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Narrative of teenage pregnancy
Introduction for the essay of teenage pregnancy
Introduction for the essay of teenage pregnancy
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The Seduction Eileen McAuley To His Coy Mistress Andrew Marvell Eileen
McAuley’s The Seduction is set against the bleak surroundings of Merseyside.
‘The Seduction’ Eileen McAuley
‘To His Coy Mistress’ Andrew Marvell
Eileen McAuley’s ‘The Seduction’ is set against the bleak surroundings
of Merseyside. The purpose of the story is to show a teenage girl’s
predicament after getting drunk at a party. The poet contrasts the
girl’s ideas of love and sex with reality. This is done effectively by
using techniques such as similes and alliteration. The poem shows how
young teenage girls can be easily seduced under the influence of
alcohol. ‘The Seduction’ also shows how young girls can be manipulated
by the media.
McAuley presents the setting for the seduction of the girl as harsh
through use of language and imagery. The setting is described using
phrases such as ‘far from the blind windows of the tower blocks’. The
words ‘tower blocks’ gives the setting a threatening atmosphere. Also
the words ‘blind windows’ adds mystery to the setting. This is because
the two words are contrasting. The word ‘blind’ is usually associated
with visionless. While ‘windows’ are usually see-through. ‘The
Seduction’ is set in the ‘quiet bricks of Birkenhead’ suggesting that
place that he takes her to is remote. ‘Far past the silver stream of
traffic through the city’ this is implies that they were distant from
the busy city leaving them isolated this makes the girl vulnerable.
A lot of the language used in 'The Seduction' is symbolic. ‘So she
followed him there all high white shoes’ is an example of symbolic
poetry. The shoes are described as white to present a symbol of
purity, which is a major theme in the poem. Towards the...
... middle of paper ...
... Mistress’ is to
show the effects of a seduction. ‘The Seduction’ focuses on a teenage
seduction whereas ‘To His Coy Mistress’ focuses on a more matured
seduction. McAuley’s poem ‘The Seduction’ is critical of teenage
magazines. McAuley shows a disliking attitude towards the contents of
teenage magazines. This may be because she is against the way love and
romance is presented these types of magazines. McAuley is also
critical of society’s attitude towards teenage pregnancy. She explores
how things like anorexia and drugs amongst teenagers are accepted by
society and how teenage pregnancy is not. McAuley also criticizes
prejudice and stereotyping in the society. I enjoyed reading both ‘The
Seduction’ and ‘To His Coy Mistress’. I preferred Eileen McAuley’s
‘The Seduction because it has a more meaningful message, also because
it is directed at my age group.
“To the Virgins, to Make Much of Time” by Rober Herrick and Andrew Marvell’s “To His Coy Mistress” have many similarities and differences. The tone of the speakers, the audience each poem is directed to, and the theme make up some of the literary elements that help fit this description.
Sex is more than just a physical act. It's a beautiful way to express love. When people have sex just to fulfill a physical need, as the poet believes sex outside of love-based relationship only harms and cheapens sex. In the beginning of the poem, Olds brilliantly describe the beauty of sex, and then in the second half of the poem, she continues reference to the cold and aloneness which clearly shows her opinions about causal sex. Through this poem, Sharon Olds, has expressed her complete disrespect for those who would participate in casual sex.
Symbolism and imagery help Harwood to achieve the poem’s purpose in creating a sympathetic tone towards the woman’s struggle. The use of rhyming couplets and irregular short sentences create a hectic and disorganised structure and rhythm to the poem, which symbolises the mother’s life. Harwood uses emotive description and olfactory imagery to allow the audience to experience exactly what the woman is feeling. “A pot boils over.
Few endeavors would appear as arduous and maddening to a responsible scholar as a biography of Shakespeare's wife, Ann Hathaway. We have almost no solid facts about Mrs. Shakespeare's life, and we know almost nothing about the Shakespeares' marriage. We know that the playwright could have brought his wife to live with him in London and did not, though we don't know how often he made the three-day trip back to Stratford. We know that in his will, he left his wife only his "second-best bed."
just enough to keep on the right side of her until he gets what he
The third decade of the twentieth century brought on more explicit writers than ever before, but none were as expressive as Anne Sexton. Her style of writing, her works, the image that she created, and the crazy life that she led are all prime examples of this. Known as one of the most “confessional” poets of her time, Anne Sexton was also one of the most criticized. She was known to use images of incest, adultery, and madness to reveal the depths of her deeply troubled life, which often brought on much controversy. Despite this, Anne went on to win many awards and go down as one of the best poets of all time.
The. Maybe it is a genuine love poem to his mistress, sort of. offer of a way of life. Both concepts, though, underline the point. simplistic romanticism of the poem.
Jane leaves Gateshead for Lowood Institution, a charity school. Despite the unwelcoming conditions of the institution, Jane is able to develop into a woman due to the influence of the next positive role model in her life, Helen Burns. Helen Burn is Jane’s eventual best friend. She is an intelligent, composed, and kind young woman. But more importantly, she is devoutly religious. Her steadfast faith in God provides Jane an exemplary model of a female Christian. Helen teaches Jane important aspects of Christianity that influence her later life decisions. The first thing Helen does is tell Jane to read the New Testament on follow Christ’s example. “Love your enemies; bless them that curse you,” (Bronte 55) she says, teaching Jane her first lesson: forgiveness. This lesson gives Jane the ability to eventually let go of her hatred of those who wronged her and helped eliminate the bitterness building up inside her. This is especially important when it come to Rochester. Jane left Rochester after finding he kept the truth about Bertha from her, but her love for him and her ability to forgive drives her come back.
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
The worst physical wounds are temporary, and will heal given time. However, deep emotional or mental wounds last for a whole life. In Of Mice and Men by John Steinbeck, the two most wounded people are Curley’s wife and Crooks. Everyone avoids Curley’s wife because of her dominating husband, and she eventually gets brutally murdered when Lennie breaks her neck. Judging between her and Crooks, however, Crooks is more wounded; he is physically disabled, emotionally abused, alienated from other people, and doomed to a lifetime of suffering because of his ethnicity. A close look at Curley’s wife shows that she is significantly more wounded than the other main characters.
The repetition of the word "blind" introduces the theme of light and darkness. The streets of Dublin are described as "being blind"(2236) suggesting they do not lead anywhere. The houses are personified as being sombre and having "brown imperturbable faces"(2236), creating the shift from a literal setting to a state of mind. The streets remain silent until the boys are set free from school (2236), comparing the school to a prison: mundane and repetitive, and comparing their departure from school to a type of liberation for the children.... ...
Lincoln's first sentimental hobby was Ann Rutledge, whom he met when he initially moved to New Salem; by 1835, they were seeing someone not formally locked in. She passed on at 22 years old on August 25, 1835, doubtlessly of typhoid fever.[59] In the mid 1830s, he met Mary Owens from Kentucky when she was going by her sister.[60]
Steinbeck uses possessive apostrophe to present the character of Curley’s wife as an object. Every time she is mentioned, she is referred to as ‘Curley’s wife’ rather than a name. This makes the reader think that she has no identity because a name is what contributes to your identity. Also, she is considered as having no voice because the other men say that she is a ‘looloo’ and gossip about her. This makes the reader feel sympathy towards Curley’s wife because she has no view of her own and cannot be recognised as a person. In the 1930’s, women were considered as housewives and were to stay within the house and obey their husband and Steinbeck has chosen to follow the stereotype of the 1930’s because women weren’t accepted in society which was male dominated.
Imagery and over exaggerations in both My Last Duchess and To His Coy Mistress reveal similar pessimistic attitudes toward women. For example, when the speaker in “My Last Duchess” says, “Her looks went everywhere,” in Line 24, it is evident that this is an over-exaggeration. The duchess’ looks did not surely go everywhere and the speaker more than likely used this exaggeration to emphasize his discontentment with what some readers might call friendliness. In the speaker’s eyes, his duchess was incessantly flirtatious with other men, when in reality, the woman was likely being merely friendly. This reveals that the man distrusted his wife because of this trait. In “To His Coy Mistress”, lines 27-30 provide grim imagery to reveal a similar yet
Christopher Marlowe is a late sixteenth-century writer sometimes placed “close to Shakespeare in his achievement” (Ribner 212); Marlowe's pastoral poem “The Passionate Shepherd to His Love” (1599) was even initially “ascribed to Shakespeare” (Brooke 393). With a different tone than most of his dramatic work, Marlowe's poetry often includes a male and a female character in a real or imagined romantic relationship. “The Passionate Shepherd to His Love” portrays a somewhat powerful male character who performs all of the action, while the female character is portrayed as passive and superficial. Like many of the metaphysical poets of the next century, Marlowe's sixteenth century male character uses rhetoric to seduce the female character (which is paradoxical since the men tend to praise and ideal chaste women), and in the case of Marlowe's Shepherd, the rhetoric he uses tends to focus on superficial promises of idealistic love and pleasure. He enforces the common theme of carpe diem suggesting that there will be immediate gratification of their sexual passions, escaping societal rules and returning to a pristine condition of happiness. Furthermore, the Shepherd is often so preoccupied with convincing his lover “to come live with” him and be his “love” (Marlowe 20), that at times he becomes forceful, sexual and aggressive by using double entendres and hidden sexual images. Thus, in “The Passionate Shepherd to His Love” not only does Marlowe's poetry reinforce gender stereotypes of the male as active and the female as acted upon, Marlowe's male character goes one step further and use aggression to get what he wants from his female lover: her body.