Jane leaves Gateshead for Lowood Institution, a charity school. Despite the unwelcoming conditions of the institution, Jane is able to develop into a woman due to the influence of the next positive role model in her life, Helen Burns. Helen Burn is Jane’s eventual best friend. She is an intelligent, composed, and kind young woman. But more importantly, she is devoutly religious. Her steadfast faith in God provides Jane an exemplary model of a female Christian. Helen teaches Jane important aspects of Christianity that influence her later life decisions. The first thing Helen does is tell Jane to read the New Testament on follow Christ’s example. “Love your enemies; bless them that curse you,” (Bronte 55) she says, teaching Jane her first lesson: forgiveness. This lesson gives Jane the ability to eventually let go of her hatred of those who wronged her and helped eliminate the bitterness building up inside her. This is especially important when it come to Rochester. Jane left Rochester after finding he kept the truth about Bertha from her, but her love for him and her ability to forgive drives her come back.
Second, Helen shows Jane how to develop one’s own thoughts regarding religion. Though she is a devout Christian, Helen follows her own doctrine. Seeing that it is inconsistent to believe in omnibenevolent god while also believing in eternal punishment in Hell, Helen chooses to believe in eternal salvation: “I hold another creed; which no one ever taught me, and which I seldom mention...it extends hope for all: it makes Eternity a rest—a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last” (5...
... middle of paper ...
...when there is no temptation: they are for such moments as this…” Jane’s morals are, fortunately, unwavering: “inviolate they shall be.” She relies on her judgement before this all happened—“preconceived opinions, forgone determinations”—when her mind was clear and free from the influence of mortal love. By remembering the values she held, she finds the strength to stand her ground. Her belief in God’s love supports her ability to resist Rochester.
For Jane, love means everything to her. But by being connected to God, she is able live with being desperate for the love of others. Without Helen’s influence, Jane may have succumbed to the temptation of love and married Rochester, and thereby, commit a sin. Maria Lamonaca also notes this, saying that Helen “seems to provide her [Jane] with a moral framework for later resisting an idolatrous relationship” (Lamonaca 254).
Jane seems to learn quickly that she is the only one who can help her break free from her entrapment. The first place Jane must learn how to leave is Gateshead. She is not happy at Gateshead because is constantly put down by her cousins and even the servants. Helen tries to teach Jane to forgive her enemies in order for Jane to be able move on and gain confidence in herself:
Jane continues her new life at Thornfield now with the interest of Mr. Rochester and she thinks about the concept of marriage. Charlotte Bronte shows the way each character thinks of each other and how they treat each other. Jane is treated like an invisible un-acknowledgeable maid. Mr. Rochester treats her oppositely unlike his guests. While Jane sits and observes the guest she has an interesting analysis on their looks, behavior and status. Jane’s response to Mrs. Ingram’s engagement made her look like she is better than Mrs. Ingram.
The tone of Jane Eyre is direct, perhaps even blunt. There is no prissy little-girl sensibility, but a startlingly independent, even skeptical perspective. At the age of 10, the orphan Jane already sees through the hypocrisy of her self-righteous Christian elders. She tells her bullying Aunt Reed, "People think you a good woman, but you are bad; hard-hearted. You are deceitful!" and "I am glad you are no relative of mine; I will never call you aunt again so long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say that the very thought of you makes me sick." (In fact, when her aunt is elderly and dying, Jane does return to visit her, and forgives her. But that's far in the future.) With the logic of a mature philosopher, in fact rather like Friedrich Nietzsche to come, Jane protests the basic admonitions of Christianity as a schoolgirl: "I must resist those who ... persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel that it is deserved." And this bold declaration, which would have struck readers of 1847 (in fact, of 1947) as radical and "infeminine":
In fact, I am glad the book ended with the focus on the character of St. John instead of with Jane or Rochester, as it hints to us that the importance of the book is not about finding the right person, falling in love, and living happily ever after. The theme of this book is about following your conscience. In this regard, Jane and St. John both did the same thing in this story: They both had strong, driving consciences; they both were tempted but pursued their course; and they both found a satisfying life in the end. This book is not about developing a relationship with a romantic partner, but about developing a relationship and learning to follow and live in tune with your own moral conscience.
Charlotte Bronte's Jane Eyre may be superficially read as simply a sweet romance in which Jane ends up with the man of her dreams after overcoming many obstacles and challenges. But doing so misses the much deeper—richer—messages of Bronte's lasting masterpiece. A more thoughtful reading reveals this novel, especially its heroine Jane, challenging centuries-old gender roles which assume male supremacy, characterizing men as the dominant, more privileged gender, while women are oppressed into inferior and submissive roles. Of course this Victorian novel portrays the expected gender roles of both men and women in 19th century England, but Jane rises out of the patriarchy challenging the social roles assigned her with a personality marked by sass and self-assurance . Ms. Bronte, through Jane, ultimately demonstrates that women can live their lives on equal terms with—or independent of—men.
Jane abhors her life in Gateshead where she lives with her malicious aunt who falsely declares her deceitful. When Jane falls ill, she tells the doctor that she would like to attend school, and Mrs. Reed was happy to be rid of her. Jane, finally feeling free of the cruel authority of Mrs. Reed, renounces their relation when she tells her that “I am glad you are no relation of mine. I will never call you aunt again as long as I live… and if anyone asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty” (Bronte 34). This is the
Charlotte Bronte’s Jane Eyre focuses on the life of a young orphan named Jane Eyre. In the beginning of the novel Jane is living with her aunt, Mrs. Reed at Gateshead Hall, where she is treated horrible by not only Mrs. Reed, but her children as well. Later in the story Mrs. Reed takes to Jane to the Lowood Institution, a charity school run by the a man named Mr. Brocklehurst. While at Lowood, Jane meets Helen Burns, who befriends Jane and ends up helping her learn how to endure personal injustices and believe in God. When Jane is 18 she starts to advertise for a job as a private tutor. After doing so, Jane gets hired to be a governess to the young Adele Varens at Thornfield manor where she meets the love of her life Mr. Rochester, the master of Thornfield manor.
Throughout Jane Eyre, Jane searches for a way to express herself as an independent person who needs help from no one, yet she also wishes to have the love and companionship of others. Often times, Jane finds that she can have independence but no one to share her life with, or she can have the love of another at the loss of her independence. Jane's entire journey is based on the goal of achieving a seamless blend between independence and love, a mixture that rarely seems to go hand in hand.
In Charlotte Brontë’s Jane Eyre, Jane encounters several characters during the stages of her life. Some of the characters appear in more than one stage of her life such as Mrs Reed, Bessie, and Rochester. There are other characters who are only there for her for a short period of time such as St John, Miss Temple, and Helen Burns. Although these characters are only in Jane’s life for a short time, they each have a great impact on Jane, especially Jane’s encounter with Helen at the Lowood Institution. Helen Burns makes a grave impact on Jane’s life, at Lowood and continuing on for the rest of her life.
Moseley goes on to say, “Liberty and love are in some way at war in the lives of all of us.” It is not until Jane reaches personal liberation, that she is capable of loving someone else to a full extent. Throughout Jane Eyre Jane must learn how to gain love without sacrificing herself in the process. Orphaned at an early age, Jane becomes used to a lackluster lifestyle without any true value. It is not until she finds love and comfort in her friends at Lowood that her life begins to turn around. Upon meeting Rochester, Jane’s life was only as plain as she made it. She untwines in a world wind romance, ultimately finding the love she craved without losing her self-value.
Charlotte Brontë composed her novel Jane Eyre during the Victorian era; a period of history where Patriarchy set the expectations of men and women. The effect of this social system resulted in women suffering discrimination simply because of their gender. Sigmund Freud, in his essay entitled, “The Relation of the Poet to Day-Dreaming,” articulated that women were only capable of having erotic wishes dominate their “phantasies,” and even their ambitious “phantasies” were rooted in erotic wishes (177). The predominating thought concerning women during this era was that, due to their nature, longed to marry—tending to the needs of her household. Those who were not fortunate enough to marry (due to appearance or social status) were to become governesses. Ms. Brontë, through her protagonist Jane Eyre, clearly depicts the struggles of an indigent young woman who is forced into near slavery. This tale is articulated well by Adrienne Rich in her essay entitled, “Jane Eyre: The Temptations of a Motherless Woman,” when she states that Jane wants to “choose her life with dignity, integrity, and pride” (471). Even though Charlotte Brontë depicts a woman who will not be bound by the mores of her society, she is not so exuberant as to have her protagonist proclaim “I am woman, hear me roar.” The toning down of Jane’s demeanor can be attributed to satisfaction of the critics, but Brontë also expresses that the societal expectations, or the patriarchal rights of men, produced a similar negative effect on men. From John Reed and his self-righteous attitude, to Rochester’s internal battle in regards to the treatment of women, Charlotte Brontë demonstrates that sexism—inherent in a patriarchal society—has an adverse affect on both men and women.
While at Lowood, a state - run orphanage and educational facility, Jane’s first friend, Helen Burns, teaches her the importance of friendship along with other skills that will help Jane grow and emotionally mature in the future. She serves as a role model for Jane. Helen’s intelligence, commitment to her studies, and social graces all lead Jane to discover desirable attributes in Helen. Helen is treated quite poorly, however, “her ability to remain graceful and calm even in the face of (what Jane believes to be) unwarranted punishment makes the greatest impression on the younger girl” (Dunnington). Brontë uses this character as a way to exemplify the type of love that Jane deserves. This relationship allows Jane to understand the importance of having a true friend. Given Jane’s history at Gateshead, finding someone like Helen is monumental in her development as a person. Helen gives through honest friendship, a love that is
Jane makes her journey from Gateshead to Lowood at the age of ten, finally freeing her from her restrictive life with her aunt, who hates her. Jane resented her harsh treatment by her aunt. Mrs. Reed’s attitude towards Jane highlights on of the main themes of the novel, the social class. Jane’s aunt sees Jane as inferior, who is less than a servant. Jane is glad to be leaving her cruel aunt and of having the chance of going to school.
Women, in all classes, were still living in a world which was misogynistic and male-dominated. Their purpose in life was to produce male heirs and maintain the home by hiring and overseeing servants. It was also taboo for one to marry significantly below one’s social class. This is one reason that Jane is not a conventional heroine for the society of her time. Although, as a governess, she is not considered to be as low as a housemaid, she is still part of the hired help in the house. This is why it is unconventional for her and Mr Rochester to be in a relationship. Yet this is not as peculiar as how Jane Eyre ends their relationship due to her sense of betrayal. It would have been considered extremely foolish for a working-woman’s sense of betrayal to end and turn down a man of great wealth.
Love is an important theme in the famous novel Jane Eyre by Charlotte Bronte. Jane's love for Rochester is clearly noticible throughout the novel. But Jane's true love for Rochster becomes appearent in only a few of her actions and emotions. Although it may seem Rochester manipulated her heart's desire, this can be disproven in her actions towards him. Jane followed her heart in the end, by returning to Rochester.