In Aldous Huxley’s novel, “Brave New World,” published in 1932, two idiosyncratic, female characters, Lenina and Linda, are revealed. Both personalities, presented in a Freudian relationship (Linda being John’s mother and Lenina being his soon to be lover), depict one another in different stages of life and divulge ‘a character foil’. Lenina and Linda are both ‘Betas,’ who hold a strong relationship with the men in their lives, especially John. It can be stated that John may partially feel attracted towards Lenina, because she is a miniature version of Linda, in her youth. They both support the term of ‘conditioning,’ yet also question it in their own circumstances. Nonetheless, they both are still sexually overactive and criticized for such immoral decisions. Linda espouses it from her heart, while Lenina supports the process partially due to peer pressure and society’s expectations. Both female characters visit the Reservation with Alpha – Plus males, and both find a common feeling of revulsion towards it. Linda and Lenina are similar in many ways, yet they hold their diverse views on the different aspects of life. Lenina and Linda are both shown as Beta females who come from the civilized world. Even though Huxley does not clearly state that Lenina is from a upper class within society; however the text strongly suggests her to be a Beta through dialogue and association presented with other characters, and her specific thoughts and actions. Having a background and childhood in ‘The Other Place’, both women support the idea of conditioning from heart. Despite sharing a common interest in obsessing over materialistic possessions, such as jewellery, clothing, outer appearances and body fragrances; they also share an interest in p... ... middle of paper ... ...ve visited the Reservation, escorted by Alpha – Plus men, and have found a common detest for the site and its unsanitary surroundings. Since both wear the Malthusian Belt, they feel protected from the frowns of pregnancy, yet Linda still faces the downfall. Linda’s cause of committing suicide comes from viewing Lenina as her past and all the advantages of the civilized world she lost due to the birth of John and living in the Savage Reservation. Linda takes an over dose on soma to relieve her pain from never accomplishing the sexual and physical success that other Betas of her time established, while Lenina takes soma for realizing that ending is not always better than mending. Through their common interests, physical appearances, questioning on the civilized world’s teachings and their own moral ethics, Lenina and Linda are shown as character foils for one another.
Jett Phillips 07.02.2017 Dearing AP Lit & Comp A.3 Aldous Huxley’s Satirical Ironic World There is no novel more synonymous with irony and satire than Aldous Huxley’s 1932 novel Brave New World. Throughout the novel, Huxley takes advantage of irony and satire to bring about his message, in an attempt to criticize those who would like to see the expansion of the state and proliferation of promiscuity, by showing those how such a world would look like, through his depiction of the “World State.” As presented in the novel, the World State’s citizens are designated by birth into genetically engineered classes, controlled throughout life through drugs and endless promiscuity, and pushing the never-ending production line forward in the satirically stated year of 632 “After Ford.” However, Huxley’s use of irony shines brightest through the names of his characters, such as Lenina Crowne, Bernard Marx, and John the Savage. The former two names are in reference to Vladimir Lenin and Karl Marx, and the latter being an ironic name based on how, essentially,
In Aldous Huxley’s Brave New World, Lenina and Linda are character foils of one another. Huxley foils these characters in order to show the differences not only between their characters, but also to show the difference in the societies that which they are accustomed to. Lenina and Linda were complete strangers and had never met; however, they share many similarities while remaining different.
Huxley also uses distortion as a way to make people "see" in his depiction of human relationships. In the book, sex is looked upon as a tool for sharing with multiple partners. The frequency with which people sleep with each other is a disturbing aspect Huxley chooses to portray. Lenina Crowne symbolizes Huxley's portrayal of the complete lack of sexual morals and self-respect. Along with Soma, sexual promiscuity is another form in which the governm...
In the first couple of chapters, Lenina, a young woman, is introduced. When we first meet her, we learn that she has been seeing a guy, Henry, for the past 4 months. The reader can assume that this is normal, since the same happens in our everyday lives, but we soon discover that this is abnormal. In the new world, a regulation is set that men and woman cannot be in committed relationships, but are supposed to have sex with as many men or woman possible. The fact that she is not promiscuous enough can get her into trouble. “And you know how strongly the D. H. C. objects to anything intense or long-drawn… why, he’d be furious if he knew…” (Huxley, 41) As the story progresses, however, she becomes an example of new world regulations, admitting that she had sex with many men. “She was a popular girl and, at one time or another, had spent a night with almost all of them.” (Huxley, 57) Old world r...
The actual process of creating humans is made possible through the use of a single ovary which makes thousands of identical people. Since these people are similar in appearance, thought and relations, they are able to live in perfect harmony with each other. Huxley uses Lenina and Fanny, two of his female characters who are distant relatives from the same ovary, as people who get along well and are on the same page on issues concerning Utopian lifestyles. This is how the government of Utopia, made up of only ten controllers, is able to maintain stability among its people. Since stability is part of the brave new world’s motto, it is a crucial deal for the government to uphold.
Dignity is an essential characteristic of humanity because it embodies who we are and prevents us from lowering our morals to the degree in the novel. Lenina’s lack of dignity is shown by her casual view of sex and lack of shame for her nakedness. Her conditioning has caused her to stoop morally lower than any normal human would, suggesting that she is not entirely human.
Not only does Huxley use sex and reproduction as symbols of stealing human rights early in life, but he uses it for their adolescent and adult lives. Strange and alien sexual control is showed at an early age in this society when children of a young age are told to be playing an erotic and sexual game. This continued push on sexual promiscuity, especially on women, is in stark contrast to our own soci...
One major issue that helps maintain social stability in Brave New World is sex. It is thought of as normal for people to be completely open with their sexual nature. It is typical for children to run around naked during recess playing games that are sexual and sometimes homosexual in nature. Every adult is encouraged to sleep with as many different partners as possible. This outlook on sexual nature is quite different from actual accepted views. Today, sex is most widely accepted as a private, romantic event that should take place between monogamous couples. Because sex is a natural need of the human body, people of Huxley’s society feel pleased by being open with their sexuality. Indulging in their sexual pleasures eases their minds and keeps them from questioning the level of freedom they have.
In most countries in our world, society has experienced technological advances to the point of being able to accomplish what Huxley envisioned. In contrast to Huxley’s vision, the moral standards of most nations allow all humans to enjoy basic human rights that embrace family, personal relationships, and individualism. Today’s society is able to comprehend how with the technological advances Huxley’s world could be a reality, but with the privilege of a democratic society, civilization would not allow the medical intervention for reproduction, the conditioning for happiness and consumerism. Work Cited "Brave New World by Aldous Huxley : Barron's Notes" Brave New World by Aldous Huxley: Barron's Notes. N.p., n.d. Web.
In Aldrous Huxley’s A Brave New World, pleasure is the main driving force in life. The government uses tools such as the wonder drug soma and the endorphins naturally released during and after sexual intercourse to keep the minds of their well-tended flock off of matters that might concern them if they had not previously been conditioned to resort to a vice the moment that they begin to conceive an ill thought. Lenina 's adulation of John, the Savage, is perhaps one of the more obvious triggers of soma usage within the novel. Lenina does not understand John 's concept of love, and attempts to show her affection in the only way she knows how, and that is by having sex with him. She thinks this is a normal act, but for him, it is sanctity. John believes that one should only express their passion through sex if they are married as is the custom on the reservation. This leads John to call Lenina many obscene names and to send her into the tender arms of soma instead. She merely wishes him to reciprocate her advances, which she would take as meaning that he was happy to be with her. She simply wants the both of them to be joyous in their carnal revelry but “Happiness is a hard master – particularly other people 's happiness. A much harder master, if one isn 't conditioned to accept it unquestioningly, than truth” (Huxley 227, Brave New World). John and Lenina are very different people however, as Lenina tells Bernard “I don 't understand … why you don 't take
The moral dilemma of monogamy would be the bane of Brave New World itself. If the people of Brave New World found out about religion the people would learn the moral dilemma of “every one belongs to everyone else”(Huxley 31). Lenina Crowne is a perfect example of someone whom was conditioned, but does not fit into the social norms of Brave New World. Furthermore, religion would only strengthen Lenina’s tendencies of having one man for a long period of time. In
This twentieth-century tradition of dystopian novels is a possible influence, with classics like Aldous Huxley’s Brave New World and George Orwell’s 1984 standing prominent. The pessimism associated with novels of this genre—where society is presented as frightening and restrictive—exposes the gender inequality between men and women to be deleterious. An aspect of the way male/female relationships are presented in both texts is the repression of female sexuality by men, possibly stemming from a subliminal fear of women attaining power in a male-dominated society. Brocklehurst—a possible reflection of Bront’s Evangelical minister at Cowan Bridge, her own poorly run school—is a male authoritative figure whose relationship with the girls at Lowood is one of imposed tyranny. He means to “tame and humble” them through deprivations and restrictions, but such removal of liberties like cutting off the girls’ hair, consequentially robbing them of female attributes, can be interpreted as the male repression of feminine sexuality.... ...
However, to Lenina and the World State, theses beliefs promote happiness with repercussions- essentially, they strived for eternal happiness, without ever having to experience any negative emotion. The ending of the novel may have been Huxley’s commentary on this belief; one cannot escape reality, and for the Lenina and the World State, reality would be the emotions that they are trying to avoid (such as sadness, anxiety, anger, etc.). Lenina has never had to experience any negative emotions; she has always avoided them, through sex, drugs, and so on. However, reality caught up to her when she went to visit John; she was brutally beaten, and whipped back into
First, in Brave New World, there are no Alpha women, and the highest caste a woman can be born into is Betas. The director plays a recording for the trainees that says, “I’m really awfully glad I’m a Beta, because I don’t work so hard” (Huxley 27). Mond plays this recording to press into the citizen’s minds that Betas are not as important as Alphas because they do not work as hard. Alphas are only females, so this is another way of proving that women in this society are less than men. Another representation of subordinate women is that there are no women in powerful or controlling positions in neither Brave New World or 1984. Both books have a higher being that is a male and all of the powerful leaders are men. Finally, in Brave New World women are subordinate to men due to the fact that the mothers are much more taboo than fathers are. The narrator explains to readers that “to say one was a mother- that was past a joke: it was an obscenity” (Huxley 153). The view of women in the World State is the exact opposite of the view of men and this inequality further proves women are subsidiary to men. To say someone was a father, on the other hand, would create a joking situation and is not nearly as bad as a mother (Huxley 153). This injustice proves that women are not at the same level as men, and 1984 and Brave New World reveal the truly sexist culture in which they take
Since this book was published in 1932, Huxley based his ideas of the free sexualization of women and the heavy use of drugs from the conusmerism and rising economic growth in America during the 1920’s. When Huxley wrote about the negative treatment of women in the “brave new world”, he was most likely referring to flappers, who were often characterized by their slitted skirts, short bobs, and their “debutante slouch”, made their appearance (Sauro). The “modern” behavior of the flappers, like their tendencies to smoke and drink with the men and obvious makeup, were considered improper at the time (Benson). In Brave New World, Lenina “[thought] of herself as meat” (Huxley 53), and women were often referred to as “pneumatic” and were judged by their looks (Huxley 60). The rising economic growth was a huge deal in the 1920’s because it led to excessive spending; people illegally drank because it was exciting, and “bootleggers (makers and suppliers of alcohol) became modern-day heroes” (Benson). With the extra money to spend and time to spare, people partied more frequently; these parties at the illegal bars were laden with drinking (Benson). In Huxley’s novel, the soma represents the heavy use of alcohol and drugs. People wasted their feeling away with alcohol just like how the citizens in the novel took soma to numb their feelings and