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Literary Analysis
Literary Analysis
Topics and themes of John Steinbeck's works
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Steinbeck uses possessive apostrophe to present the character of Curley’s wife as an object. Every time she is mentioned, she is referred to as ‘Curley’s wife’ rather than a name. This makes the reader think that she has no identity because a name is what contributes to your identity. Also, she is considered as having no voice because the other men say that she is a ‘looloo’ and gossip about her. This makes the reader feel sympathy towards Curley’s wife because she has no view of her own and cannot be recognised as a person. In the 1930’s, women were considered as housewives and were to stay within the house and obey their husband and Steinbeck has chosen to follow the stereotype of the 1930’s because women weren’t accepted in society which was male dominated.
Steinbeck uses a predisposition view to mislead the reader about the character of Curley’s wife. Steinbeck uses the noun phrase ‘got the eye’ to describe the way she flirts with other men. By doing this, it suggests and shows that she is flirtatious and isn’t loyal to Curley and this wasn’t the stereotype in the 1930’s. The noun ‘eye’ suggests that she is misleading men and taking advantage of them. This makes the reader feel hatred towards
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Curley’s wife is described as having ‘rouged lips’ and ‘red mules’. By using the repetition of ‘red’, it can carry connotations of anger as well as love. This may suggest that Curley’s wife arouses anger within the men and the reader, but is actually loving at heart because she has a parental quality with Lennie. This supports the reader’s idea of Curley’s wife being flirtatious and disloyal to Curley. This makes the reader feel more anger and hatred because they feel that she has no consideration as to the way she is leading others. In the 1930’s, on posters and other means of media, women looked like the way Curley’s wife is described and this is more use of the stereotype in the
Curley’s wife is an outsider on the ranch, simply because she is the one. only woman there is. Steinbeck never named Curley’s wife. She is defined by her relationship with Curley, as his property, not as an individual. Namelessness also has the effect of reinforcing how insignificant she is in the life of the ranch, how dependent she is on Curley, for her.
In John Steinbeck’s book Of Mice and Men, Steinbeck portrays Curley’s wife as a flirtatious, mischievous, and over all isolated woman. Steinbeck doesn’t give this character a name, yet she is one of the most important characters in the story. Curley’s wife first comes off as flirtatious to the main characters, George and Lenny, when they first hear about her from the character Candy . Candy is talking about how she gives men “the eye”. He also displays his feelings about her by saying, “Well, I think Curley’s married… a tart”(28). This is setting George and Lenny up to expect she is a flirt.. Steinbeck describes Curley’s wife in her first introduction as a scantily dressed woman.. Steinbeck writes, “Both men [George and Lenny] glanced up, for the rectangle of sunshine in the doorway was cut off. A girl was standing there looking in. She had full, roughed lips and wide-spaced eyes, heavily made up. Her fingernails were red. Her hair hung in little rolled cluster, like sausages. She wore a cotton house dress and red mules, on the insteps of which were little bouquets of red ostrich feathers”(31). The color red is sometimes considered for portraying a sign of danger or sex. This passage supports Curley’s wife as being flirtatious and also how she’s dangerous and can cause trouble displaying herself while she is married. Also, when George and Lenny are talking to Curley’s wife she tries to flirtatiously talk to them too. After their first conversation she re-adjusts herself. Steinbeck displays her with “She put her hands behind her back and leaned against the door frame so that her body was thrown forward”(31). Steinbeck is explaining to the reader in detail that Curley’s wife is trying to show herself to Lenny and George to get thei...
Curley’s wife represents every woman in society who is insecure in life in someway; therefore, eroding people and society’s trust. Meaning they are lead by their insecurities to do things that they shouldn’t do; therefore, causing people and society to lose trust in the insecure person. Specifically, Curley’s wife is insecure because of how her life is rather than how it could’ve been. Subsequently, this leads to regret, which is contagious like the flu: regret leads to her doing things and acting out in ways that she shouldn’t; therefore, she is receiving attention from others. Just like all the other women in society she had her life picked for her; this makes her feel like she has no power over her own life so she tries to do things
The character of Curley’s Wife is very hard to unravel, as throughout the book, Steinbeck’s representation of women through characters such as George and Candy, is very harsh. This is because the sociological opinion at that time was that they were either, mothers, sisters, or prostitutes, as the audience soon see, George and other ranch workers refer to her as “bitch” “loo loo” and “tramp”. There were also a growing number of prostitutes during the Great Depression period, as they would offload their services to those whom were able to pay and have some decent income during the Depression. Other aspects that may make Curley’s Wife seem like a tart, is Curley’s “Glove Fulla’ Vaseline”. Curley literally keeps a glove full of Vaseline, in order to keep his hand soft, possibly for a sexual act. Curley boasts to Candy that the hand is for his wife, which tells us that she gives him consent to do these acts to her, and also, Curley’s nerve to inform fellow workers about his glove shows that he believes that his own wife is a tart, which is very controversial today, but back then, women were seen as nothing more than possessions, yours to do what you will. George informs Lennie to avoid Curley’s Wife at all costs, and not to talk to her, because of her promiscuous behaviour, he believes t...
Steinbeck displays, Curley’s wife as more of an object to the men at the ranch. He conveys this idea through the description of her appearance. When Steinbeck introduces the reader and George and Lennie to Curley’s wife he takes a long time to describe her. “She had full rouged lips and wide spaced eyes, heavily made up. Her finger nails were red “. This quotation suggests that Curley’s wife is an object to men in society and that she is as worth as much as she is wearing. Not only does Steinbeck describe her appearance he also describes her actions when on the ranch and talking to the men. He does this to show the awareness that the men have towards her. “She puts her hands behind her back and leaned against the door frame so that her body was thrown forward”. A lot of the men on the ranch try to ignore and do not want to start a conversation with her but through Steinbeck’s description of her actions the reader can see that she craves attention from the men on the
Curley’s wife is also portrayed as a victim because she’s stuck with Curley. Curley’s wife is about 17 maybe 20 and she’s having a sad life dealing with Curley. Steinbeck writes “Well, I ain’t told this to nobody before. Maybe I ought’n to. I don’ like Curley. He ain’t a nice fella.” (89). Steinbeck shows that Curley’s wife doesn’t even like him. This what shows how Curley’s wife is nothing but a victim because she does things that she doesn’t want to do. If she was a free woman and does whatever she wants, then she would be a better person to herself.
From her first appearance in the story, Curley’s wife is described as a different kind of threat, one who is all artifice and manipulation from her red lips and fingernails to her red mules, “on the insteps of which were little bouquets of red ostrich feathers” (Steinbeck 31). The imagery Steinbeck uses, paints her as a woman who is quite bold, but fragile with a passionate essence.
Curley’s wife has only been married to Curley for two weeks, but still the men on the ranch already have many negative opinions on her. These opinions and judgements take away from her authority and make her powerless on the ranch. While arguing with Curley about his wife Carlson says, “Whyn’t you tell her to stay the hell home where she belongs. You let her hang around bunkhouses and pretty soon you’re gonna have som’pin on your hands and you won’t be able to do nothing about it” (Steinbeck 62). The way Carlson speaks of Curley’s wife makes her sound like she is a possession, not a human being. This ties back into her not even having a name, but simply being defined by her relationship with Curley. Instead of confronting Curley’s wife about her behaviour, they consult with Curley instead and tell him that he needs to reign his wife in because she is too distracting and unpredictable. They treat her with no respect and it takes away from all of the authority that she should have over them because of her wealth and connection to Curley.
In the Steinbeck novel ‘Of Mice and Men’, he introduces us to the character of Curley’s wife. She could be interpreted as a mis-fitting character in the novel, as no one relaters to her. This essay will go on to examine the character of Curley’s wife and how characters perceive her and how this influences the readers interpretation of her.
potential threat to the two men. George sees her as 'poison' and 'jailbait'. He is angry
4.8 million women from all around the world participated in a Women’s March. In my opinion this was a ludicrous and stupid act that just made women everywhere look bad. Sexism still exists in our society today and it’s awful. Although, some women really need to just buck up and get their hormones in check. Of Mice and Men has very clear connections to sexism using the experiences of Curley’s Wife.
Curley’s wife is always looking for ways to get attention. Curley’s wife is searching around for Curley when she comes upon Crooks, Lennie ,and Candy talking about lennies plan to leave with george and start a ranch. She starts flirting with the men and Candy says “‘You got no call foolin’ aroun’ with other guys, causin’ trouble’”(77). The author John Steinbeck uses characterization to show what a
Curley’s wife is called ‘Curley’s wife’ throughout the whole novel. Her name confirms she is an object of possession rather than a person in her own right. The apostrophe in ‘Curley’s wife’ is possessive and has no identity of her own.
In this passage, Steinbeck’s carefully chosen description of Curley’s wife evokes the sexualisation of women and proves that women in most cases were not able to talk to other men without being seen as a tart or jailbait in the early 20th century. Steinbeck’s portrayal of Curley’s wife in such a sexualized way in Of Mice and Men is important to the readers as it highlights in history, women were often used as sex and house objects for men, and if a woman was nice and/ or smiled at another man that was not her husband, she was leading him on and was instantly classified as a whore or a tramp.
At first, the reader is exposed to her flaws, all the things that cause her to be disliked by the men in the ranch. She is referred to with words such as ‘bitch’ and ‘tart’ before she’s introduced to the audience, which instantly causes the reader to attach negative connotations to her character. These are also aggressive and sexist terms used to describe Curley’s Wife who has little power. Conversely, in her final death scene, she is described as ‘pretty’ and ‘simple’ making the reader feel a sense of sympathy towards her and realise her actions as nothing more than desperate pleas for attention. The use of the adjectives ‘pretty’ and ‘simple’ suggest that Curley’s Wife is simply human. Like the men on the ranch; she’s pure and quite innocent. Steinbeck can be seen as a feminist as his intentions were very different from what we as readers might have thought. A modern reader might believe that Steinbeck was a misogynist, however his intentions were to make us emphasise with this woman who had such a difficult life due to the context and sex, and to make us look at these kind of women