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Essay on life of saints
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In a Catholic society, such as Valle di Sole in Lives of the Saints by Nino Ricci, it is common for people to be named after saints, making Hagiography, a study of the lives of the saints, a study of high importance. Essentially, in Ricci’s novel, the characters draw many parallels from their name saint, such as personality, notable events, and martyrdom, which eventually leads to living a life comparable to their name saint, as if destined by fate.
To begin, Cristina Innocente lives a life parallel to her name saint, St. Christina of Bolsena, by bringing a wave of change to their hometowns. For example, a biography of Saint Christina on Catholic Online states that “[after an] angel called her… Christina smashed all the [Pagan] idols in her room and threw them out the window,” a bold act of courage, rebelliousness, and change, especially coming from a person who was expected to become a Pagan priestess in a town so devout to Paganism. Although much more controversial than the acts of her name saint, Cristina Innocente also sends shockwaves by embracing secularism through pursuing a scandalous, sexually liberal life of self-expression. In an interview with Nino Ricci by Mary Rimmer, he explains further, stating, “When people live in that sort of repressive environment… They start out thinking “What are my options here? What can I do? I need some avenue of self-expression”... So for Cristina to take a lover was a rebellious act within the rules of her society.” By her engagement in a daring affair, she is indirectly advocating liberalism in a society where conservative Catholic catechism, mythical superstitions, and traditional beliefs, is the norm. Conclusively, Cristina shares many features with her name saint by advocating for ...
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...rallel to their name saints. Undeniably, Cristina Innocente is no saint, nor is she anywhere close to being a saintly character. However, as Nino Ricci has stated in the interview, “The saint’s stories are presented as didactic stories with clear morals...In fiction and life...it’s never that clear.” In the end, no one truly knows if someone was morally right or wrong until after death, and even that is subject to controversy and change. However, if there is one aspect that is certain, it is that Christina may not be a saint, but she surely lives up to the life of her saintly counterpart.
Works Cited
Ricci, Nino. Lives of the Saints. Dunvegan, Ont., Canada: Cormorant, 1990. Print.
Ricci, Nino. “Nino Ricci: A Big Canvas.” Interview by Mary Rimmer. Studies in Canadian Literature 18.2 (1993)
"St. Christina." Catholic Online. Catholic Online, n.d. Web. 26 Apr. 2014.
One must take careful consideration before acting because the aftermath can lead to a chain of events whose consequences can be disastrous. Nino Ricci’s Lives of the Saints is an excellent example of how the consequences of a persons actions can affect everyone around them, including themselves. First, Cristina makes several choices throughout the novel that not only reflect her thoughtlessness, but her inability to see that it affects people beyond herself. The repercussions of Cristina’s actions demonstrates that she does not take notice that her actions are affecting others. Cristina’s value system is distorted as she is not looking at what is best for her child but rather what is feeling good to her right now. Cristina Innocente is a selfish,
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
In Miguel de Unamuno’s novella San Manuel Bueno, Martyr, readers learn about the life of Don Manuel, a Catholic priest secretly holding atheist beliefs and doubts in the afterlife. Despite these disbeliefs, Don Manuel works tirelessly to help his community and is regarded as a saint by all who meet him, hence the handle “San Manuel,” which literally translates to “Saint Manuel.” Don Manuel’s struggle and affiliation with sainthood receives further analysis and context from Francisco LaRubia-Prado, who parallels Unamuno’s novella to elements of Greek Tragedy and heroism. Drawing from Unamuno’s background with Ancient Greek playwriting and Sigmund Freud’s Totem and Taboo, LaRubia-Prado argues that Don Manuel should be seen as a representation of Christ and must suffer in silence in order to play the role of the dying, tragic hero that saves the
Vannatta, Dennis. "Theme and Structure in Tim O'Brien's Going After Cacciato." Modern Fiction Studies 28 (Summer 1982): 242-246.
...itating Malvolio's Reading." Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 45 (2009): 261-286. MLA International Bibliography. EBSCO. Web. 6 Nov. 2009.
...eedom was found and cultural boundaries were not shattered, simply battered, the narrator’s path was much preferable to that of her sisters (those who conformed to cultural boundaries). Through this story we can see how oppression in certain cultures changes individuals differently, creates tension between those who do not wish to be subjugated and those doing the subjugating, and we see the integral opposition between the path of Catholicism and that of curandismo.
Kempe’s story has a typical beginning. She is married, soon thereafter conceives her first child, and goes on to give birth to fourteen more children. She assumes the responsibilities of a wife and mother whose position in the late medieval society is assured by the solid reputation of her father, John Burnham, and her husband, John Kempe. However, Kempe’s conventional story changes early in her life by an elusive interaction with Jesus that she experiences shortly after her first excruciating child birth. Women were expected to carry out the societal norm of a good wife and mother which meant staying home to tend to the family. As we’ve seen, this is the opposite of how Kempe wanted to live her life — she hastily became distinguished and recognized. Her autobiography explains her own efforts to dissociate herself from the covetous and restric...
I invite you to consider the life of an interesting human being with me in this paper. Let us investigate together the man known as Irenaeus of Lyons. We will endeavor to gain an overall verbal portrait of the man who is considered the most significant ecclesiastical witness before Eusebius and the leading theologian in the second century A. D. The Eastern Orthodox Church and the Roman Catholic Church both consider Irenaeus to be one of their “holy saints“. The name Irenaeus means a “‘man of peace,’ and the early Christian historian Eusebius honored Irenaeus as a peacemaker in keeping with his name.”
Delamotte, Eugenia C. reprinted in Twentieth-Century Literary Criticism Vol. 37. Ed. Paula Kepos. Detroit: Gale Research Inc., 1991.
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After the prior and others took the case to the Bishop, who ruled in Christina’s favor, Autti then bribed the man to change his mind. According to the hag-, Christina’s parents “hoped that she would have children who would be like her in character,” and the fact that Christina had taken a vow of chastity and refused to consummate her marriage made them believe “that they would lose her and all that they could hope to gain through her.” They repeatedly make clear attempts to force their daughter to consummate her marriage, yet all of them fail. The author of the hag- equals these events to supernatural intervention; however, Christina’s resistance to her parents’ authority and dramatic escape from the traditions of nobility showcase how difficult and dangerous it was to move against society’s expectations about parental authority and marriage. Her hag- provides an inside look at the trials one would have to subject themselves to in an attempt to move beyond the power structure and gain control for
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