codes of ‘woman’ and suggest alternative modes of self and identity” (Carmen
My eyes were caught by the title "rape fantasy" at the first time I saw this essay because it was so sensitive that most people are not willing to talk about it. After finish reading this novel, Estelle and her six fantasies gave me deep impression.
This dynamic gender binary is established by the opposition of the narrator Humbert Humbert and Lolita. This opposition of the story’s primary characters serves to remind the audience of the hegemonic relationship between thirteen year old Lolita and Humbert. Asserting the dominance of Humbets character throughout his narration. The common occurrence in Lolita to mirror by parody and binary opposition is not limited to such.
To give some suggestion of a background to this piece, The Bluest Eye is told from the perspectives of two reflective women, Claudia and Frieda MacTeer, as they reminisce about their childhood, and the images of their friend, Pecola Breedlove as they all grew up through the years at hand in this book. Is this a coming of age story? Quite literally, but it is a dissonant one, apart from so many others-- and serves to further the message as stated above. If only to compliment it, then, puberty and growing into sexual prowess are developed by the same things that make up one’s moral sophistication– parents, one’s school environment, and their social environment. Pecola’s parents, her home life; none of it is the least bit welcoming, the least bit inviting. She cannot express herself as she grows into her body because she will be beaten for it. Her mother thinks her a liar, and her father is too plagued by his own mental images to care much for anyone apart from himself. He takes out his stresses on Pecola, as the reader will see in the last leg of the book; Spring respectively. This environment that Pecola grows up in is indefinitely “not the right way.” She is denied too much of herself, and this is why she goes insane, partially.
...the main site of modern commodification of both nurturing and sexual services. The dysfunctional family relationships are presented through the manipulation of sexual attraction, as well as the exertion of dominance between characters in the urban London city after the World War II.